SCHOLARLY

Beyond The Warp: Occult Poetics in H D and Robert Duncan

Modernist poetry has a fascination with occult knowledge. It is prevalent in American poet Robert Duncan’s unclassifiable book on Hilda Doolittle, the poet known as H.D. (1886-1961).

Published
Cordite Poetry Review

Hoax Poetry from Plato to Antipodes: Reflecting on the Ern Malley Trial 80 Years Later Caitlyn Lesiuk

At 3:30 in the afternoon on Tuesday, 1 August 1944, Police Constable C Cameron Smith visits Max Harris, one of the editors of the literary magazine Angry Penguins, at his office in Grenfell Street, Adelaide.

Published

Two Postscripts to Barron Field in New South Wales: The Resurrection and the Great Seal

We won’t rehearse the argument of the book at any greater length here. Instead, we want to append two postscripts that would need to be incorporated into any second edition, if such an unlikely publication were ever to transpire.

Published

Fuck Lectures About Sonnets: On Noor Hindi

In December 2020, Noor Hindi posted a photo of her poem, ‘Fuck Your Lecture on Craft, My People Are Dying‘ on Twitter, announcing its publication in a forthcoming Poetry.

Published

Notes on Bad Poetry

Maybe we’ll always disagree about poetry – about how it works, and what it’s for; about its modalities and affordances; about what makes a good poem; about why you might want to write or read one.

Published

Essential Gossip: Allen Ginsberg, Robert Duncan and U.S.-Australian Poetics

In 1985, when the bulky anthology Technicians of the Sacred: A Range of Poetries from Africa, America, Asia, Europe and Oceania (first published in 1968) was printed in a new edition, it was advertised with the curious dust jacket recommendation: ‘hailed by the Los Angeles Times Book Review as one of the hundred most recommended American books of the last thirty-five years’.

Published

Writing Threat and Trauma: Poetic Witnessing to Social Injustice and Crisis

This article explores creative responses to crises that are written and technologically mediated in a liminal zone between threat and trauma.

Published

maar bidi: Carving Sovereignty and Desire in Indigenous Youth Storytelling

Academia has inherited a long history of non-Indigenous people speaking for Indigenous people.

Published

Poetry Against Neoliberal Capitalism in Ali Alizadeh and Melinda Bufton

Poetry has a long history of disruption, resistance, and revolution, overlapping the concerns of politics with literature and the boundaries of language.

Published

Direct Action on Things: Harry Hooton and Artist Film in Australia

A line from 1855, first published by Walt Whitman in the poem ‘Song of Myself’, appears again at the beginning of a film produced during a Creative Arts Fellowship at the Australian National University in 1969

Published

Chorography and Toute-eau in the Waters of Lower Murray Country

The first line of this fragment by poet Edward Kamau Brathwaite opens philosopher Édouard Glissant’s Poetics of Relation. ‘The unity is submarine’.

Published

Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes

‘Shipwrecked on the shoals of contingency’, Australian poetry is haunted by Stéphane Mallarmé’s poem Un Coup de Dés. Its publication in Cosmopolis in Paris in 1897 struck a nerve or, rather, a vessel within Australian poetry bloodlines,

Published

Why Reading Sharon Olds Makes You a Better Person

Yet, as literary theory in the intervening decades has shown, no individual can speak for the collective per se, bound as they are by the confines of their culture, gender, race, class, as well as the inherently constructed nature of that self that defines lyric poetry (which, as Maria Takolander has recently argued, is in turn bound by the technology that writes it).

Published

John Ashbery’s Humane Abstractions

In the context of John Ashbery’s long career it is possible to a claim a particular significance for that book. Published in 1970, it was the first volume he wrote after re-settling in the United States in 1965, having lived in Paris for the best part of a decade. It was also the book in which he arrived at a kind of poem – ‘Soonest Mended’ is an example, but so are several others, ‘Evening in the Country’, say, or ‘The Bungalows’ – that established a way of configuring voice, narrative trajectory, human relations and cultural reference that would become recognisable as characteristically Ashberyan.

