- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
- small town lazarus
- from Red Black & Blues
afterwards there will have been no justification for silence you will only have had its circumstantial axiom to pass through: history’s hot sum pulse softened to oily lead sweet for soldering instants time’s tendency to atrophy when flung to the …
I am reluctant to divulge for how long I deferred reviewing Meredith Wattison’s Terra Bravura. It languished with me during the later months of the first half of 2015, then, as I left the country in late June it joined the other analogue reads in my suitcase. Before my departure, I’d plunged in, but was unable to assemble for myself a sense of the individual poems and their relation, with the purpose, of course, of saying something about them that would do the work justice. Like a stern and observant child, the work insisted on a ‘doing justice’. Perhaps rather than opinions, what was gathering for me was a series of unrepresentables; atmospheres.
We called it a Russian summer, roses on the table, vase too light in the wind — the blooms’ suitable pinkness, smarting. She lent me a jacket— pelty aubergine velour, with button missing. And hat of genuine silver fox —undoubtedly …
Addressing the quotidian in writing is an ongoing practice for many poets. Andrew Burke’s One Hour Seeds Another and Nicola Bowery’s married to this ground approach this preoccupation with a robust commitment and urge to render it lucidly, but each is in conversation with different lineages. Burke’s cycle is cross-fertilised with jazz and folk music, with Hindu and Buddhist references, with playful abstraction, but it is the intentional elegiac timbre in this collection that lingers in the reader’s mind.
i felt sad when the NY man left i was on a tram travelling west on Bridge Road towards the city i cued a tune by Beirut to repeat while i smiled through smeary windows did some tears in the …
It’s funny the effect of sequence. When I picked up Pip Smith’s collection Too Close for Comfort, winner of the 2013 Helen Bell Poetry Award, I wasn’t primed for anything. I had no expectations – neither indulgent, nor prickly. The volume has texture: bundles of thin pages alternating with thick ones, the latter offering various portions of an illustration of the work’s ‘leitmotif’ – the giant squid.
In his most recent collection, Double Glaze, Steve Brock moves the orderly reader from the very public realm of ‘Work’, via ‘The Commute’, to dwell with ‘Writing’ and finally to settle in, arguably the most intimate of registers, ‘Family’. Although poetic work rarely arrives in convenient clusters, a poet’s choice in manuscript arrangement is not arbitrary; it intimates the conceptual webbing informing the collection’s central aesthetic, thematic, and in this case, socio-political, preoccupations.