William Carlos Williams



EKPHRASTIC Editorial: Poetry that Sees

Ekphrasis In ancient Greece ekphrasis was understood more broadly than in the contemporary world, indicating a complex genealogy for this term that encompasses so much fine poetry as well as many other forms of writing. For the ancients, the best …

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On the Sidewalk: Towards an Ethopoetics of the Streets

In his prose poem ‘The Eyes of the Poor,’ Baudelaire stages a Parisian tableau that brings together the disenfranchised poor and the privileged bourgeoisie in an awkward moment of encounter. The lyric / narrative ‘I’ and his female companion were …

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Jesse Nathan Interviews August Kleinzahler

August Kleinzahler’s latest book is Music I-LXXIV, and it’s his first book of music criticism. For his collections of poetry, he’s wracked up quite a trove of honours, including the National Book Critics Circle Award in 2008. Though he’s lived in San Francisco for decades, his poems wander the world, his forms and language ranging from mood to mood, his lines sinewy and learned and sonorous. One day in early July, I took the N-Judah over from the Sunset, where I live, to meet him at Finnegans Wake, a bar he likes that’s not far from his apartment. We drank beer and recorded a conversation.

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