- 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C SLowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Mosaically Speaking: Pieces of Lionel Fogarty’s Poetics
As the Hong Kong riots reach their sixth consecutive week, I’m emailing a friend at Hong Kong University who writes about liberty and subjection.
Posted in ESSAYS Tagged Dashiell Moore, Fiona Hile, Lionel Fogarty, Tyne Daile Sumner
Introduction to Elena Gomez’s Body of Work
There’s a difference between occupying a seemingly unceasing parade of subject positions through a kind of colonising, thieving, dissipatory borderlessness … and inhabiting them as a form of aesthetic and political revolt.
Posted in INTRODUCTIONS Tagged Elena Gomez, Fiona Hile, Zoë Sadokierski
Sandra D’Urso Interviews Fiona Hile
To read Hile’s poetry is to encounter what it means to be a desiring subject in a contemporary world. Her use of vernacular recalls and transforms the details of everyday life, while gesturing toward the grand themes of a European philosophical tradition.
Posted in INTERVIEWS Tagged Alain Badiou, Anne Carson, Fiona Hile, Jacques Derrida, Julia Kristeva, Sandra D'Urso, Shulamith Firestone
I was already quite a few years into a creative writing PhD titled ‘Generic Engineering’ and flailing around quite spectacularly in a galaxy of words when an academic friend, perhaps hoping to spare me the indignity of a completed thesis and potential employment, flipped to the middle of the 526-page book he was reading and wordlessly pointed to a single sentence. ‘Due to a predilection whose origin I will leave it up to the reader to determine,’ he read, ‘I will choose the symbol ♀ for this inscription.’
Posted in ESSAYS Tagged Alain Badiou, Fiona Hile, Justin Clemens, Rachel Blau DuPlessis
Submission to Cordite 83: MATHEMATICS
The invention of transfinite set theory by the 19th Century German mathematician, Georg Cantor, hinges the romantic conception of a boundless infinite to a post-Cantorian description of an infinity of infinities.
Posted in GUNCOTTON Tagged Fiona Hile, Georg Cantor, Kent MacCarter
dictate your every word, you bright nymphs mistake the possible. Thank you for the plangent note, the sacrifices that were not at all intended as an offering. The snare you prepared with the guile of an anxious siren. If I …
Posted in 72: THE END Tagged Fiona Hile
Every star has its double, different coloured blood cometing at length. How you will defeat me, with a scythe or a ladder, a hoked up piece of trash untucked beneath a raging plinth. Your feelings, juiced on perforated, in which …
Posted in 68: NO THEME IV Tagged Fiona Hile
Fiona Hile Reviews Lionel Fogarty
Lionel G. Fogarty is an indigenous Australian poet who is recognised for the excavation of a poetic space in which, as Michael Brennan has written, ‘his community and culture is recuperated and asserted’ whilst ‘dominant discourses, both political and poetic’ are subverted and destabilised. These qualities make Fogarty’s work difficult to review in a context in which the status of indigenous literature remains, for some institutions at least, seemingly unapproachable.
Posted in BOOK REVIEWS Tagged Alain Badiou, Andrew Reimer, Daniel Boyarin, Fiona Hile, Giorgio Agamben, Lionel Fogarty, Pam Brown
Review Short: Andrew Burke’s One Hour Seeds Another and Nicola Bowery’s married to this ground
Addressing the quotidian in writing is an ongoing practice for many poets. Andrew Burke’s One Hour Seeds Another and Nicola Bowery’s married to this ground approach this preoccupation with a robust commitment and urge to render it lucidly, but each is in conversation with different lineages. Burke’s cycle is cross-fertilised with jazz and folk music, with Hindu and Buddhist references, with playful abstraction, but it is the intentional elegiac timbre in this collection that lingers in the reader’s mind.
Posted in BOOK REVIEWS Tagged Andrew Burke, Antonia Pont, Fiona Hile, Nicola Bowery
The Satisfaction of Speech
Stretched out across the selfish wool table, I fix on a mood in the high key of you, twiddle my hi-viz wedding ring and laugh at the way rhyme and metre protect us from happiness. Angels’ tears fill the rivers …
Posted in 62: MELBOURNE Tagged Fiona Hile
Review Short: Fiona Hile’s Novelties
In Lacanian theory, ‘matheme’ and ‘patheme’ share an interesting correlation. While the matheme is, obviously, on the side of science, the patheme is part of the ‘logics’ of affect, whereby the body is an effect of language. Matheme and patheme don’t immediately have anything to do with sexual difference or ‘mechanistic’ versus ‘organicist’ understandings of the universe. There is nothing mysterious about the patheme. Rather, the patheme could be thought of as what the poem does to the poet’s body analogously to what a matheme does to a mathematician’s body: force it to work and, in some cases, give it pain.
Posted in BOOK REVIEWS Tagged Andrew Carruthers, Fiona Hile
(Notes from a Lecture Delivered by a Former English Poet Laureate) At the age of six you were a bloody little genius Bauxite was the only word you could spell But I knew the year of the Battle of Hastings …
Posted in 56: NO THEME II Tagged Fiona Hile
Song of the troubadour, dance of the happy shades mid-saggital cut-away of the Palatine Uvula catalogue of all catalogues includes Lufthansa treachery, the Alphabet murderer’s citational liquidation. Not quite revealing the thing that offends you, the impossibility of saying it …
Posted in 56: NO THEME II Tagged Fiona Hile
Wandering through the Universal Archive
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
Posted in CHAPBOOKS Tagged Amaranth Borsuk, Astrid Lorange, Brad Bouse, Charles Bernstein, Eddie Hopely, Fiona Hile, Jessica L. Wilkinson, John Jenkins, John Kinsella, Justin Clemens, Kate Middleton, ken bolton, Louis Armand, Maged Zaher, Marty Hiatt, michael farrell, nick whittock, Oscar Schwartz, Pam Brown, Patrick Jones, Richard Tuttle, Sam Langer, Tim Wright, Timothy Yu, Toby Fitch
Why Are there So Many Poems about Goldfish?
It’s not as if they speak to us of some tequila moonscape lost to sense, though the telepathy of our own hand-coded secrets might. Python Technology integrates our systems more effectively, overruns us like mice. To bolt a metal bar …
Posted in 50: JACKPOT! Tagged Fiona Hile