INTERVIEWS



‘We mirror what we see’: Holly Childs Interviews Cristine Brache

Cristine Brache is a Toronto-based poet and artist. Her work explores the nuanced power dynamics inherent in many of our relationships. Brache’s practice incorporates video, sculpture, poetry and a multitude of limited edition objects, prints, t-shirts and publications. She and I met online in 2013, when she was living in Guangzhou, China, and making videos and taking photographs of unexpected and emotional English-language phrases on t-shirts.

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‘Refusing to be published, refusing even to perish’: Amelia Dale Interviews Ouyang Yu

Ouyang Yu, now based between Melbourne and Shanghai, came to Australia in mid-April 1991 and, by early 2018, has published 96 books of poetry, fiction, non-fiction, literary translation and literary criticism in English and Chinese. He also edits Australia’s only Chinese literary journal, Otherland.

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‘Myth is not merely decorative’: Prithvi Varatharajan Interviews Michelle Cahill

Michelle Cahill is an award-winning poet and fiction writer and editor of Mascara Literary Review . Cahill has won the Val Vallis Award and the Hilary Mantel International Short Story Prize. Her debut short story collection, Letter to Pessoa, was published by Giramondo Publishing in 2016, and won the NSW Premier’s Literary Award for New Writing.

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Sandra D’Urso Interviews Fiona Hile

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‘I have never understood a single poem’: Chi Tran Interviews Mei-mei Berssenbrugge

What has come to light from my exchanges with Berssenbrugge is that there is no singular way to understand her work. Perhaps drawing lines around and across differences in understandings poses a bit of a problem (not necessarily one to be solved as such, but to be thought and written through) and only directs us back into a canonical way of thinking, instead of propelling us forward and out.

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‘A Fable for Now’: Kate Fagan Interviews Lyn Hejinian

In July, 2014, the American poet Lyn Hejinian visited Australia to participate in two events – the ‘Women’s Writing and Environments: 2014 Contemporary Women’s Writing Association Conference’ at the State Library of Melbourne, where she headlined alongside fellow keynotes Alexis Wright, Chris Kraus and Deborah Bird Rose; and ‘Experimental’ at the University of Sydney, where she appeared alongside Carla Harryman and Barrett Watten.

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‘through worlds & worlds & worlds’: Joan Fleming interviews Jordie Albiston

Dr. Jordie Albiston is one of Australia’s premiere contemporary poets. She is the recipient of numerous literary prizes, and the author of nine collections of poetry, three of which are documentary in nature.

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Archiving the Present: Ivy Alvarez Interviews Conchitina Cruz

Conchitina Cruz teaches creative writing and comparative – literature at the University of the Philippines in Diliman. Her book, Dark Hours, won the 2006 National Book Award for Poetry. Cruz is also the winner of two Palanca Awards: one in 1996 for Second Skin, and another in 2001 for The Shortest Distance.

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‘The concept of risk is intensely personal’: Jonno Révanche Interviews Hera Lindsay Bird

New Zealand writer Hera Lindsey Bird has been described as many things in recent times: an internet poet, a crisp new voice in a constantly shifting medium, the sole cause of poetry’s demise, a conspirator and revolutionary, historical necromancer, albatross, a stern jewellery thief.

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‘We can wake up if we wish’: Autumn Royal Interviews Cecilia Vicuña

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Ainslie Templeton Interviews Christopher (Loma) Soto

Christopher Soto (aka Loma) is a Brooklyn-based poet who has received several awards for his writing and activism. Most notably, he is the author of the chapbook Sad Girl Poems, which discusses his experiences with domestic violence and queer youth homelessness. Born in Los Angeles, Soto relocated to pursue, and then receive, an MFA from New York Univeristy. Since, he’s had a pronounced effect on the literary world.

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Interview with Sidney Nolan (Ella O’Keefe edit)

Hazel de Berg’s recordings take place in the homes or work spaces of the subjects rather than a recording studio. This allows something of these places into the recording whether birdsong, traffic or an r&b song playing in the background.

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