- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Introduction to Zenobia Frost’s After the Demolition
- Phillip Hall Reviews Robert Harris’s The Gang of One: Selected Poems
- Adam Ford Reviews Rae White’s Milk Teeth and Anders Villani’s Aril Wire
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
‘What does it mean to protest suffering, as distinct from acknowledging it?’ – Susan Sontag Since many of the plotlines explored throughout my plays have started leaking into my current reality, I’m now publicly admitting to embracing other people’s anguishes …
Cecilia Vicuña is a multidisciplinary Chilean artist who describes her practice as dwelling in the not yet. Vicuña forms and disentangles meaning with poetry, oral performances, filmmaking, criticism and activism.
Hannah Earles reads from poems written on her bed sheets while Natasha Havir Smith plays electric violin. Molten Upset is a collective name for us – Autumn Royal and Lisa Lerkenfeldt – and we were stimulated by a kind of …
Matters of identity in relation to land are a major concern for poets writing in Australia. In the introduction to The Penguin Anthology of Australian Poetry (2009) John Kinsella points out that since its earliest forms Australian poetry expresses ‘a sense of urgency about communicating the uniqueness and significance of the Australian landscape, and the relationship between individuals and community and country/place’.
Bel Schenk’s third poetry collection, Every Time You Close Your Eyes, is sparsely written, yet deeply self-aware. Taking the form of a verse narrative, the book is a series of poems exploring events commonly referred to as the ‘New York City blackouts of 1977 and 2003’, similar in circumstance, yet as Schenk demonstrates, vastly different due to the temporal space between them.
[After Hong-Kai Wang’s A Conceptual Biography of Chris Mann] ‘i mean am i Wrong to prefer your version of me?’ – Chris Mann ‘It begins with affections. It departs from one’s desire to construct a biography of an artist’s life …
Primarily known as a performance poet and rapper, Omar Musa has embarked on another textual form with his latest publication, Here Come the Dogs. Written in a combination of verse and prose, Here Comes the Dogs offers an intimate portrait of three young men negotiating issues of identity and marginalisation in an unnamed Australian city. Musa, who is Malaysian-Australian, positions his poetry and prose in a manner that allows for his book to confront themes surrounding cultural and ethnic identities, intersectional discrimination and problematic expressions of masculinity and power.
Winner of the 2013 Queensland Literary Awards for Best Emerging Author, Gap is Rebecca Jessen’s debut verse novel and a bold entrance into a strong line of Australian verse novels.
Written by: Autumn Royal Sound production by: Daniel Jenatsch Spoken by: Autumn Royal, Daniel Jenatsch, and Harriet Gregory [audio:http://cordite.org.au/audio/Highway99.mp3|titles=Along the Highway, 1999] Along the Highway, 1999 (7:23) Sun sparks against the cold curve of moon, sand returns to the colour …
The poetry in Todd Turner’s debut collection Woodsmoke explores topographies of land and memory. Comparable to the approach of Australian poets such as Philip Hodgins and Brendan Ryan, many of Turner’s poems explore human interactions with rural landscapes. Turner’s biographical note indicates that his ‘parents were from farming families in the town of Koorawatha, situated on the Western Plains of New South Wales’ (v). Like Hodgins and Ryan, Turner is unafraid to include autobiographical references within many of his poems.
After Louise Cotton’s Palmistry and Its Practical Uses My reason curls around—possibility—the practice of cheirosophy—the prediction of character as demarcated by the hand— each line & mark—sparks a meaning that deepens as the reader traces the heart line towards—Jupiter’s etching. …
– after Emily Dickinson There’s nothing to shatter on this evening. The window is open, the neighbours may look. With my mouth held shut I fill the saucepan. Black marks, once boiled-over, flake into the water. I dwell in possibility, …