Kathy Acker



Nighthawk, Part 1: Use of Additive Sequences for Generating a Cut-up Poem

Warren BurtIn 1973, I was a post-graduate student at the University of California, San Diego, working on my Master’s degree in music composition. My principle teacher at the time was Kenneth Gaburo, well known for his work in compositional linguistics which crossed boundaries between music, language, writing, performance, and dance.

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John Kendall Hawkins Reviews Poetic Revolutionaries: Intertextuality and Subversion

Poetic Revolutionaries: Intertextuality and SubversionAs I read Marion May Campbell’s new book, Poetic Revolutionaries: Intertextuality and Subversion, I was reminded of the still seemingly sacred notion of a democratic historical progress. This notion celebrates cultural alterity (and all that that implies), and makes an urgent appeal to textual revolution as a means to political resistance. Campbell’s work is rooted in the relativist revolution – the book is part of publisher Rodopi’s Postmodern Series – and her intense, erudite study addresses a state of disunion that has loosely bound the dwindling body of progressives ever since.

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