- 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Marion May Campbell
Both these strikingly strong recent poetry publications Body Shell Girl and Inheritance, from Australian poets of feminist inflection, deal at least in part with North American and Canadian experience. While Rose Hunter navigates with a highly effective, raw, and unsentimental diction her often traumatising experience as a sex worker in Toronto and Vancouver, Nellie Le Beau practises an innovative and, at times, a more radically challengingly poetics to send reader perception veering into uncanny encounters with our places in space-time.
I. The Limits of Imagination The Limits of Imagination, 1971, 15 x 21cms, ink on paper I hear old Poseidon walks on the water like his feet are backwards fish. I’ve always had this affinity, he boasts in the trumpet …
I am nervous before our interview. Deciding what to wear, what kind of impression I will make. The day I drive to Drouin, Victoria, it is raining.
Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
Shipwreck is also the synecdoche of all that shadows imperial expansion – navigational misadventure, piracy, cyclonic assault – tracking like sharks on the blood trail imperialism’s would-be glamorous advance.
Third body takes form on the cusp of metamorphoses between species, ecosystems, technologies, existential planes, and even between art and artist. ‘passing’, the title of its first section, becomes a motif of the entire collection – perhaps most significantly for its variety of meanings.
As I read Marion May Campbell’s new book, Poetic Revolutionaries: Intertextuality and Subversion, I was reminded of the still seemingly sacred notion of a democratic historical progress. This notion celebrates cultural alterity (and all that that implies), and makes an urgent appeal to textual revolution as a means to political resistance. Campbell’s work is rooted in the relativist revolution – the book is part of publisher Rodopi’s Postmodern Series – and her intense, erudite study addresses a state of disunion that has loosely bound the dwindling body of progressives ever since.
Marion May Campbell's Fragments from a Paper Witch arrived not without anticipation. Despite the publication of four of her novels and the staging of several theatre works, this is her first collection, drawing together diverse works of poetry, prose poetry, fictocritical essay and performance writing.