The photographic series Covid Clean is a symbolic self-portrait that confronts the racial remarks towards Asian appearance and identity during the COVID-19 pandemic.
I’ve always loved the video game Where in the World is Carmen Sandiego. First released in 1985, it spawned the edu-tainment software revolution of the 90s, which I was very much caught up in.
Moth Loths | Silently Reaping The Harvest Of Those Who Shine Bright As The Stars
Cook Book explores the merging of traditional Aboriginal cultural practices with Westernised 21st Century knowledges and tools.
My work is almost always personal, drawing heavily from my Southern African roots and my experiences as a diaspora woman living in the context of settler nation Australia.
Michael Lee | How Are Things (installation view with artist), 2018 My artworks are personal reflections on city living, with a focus on how space structures human thought, feelings and actions. Researching architectural heritage addresses my own poor memory of …
The main theme running throughout my work is related to my grandmother, an Indigenous woman of the Barkindji Tribe from Broken Hill, NSW.
Anthea Y | Article XII Autonomy Collier Nogues: Article XII: Autonomy This poem and artwork is part of the Hong Kong Now chapbook curated by Tammy Lai-Ming Ho.
Lockdown Lookbook began out of necessity, to create something during a period of stifled expression. Quickly, it transformed into an insatiable, look-hungry monster. On some days, outfits were put together to match moods.
Eugenia Lim | installation view of ON DEMAND | 2019 | Gertrude Glasshouse. Photo: Christo Crocker Nothing is neutral I came to art-making via writing (poetry, actually). Each idea, project and work always begins as words; words that I find …
I’ve been illustrating a monster a day since the start of the school holidays here in Western Australia, the official COVID-19 lockdown date for Broome.
Julie Gough | Manifestation (Bruny Island) 2010 | Giclee print on Hahnemuhle photo rag paper, ed: 10 | Image 400 x 600 mm (paper 600 x 800 mm) Since 1994, Julie Gough has exhibited in more than 130 exhibitions that include: …
‘Under the table I learnt how to feed you’ documents the women in my family as they arrogate space through dance and the smoking of arghile in the courtyard of a Lebanese bakery in Southwest Sydney.
The work is not really about distress, it’s the look you get when you put your head in the photocopier.
For Alan 2018, acrylic on canvas, 180 x 240 cm. Image courtesy the artist and Milani Gallery, Brisbane.
‘Form Work’ explores architectural forms, lines and shapes that are depicted in architectural drafting.
‘Bow Down to the Sovereign Goddess’ (series 1-5), 2012; exhibited at Art Gallery of South Australia, ‘From the Street’ and part of the Flinders University Art Museum Collection. Portraits: Alexis West, Simone Tur, Nazaree Dickerson, Tracey Rigney and Faye Rosas …