Published

‘a serpentine | Gesture’: The Synthetic Reconstruction of Ashbery’s Poetic Voice

In 1966 John Ashbery published Rivers and Mountains. The departure from the fractures of The Tennis Court Oath (1962) are immediately apparent: it is a return to a language still distinctly marked by Ashbery’s usual probing and misdirection, but without the direct dislocations committed to denotative meaning, form and syntax in the earlier book.

Published

Vorticist Portraiture in Mina Loy’s Anglo-Mongrels and the Rose

Mina Loy’s book-length poem Anglo-Mongrels and the Rose (1923-25) essentially presents an alternative, revised understanding of the modernist figure of the artist through a ‘polyglot’ language and avant-garde form (Perloff, English as a Second Language, online.). I argue in this essay that each of the characters within the poem is constructed through a Vorticist model, which also encompasses elements of Futurist and Cubist theory, as well as structurally incorporating Steinian poetics.

Published

Dissecting the Apocalypse: Jorie Graham’s Sea Change

I will first attempt to develop one possible reading of ‘On the Concept of History’, taking for granted that any such reading exists alongside – and may even contradict – other more familiar interpretations. The second part of the article will follow this line of thinking in approaching Jorie Graham’s Sea Change, a collection of poetry that explores the catastrophic possibilities of global warming.

Published
Cordite Poetry Review

On the Sidewalk: Towards an Ethopoetics of the Streets

In his prose poem ‘The Eyes of the Poor,’ Baudelaire stages a Parisian tableau that brings together the disenfranchised poor and the privileged bourgeoisie in an awkward moment of encounter. The lyric / narrative ‘I’ and his female companion were …

Published
Cordite Poetry Review

‘The birds of paradise sing without a needing a supple branch’: Joseph Brodsky and the Poetics of Exile

During his lifetime, Joseph Brodsky – political prisoner, exile, Nobel Prize winner – was virtually unknown in his native, Soviet-era Russia. Following the collapse of the Soviet Union, in the early 1990s Brodsky’s poetry became officially available to the public for the first time in the country, which had hitherto so furiously rejected him. By then already an established poet and essayist in the West, his quick (albeit posthumous) homecoming fame shortly followed, positioning Brodsky firmly in the minds of first-time Russian readers as a political martyr, poet-iconoclast and a major symbol of the Russian dissident literary world.

Published
Cordite Poetry Review

Translingualism, Home, Ambivalence: The Poet Dimitris Tsaloumas

The death of Dimitris Tsaloumas (1921-2016) invites us to revisit and re-evaluate his poetry without the critical anxiety to place him within the historical taxonomies of Australian literature or the hermeneutical suspicion about its belonging. The task of situating his poetry will take time as the canon of Australian literature is still fluid and its main parameters are not yet finalised.

Published

John Forbes’s ‘Miraculous Fluidity’

In a book on comedy, philosopher Alenka Zupančič has inadvertently discovered the key to the correlation of late twentieth century Australian poet John Forbes’s mastery of cultural imitation and his deconstruction of the mechanics of national identity so often queried in his work.

Published
Cordite Poetry Review

(Self)Translation and the Poetry of the ‘In-between’

The subject and practice of translation has long been a feature of my poetry. It is a way of enacting bilingualism; the splitting and doubling of words, ideas, images and meanings that comes about in the processes of translation reflects my identity as someone who is in constant movement between cultures, split and doubled by my twin allegiances to different languages and places. In particular, I am interested in exploring my own practice of self-translation, to more fully understand the relationship between my poetic practice of writing across English and Italian and my subjectivity.

Published
Cordite Poetry Review

Exploring and Renegotiating Transparency in Poetry Translation

To read poetry in translation, no matter how ‘close’ the rendering is to the original text, is to necessarily involve another figure in the reading and interpreting process. Readers of translations are not only receiving the work of the original …

Published
Cordite Poetry Review

Comics Poetry: The Art of the Possible

‘MUSIC OF SHAPE’ | from, HOW TO BE EVERYWHERE, 2007 | Warren Craghead III | pencil on archival paper In 1979, Cecilia Vicuña (Chilean poet, activist and artist) tied a red string around a glass of milk and spilled it …

Published