Kent MacCarter



Submission to Cordite 93: PEACH

A ripe peach may seem the embodiment of the good life, but in this issue, PEACH also stands for the bitterness of brutality as well as the richness of resistance.

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Submission to Cordite 92: NO THEME VIII

I’m looking for work ‘with head, heart and guts,’ as Bei Dao says.

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Bella Li on as Associate Publisher

I’m honoured to announce that Bella Li will be joining Cordite Books as Associate Publisher. There is much activity with the books, and her masterful eye, publishing nous, and creativity will be a welcome and necessary addition.

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Alex Creece on as Production Editor

I’m honoured to announce that Alex Creece is joining the Cordite Poetry Review fold as Production Editor, joining us from her time in the Cordite / Monash University Summer Term Internship Program.

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Submission to Cordite 91: MONSTER

Kanye West said it himself – everybody knows – then Nicki Minaj out-rapped him … then Nicki Minaj vs Cardi B. Give me monster feuds and battles. Give me Conor McGregor attacking a bus. Give me monsters in the Oval …

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Submission to Cordite 89: DOMESTIC

DomesticI invite you to lean into this DOMESTIC sphere in all its homely undoing. Use words like beautiful bait to seduce hearts with razor-sharp decolonising intent and rupture the masquerading shape of cosy bliss, as only a poem can.

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Submission to Cordite 88: TRANSQUEER

TransqueerTRANSQUEER is a call for you to say something that maybe you haven’t been able to say before. It asks you to find poetry in / between lines, binaries and stultifying categorisations; from the life of flesh, from inside the bleating, many-chambered heart of gender and sexuality.

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Introduction to Helen Lambert’s Echoland

Helen Lambert’s work is as new to me as it will be to others – she has been operating away from Australian poetry for some time, with long periods in Ireland and, lately, Russia. One approaches a new poet warily. Yet the inventive and capable intelligence behind the poems here is immediately apparent. It is wonderful to be able to drop one’s guard, to forget it – and to enter a wonderful world.

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Introduction to Siobhan Hodge’s Justice for Romeo

Justice for Romeo, as a title, will seem both accurate and misleading for most readers; this is a book decidedly concerned with justice, and Siobhan Hodge’s sense of ethical responsibility pervades the poems. Hodge’s book includes as epigraph the exchange between Romeo and a servant in Act I, Scene ii of the most famous love story of all time; the servant asks, ‘I pray, can you read any thing you see?’, to which Romeo replies, ‘Ay, if I know the letters and the language.’

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Introduction to Lindsay Tuggle’s Calenture

Lindsay Tuggle’s poetry is uncomfortable to read: the discomforts one feels in reading her work are the very thing that make it memorable. At once immensely personal, ornate, and unapologetically embedded in female experience, it is a style unconcerned with irony or terseness. It is a verse informed by the still-alive alternative histories of the American South and haunted by the Southern Gothic literature that these histories inform.

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Introduction to Pascalle Burton’s About the Author Is Dead

Pascalle Burton’s About the Author is Dead refers to, and opens with an epigraph from, Roland Barthes’s seminal essay, ‘The Death of the Author’. Inside the collection, we find not one author but many: David Byrne and Grace Jones, Miranda July and Jacques Derrida; authors who are filmmakers, authors who are poets, philosophers and musicians.

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The 2018 Event Horizon of Micro Press Poetry Publishing in Australia

I begin with cosmic censorship conjecture, a formally observed tête-à-tête that coils between astrophysicists whenever they get worked up over space and matter. Einstein’s theory of general relativity predicts that matter can cataclysmically implode to a state where a given density and the space-time curvature split towards infinite values.

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Dale and Fleming on as Commissioning Editors

Dale and FlemingCordite is chuffed (once again) to announce that, joining Rosalind McFarlane as Commissioning Editor, Collaborations, Amelia Dale and Joan Fleming are joining the Cordite Poetry Review fold as Commissioning Editor, Experimental Literature and Commissioning Editor, New Zealand Literature respectively.

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20 Poets, a Free Anthology from Cordite Books

The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.

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Submission to Cordite 84: SUBURBIA

SuburbiaSend us your latest and greatest poems about the suburbs, the immense variety of life therein, and whether your suburban experience is inner, outer, middle-belt, beachside, exclusive, inclusive, multicultural, bogan, hipster or something else together.

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Submission to Cordite 83: MATHEMATICS

MathematicsThe invention of transfinite set theory by the 19th Century German mathematician, Georg Cantor, hinges the romantic conception of a boundless infinite to a post-Cantorian description of an infinity of infinities.

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Submission to Cordite 82: LAND

LandDisturbed land. Conserved land.

Whose land? Yours, mine, the landlady’s?

Landlocked.

Land unlocked.

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Submission to Cordite 80: NO THEME VI

Poetry for Cordite 80: NO THEME VI is guest-edited by Judith Beveridge. Here’s what I’m looking for: poems of fewer than 100 lines, on any theme or style. So that’s about as succinct as you can get. Judith worked Cordite …

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Alex Kostas in as Cordite’s First Summer Intern

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DALIT / INDIGENOUS AUSTRALIAN Editorial

This special issue of Cordite Poetry Review has its roots in a project Mridula Nath Chakraborty has been working on for the last three years.

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Cultural Partnership with Monash University and North American Book Distribution

We are pleased to announce that Cordite Publishing Inc. and The School of Languages, Literatures, Cultures and Linguistics at Monash University have entered into a major new cultural partnership. As Jaya Savige, Poetry Editor of The Australian, wrote in his …

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Submission to Cordite 57: CONFESSION

Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …

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Things We Inherited: Voices from Africa Curated by Liyou Libsekal

The African continent, being home to thousands of languages and hundreds of varying cultural identities, has richly diverse forms of poetic tradition. The world’s growing focus on the varied African cultures has created new platforms and new avenues open to African artists, writers, poets, musicians and filmmakers, etc.

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Submission to Cordite 56: EXPLODE

Poetry for Cordite 56: EXPLODE is guest-edited by Dan Disney. [[EXPLODE from ex– “out” + plaudere “to clap the hands”]] the spectacle Oculus Rift the α in their brickveneerdoms howzat Omid Fazal Reza Hamid Leo Lucky Country megafires Maulboyheenner form …

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