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Kim Cheng Boey

Kim Cheng Boey

About Kim Cheng Boey

Kim Cheng Boey has published five collections of poetry and a travel memoir entitled Between Stations. He taught at the University of Newcastle for thirteen years before joining Nanyang Technological University in 2016.

On the Sidewalk: Towards an Ethopoetics of the Streets

In his prose poem ‘The Eyes of the Poor,’ Baudelaire stages a Parisian tableau that brings together the disenfranchised poor and the privileged bourgeoisie in an awkward moment of encounter. The lyric / narrative ‘I’ and his female companion were …

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Time is a river, time is a bridge

Time is a river that passes through you, crossing and recrossing, rippling score of silence under the bridges of your life, and you wonder if it can be the same river or the same person twice, the amber glide of …

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Kim Cheng Boey Reviews Eileen Chong

PeonyIn a suite of three poems praising the legendary beauty, Consort Yang Guifei, the Tang poet Li Bai draws on the virtues of the peony, a flower that with its luxuriant petals and luminous colours embodies feminine beauty and allure.

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Review Short: Toby Davidson’s Beast Language

Toby Davidson: Beast LanguageIn the introduction to the collected poems of Francis Webb, Toby Davidson observes that the immediate influences behind Webb’s poems ‘do not supersede his locales.’ Webb’s poems are informed by a topophilia, a love of place and its ambient lore, a topographical attentiveness to detail that includes not just spatial but also temporal resonances. Davidson has inherited this attentiveness to space and place, and his debut collection, Beast Language, attempts a topo or ecopoetics that traverses a spectrum of geographies, mapping the Australian continent from the Indian Ocean to the Pacific seaboard, attempting not only terrestrial readings but taking cosmological measurements as well.

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