- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Kristen Lang’s SkinNotes
- Review Short: The Hijab Files by Maryam Azam
- Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Conservatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
Ken Bolton’s most recent collection expresses an intense sociability, co-mingling personal and communal memory to create poetry that draws on moments of apparent ordinariness, and ever so subtly transforms them into lines of understated enchantment.
Helen Lambert’s work is as new to me as it will be to others – she has been operating away from Australian poetry for some time, with long periods in Ireland and, lately, Russia. One approaches a new poet warily. Yet the inventive and capable intelligence behind the poems here is immediately apparent. It is wonderful to be able to drop one’s guard, to forget it – and to enter a wonderful world.
This is going to be a rather disordered list of undeveloped and not closely connected thoughts about ‘the suburban’ and its binary partner ‘the urban’. Not my thoughts, for the most part, but my list of thoughts generally available.
for John Jenkins I Reach & Ambition Late at night, up, looking at the things on my mantelpiece a profusion of crap, clutter & gewgaws a range of detail I love (John’s photos of it came today, reminding me). I …
Readers of contemporary Australian poetry will most likely need no introduction to the work of Adelaide-based Ken Bolton. In a career extending back to Four Poems (1977), Bolton has established a distinctively discursive poetry, one that weaves observations of the poet’s everyday environment with musings on art, culture, and society more generally.
I look in here—this notebook—& see the notes for the last review I did, & note—that I am about to write another. Tho I would rather write something else. I whistle bop a bit try not to think of the …
,… like the Mets I’m coming up to bat in the bottom of the 9th, or maybe the 8th, if I’m lucky but far behind in the game— and the music seems to have stopped to listen. —Tony Towle listening …
for Crab & Martin … there is much to do. A little man tells us how to invest our money, my teeth gain a few fillings, probably, at the dentist’s—who knows, maybe no drilling—but, as Xmas closes in, some shopping, …
Ken Bolton and B.R. Dionysius emerge from different traditions, respectively: a New York School sense of everyday occasion punctuated by the presence and shaping forces of contemporary art (Frank O’Hara and James Schuyler are clearly present in Bolton’s diction); and a modernised kind of Romantic pastoral, littered with juxtaposed objects of the natural and contemporary world. Yet, at admitted risk of over-generalising, both of their recent books can be seen to be dealing with notions of how to write memory in poetry: how to write a poem to be honest to the process, even the implication itself, of remembering. How can language be used in the service of this retrospective vision, they ask; how does language, shaped by differing poetic forms, illuminate, distort or neutralise it?
here in the bookshelves of the holiday house is a book of John’s poems—also Les—a fat spine appropriately. Why is that here? Masochism? I am unlikely to read it. Anyway, I wonder what John’s got to say— this time. * …
Pete Bakowski’s challenge: attempt Padgett’s ‘How To Be Perfect’. “Hindley Street”— I write those words, the title of this poem, on this pad, to start a list—of things I must do. Is this going to be a poem? Isn’t it? …
‘Avenue Victor Hugo, cognac— Lianne Fowler as Isabel,’ the caption says. And continues: ‘A French Picture Show’. So a movie still I expect. Why such an image will anchor one. Benediction. One is blessed. It is the softness of the …