- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Consevatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
- Nights of Excesses
- Ghosts of Instagram
Cecilia Vicuña is a multidisciplinary Chilean artist who describes her practice as dwelling in the not yet. Vicuña forms and disentangles meaning with poetry, oral performances, filmmaking, criticism and activism.
Hannah Earles reads from poems written on her bed sheets while Natasha Havir Smith plays electric violin. Molten Upset is a collective name for us – Autumn Royal and Lisa Lerkenfeldt – and we were stimulated by a kind of …
Matters of identity in relation to land are a major concern for poets writing in Australia. In the introduction to The Penguin Anthology of Australian Poetry (2009) John Kinsella points out that since its earliest forms Australian poetry expresses ‘a sense of urgency about communicating the uniqueness and significance of the Australian landscape, and the relationship between individuals and community and country/place’.
Bel Schenk’s third poetry collection, Every Time You Close Your Eyes, is sparsely written, yet deeply self-aware. Taking the form of a verse narrative, the book is a series of poems exploring events commonly referred to as the ‘New York City blackouts of 1977 and 2003’, similar in circumstance, yet as Schenk demonstrates, vastly different due to the temporal space between them.
[After Hong-Kai Wang’s A Conceptual Biography of Chris Mann] ‘i mean am i Wrong to prefer your version of me?’ – Chris Mann ‘It begins with affections. It departs from one’s desire to construct a biography of an artist’s life …
Primarily known as a performance poet and rapper, Omar Musa has embarked on another textual form with his latest publication, Here Come the Dogs. Written in a combination of verse and prose, Here Comes the Dogs offers an intimate portrait of three young men negotiating issues of identity and marginalisation in an unnamed Australian city. Musa, who is Malaysian-Australian, positions his poetry and prose in a manner that allows for his book to confront themes surrounding cultural and ethnic identities, intersectional discrimination and problematic expressions of masculinity and power.
Winner of the 2013 Queensland Literary Awards for Best Emerging Author, Gap is Rebecca Jessen’s debut verse novel and a bold entrance into a strong line of Australian verse novels.
Written by: Autumn Royal Sound production by: Daniel Jenatsch Spoken by: Autumn Royal, Daniel Jenatsch, and Harriet Gregory [audio:http://cordite.org.au/audio/Highway99.mp3|titles=Along the Highway, 1999] Along the Highway, 1999 (7:23) Sun sparks against the cold curve of moon, sand returns to the colour …
The poetry in Todd Turner’s debut collection Woodsmoke explores topographies of land and memory. Comparable to the approach of Australian poets such as Philip Hodgins and Brendan Ryan, many of Turner’s poems explore human interactions with rural landscapes. Turner’s biographical note indicates that his ‘parents were from farming families in the town of Koorawatha, situated on the Western Plains of New South Wales’ (v). Like Hodgins and Ryan, Turner is unafraid to include autobiographical references within many of his poems.
After Louise Cotton’s Palmistry and Its Practical Uses My reason curls around—possibility—the practice of cheirosophy—the prediction of character as demarcated by the hand— each line & mark—sparks a meaning that deepens as the reader traces the heart line towards—Jupiter’s etching. …
– after Emily Dickinson There’s nothing to shatter on this evening. The window is open, the neighbours may look. With my mouth held shut I fill the saucepan. Black marks, once boiled-over, flake into the water. I dwell in possibility, …
Winner of the 2012 Thomas Shapcott Prize, Free Logic is the debut collection from poet and philosopher Rachael Briggs. The book is divided into nine sections, each poetically exploring themes of love, identity, and sexuality. Briggs infuses her poetic explorations with surreal allegories, moments of metamorphosis and a constant teasing of the ‘logical’, which allow for her poetry to forge an opening towards new possibilities. Briggs strikingly connects insightful fantasies with philosophical considerations.