- 94: EARTHSUBMIT to M Takolander 93: PEACHCOMING SOONwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
Cover design by Zoë Sadokierski The polka originated in nineteenth-century Bohemia. A dance for two, it is reputedly simple to learn. Three steps and a hop, in fast duple time, with various steps – Turning Basic, Pursuit and Waltz Galop …
The blurb at the back of the book touts nothing here needs fixing as ‘a stunning attack on the pretentious white male gits who see poetry as an exalted profession to keep away from those who are loud, black, female, happy, or even in possession of lives outside poetry.’
The two men snarl across the sheets, a Babel tangle. He runs his tongue along the weird word of his body. He wraps his skin in moans behind a stack of towels, forgets his name, digs down to where delight …
Winner of the 2012 Thomas Shapcott Prize, Free Logic is the debut collection from poet and philosopher Rachael Briggs. The book is divided into nine sections, each poetically exploring themes of love, identity, and sexuality. Briggs infuses her poetic explorations with surreal allegories, moments of metamorphosis and a constant teasing of the ‘logical’, which allow for her poetry to forge an opening towards new possibilities. Briggs strikingly connects insightful fantasies with philosophical considerations.
The final poem in Lemon Oil, titled ‘The right metaphor’, combines the thesis of independence with the antithesis of loneliness to synthesise a new metaphor for love. Love, Jackson tells us, is not a chain, a cage, or a leash, but a long elastic cord that lets us fly free yet binds us to each other, ensuring that ‘there’s always/ a way home’. This tension between two desires (one for freedom, the other for closeness) is emblematic of the book as a whole.