Astrid Lorange



Motherhood, Language and the Everyday During the Poetry of Astrid Lorange, Amy Brown and L K Holt

For a long time after my daughter was born, I looked for representations of motherhood everywhere. I looked for it in casual interactions with other mothers in the park and on the street, I looked for it with friends, in mothers’ groups and on the screen.

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Introduction to Astrid Lorange’s Labour and Other Poems

This book is titled Labour and Other Poems. Just as Astrid Lorange speaks of building a poetics – intensive and intentional – as a way of perceiving the world of relations in their shadow, every poem here requests an attentiveness to the multiple relations of our lives, to the entwining of senses and references.

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Introduction to Derek Motion’s The Only White Landscape

The Only White Landscape is melancholic, in this Wilsonian sense. The poems are scenes of ambivalence and loss, moving between states of recollection and projection, regret and desire, clarity and obscurity. There are preoccupations that link the poems across the collection: bodies (and the clothes they wear, the language of their presence and absence), light (and its close relationship to time), administration (and the twin labours of work and home).

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hows its: To the Pitch with Nicky and Astrid

Last June I had the pleasure of launching Nick Whittock’s hows its at Gleebooks in Sydney. Since then, Michael Farrell’s extraordinary review has been published in the Sydney Review of Books, and Simon Eales’s essay, ‘’Get ready for a broken fucken arm’: The anti-instrumentalism of postcolonial cricket poetry’, discussing Whittock’s earlier chapbook covers, has been published by the UK-based magazine Don’t Do It. It seems that we are in a moment – this one, right here – in which a discussion of Whittock’s poetics and a deep engagement with the critical relationship between reading cricket and writing poetry is emerging. In the spirit of the moment, I have reworked, or rather, rewritten, my speech for Cordite Poetry Review.

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Review Short: Astrid Lorange’s How Reading is Written: a brief index to Gertrude Stein

How Reading is Written: a brief index to Gertrude Stein by Astrid Lorange Wesleyan University Press 2014 Walter Benjamin once suggested that there were two ways in which to misinterpret the writings of Kafka: either by ‘natural’ or ‘supernatural’ explanation. …

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Sherri Cise

        Sunday, Monday. Summer, 2014.         I loved eating fruit/veggie in the same/similar family. I was 25; it was 2013. I felt exhausted, unused—very nearly autoecious to the old gang. They would get it too, eventually, I suspected.         An ongoing pain/burning sensation …

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Emerging Writers Festival Workshop: The Book as Experimental Form, Emergent Structure (Live Action Test-Drive)

In conjunction with the Emerging Writers Festival, Cordite Poetry Review is chuffed to present a workshop led by Astrid Lorange. Location: The Wheeler Centre Time: 6.30pm-8.30pm Available spaces: 16 Book your free attendance here. Be snappy about it! There are …

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Submission to Cordite 46.1: MELBOURNE Now Open!

Poetry for Cordite 46.1: MELBOURNE is guest-edited by Michael Farrell. This will be Cordite Poetry Review‘s first special issue that includes a number of poems selected from open submissions. It is supported by the City of Melbourne through its Arts …

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Ratbag’s Polemic

In Michel Serres’s book, The Parasite, rats figure as exemplary relations. When a rat turns up in your kitchen, you are each other’s guests: just as the rat is canny at thieving morsels of bread and rind, so too is the rat canny at crafting a home from a network of theft. A rat’s interference makes you an intruder …

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Wandering through the Universal Archive

One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.

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from HOT POCKET

Xe woke up and knew immediately that xe had been asleep. Xe rotated in a slight squirm, pushing xer head against xer neck with itself and wobbling in xer glider. Each visible unifaced cumulus might seize. Xe curled within sewn-in …

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SYDNEY Editorial

This time last year, I returned to Sydney after almost two years away. For those years, Sydney had existed for me as a terrible video screen, an occasional and discomfiting image through choppy internet connections; or else, as a perfect …

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Emily Stewart Interviews Astrid Lorange

Astrid Lorange: poet, phD student and Sydneysider, is Cordite’s guest editor for our Sydney issue, which launches next week. She kindly agreed to answer some hot-coal questions for me about living Sydney, writing poetry and curating for Cordite. Read on! …

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Wakeling, Frost and a Sydney Prelude

It is again with pleasure that I announce two additional editors to the Cordite masthead: assistant editor Zenobia Frost and interviews editor Corey Wakeling. As an assistant editor, Zenobia Frost will be involved in a variety of editorial duties. Zenobia …

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Submissions for Cordite 38: Sydney extended

Cordite 38: Sydney will be guest-edited by Astrid Lorange, and is due online in May 2012. Out of the goodness of our hearts, and due partly to our own confusion about the correct closing date, we’ve decided to extend submissions …

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Submissions now open for Cordite 38: Sydney

We invite submissions for Cordite 38 on the theme of ‘Sydney’. Given that Cordite was founded in Sydney in 1997, we think that now is a good time to revisit our roots, and what better way to do that than …

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