Yhonnie Scarce | Florey and Fanny | Blown glass, 15 pieces, cotton aprons, dimensions variable; 2015
DOMESTIC Editorial: Natalie Harkin
Artwork:
Selections from 3 Yhonnie Scarce Series
7 Portraits by Ali Gumillya Baker
Jackie Ryan: Teaser to Burger Force 3
Carnage, Crosses and Curiosity: 13 Images by Yvette Holt
Collaboration:
To Live There: on ‘Dispatch from the Future Fish’ by Eloise Grills and Darlene Soberano
Chapbook:
Body of Sound curated by Yasmine Heisler. Featuring A J Carruthers, Alessandro Bosetti, Ania Walwicz, Carolyn Connors, Catherine Clover, Jacob Kirkegaard, Joel Stern, and Martina Copley.
Essays and memoir:
To Outlive a Home: Poetics of a Crumbling Domestic by Evelyn Araluen
Kathy Acker and The Viewing Room by McKenzie Wark
The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett by Lucy Dougan
Externalising the Symptom: Radicalised Youth and The Membrane by Stephen Muecke
On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited by Lu Lin
Letter to Anne Carson: Work of Remembrance and Mourning by Subhash Jaireth
Translations:
Translated Extracts from Chantal Danjou by Dominique Hecq
Spenser Santos Translates from Old English
The Poets: Pejk Malinovski Self-translates
Interviews:
‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
While these pre-federation tropes of settler colonial Australia’s multifaceted and at times contradictory pastoral modes seem to recognise something of their incompatibility with Aboriginal land, they seek their resolution from burial, rather than reciprocal encounter with Aboriginal presence.
third body takes form on the cusp of metamorphoses between species, ecosystems, technologies, existential planes, and even between art and artist.
Yet, as literary theory in the intervening decades has shown, no individual can speak for the collective per se, bound as they are by the confines of their culture, gender, race, class, as well as the inherently constructed nature of that self that defines lyric poetry (which, as Maria Takolander has recently argued, is in turn bound by the technology that writes it).
I’m looking for work ‘with head, heart and guts,’ as Bei Dao says.
