In her eagerly awaited second collection, Superette (Puncher & Wattman, 2018), Melinda Bufton delivers dramatically on the promise announced in her 2014 debut, Girlery (Inken Publisch, 2014). Girlery performs a provocative en guard to a literary culture overly sanguine in …
Judith Beveridge is the author of six collections of poetry and throughout her writing life she has received multiple awards, including the Queensland Premier’s Literary Award, Victorian Premier’s Literary Award, New South Wales Premier’s Literary Awards and the Kenneth Slessor Prize for Poetry.
The poetry of Yoogum and Kudjela man, Lionel Fogarty, may be hard to follow, often distorting colloquial phrases or standardised grammar to retool the colonising English language into a form of resistance.
Gregory Kan is a New Zealand poet and arts writer currently living in Wellington. He received an MA in Creative Writing from the International Institute of Modern Letters (IIML) at Victoria University in 2012, and was awarded the 2017 Grimshaw Sargeson Fellowship, during which he held a six-month tenure at the Sargeson Centre in Auckland.
‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
In it, she was putting the manuscript of her new book, Horse: A Psychodramatic Enactment of a Fairytale, into an oven at La Mama – where she had performed a few years’ prior. The book caught alight. A week or so later, she called up a friend, and told her she was planning to launch the book at La Mama.
At the close of his poem ‘Autumn Fragment’, Kaiser Haq asks: ‘Can one write / Verse that is free of ambiguity?’ A more pointed consideration for contemporary writers hailing from Bangladesh is whether perhaps one should.
Cristine Brache is a Toronto-based poet and artist. Her work explores the nuanced power dynamics inherent in many of our relationships. Brache’s practice incorporates video, sculpture, poetry and a multitude of limited edition objects, prints, t-shirts and publications. She and I met online in 2013, when she was living in Guangzhou, China, and making videos and taking photographs of unexpected and emotional English-language phrases on t-shirts.
Ouyang Yu, now based between Melbourne and Shanghai, came to Australia in mid-April 1991 and, by early 2018, has published 96 books of poetry, fiction, non-fiction, literary translation and literary criticism in English and Chinese. He also edits Australia’s only Chinese literary journal, Otherland.
Michelle Cahill is an award-winning poet and fiction writer and editor of Mascara Literary Review . Cahill has won the Val Vallis Award and the Hilary Mantel International Short Story Prize. Her debut short story collection, Letter to Pessoa, was published by Giramondo Publishing in 2016, and won the NSW Premier’s Literary Award for New Writing.
What has come to light from my exchanges with Berssenbrugge is that there is no singular way to understand her work. Perhaps drawing lines around and across differences in understandings poses a bit of a problem (not necessarily one to be solved as such, but to be thought and written through) and only directs us back into a canonical way of thinking, instead of propelling us forward and out.
In July, 2014, the American poet Lyn Hejinian visited Australia to participate in two events – the ‘Women’s Writing and Environments: 2014 Contemporary Women’s Writing Association Conference’ at the State Library of Melbourne, where she headlined alongside fellow keynotes Alexis Wright, Chris Kraus and Deborah Bird Rose; and ‘Experimental’ at the University of Sydney, where she appeared alongside Carla Harryman and Barrett Watten.