- 94: EARTHSUBMIT to M Takolander 93: PEACHCOMING SOONwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Image courtesy of The Planthunter / Red Room Company. Mid-Autumn Mooncakes It’s nearly mid-autumn. I spy the tins at the Asian grocer—gaudy red peonies unchanged for forty years. Of course I buy the mooncakes with double yolks: here in Australia, …
… I must go in. Memory’s fog is rising. Selected Letters, Emily Dickinson In the corners mould is blooming like grey and black snowflakes. Next to the window, white paint blisters; water swells its skin. On winter mornings moisture ghosts …
In his short story ‘A Little Ramble’, champion of the anti-heroic Robert Walser says, ‘We don’t need to see anything out of the ordinary. We already see so much’. In her third collection, Painting Red Orchids, Singaporean Australian Eileen Chong testifies to ordinary experience as the sensory and emotional kaleidoscope of the individual.
It has taken me more than a hundred days to read Adam Aitken’s One Hundred Letters Home. The book arrived in my letterbox in Sydney at the beginning of May. Autumn turned into winter, and the fragments of Aitken’s palimpsest-memoir started to unfold themselves to me.
In a suite of three poems praising the legendary beauty, Consort Yang Guifei, the Tang poet Li Bai draws on the virtues of the peony, a flower that with its luxuriant petals and luminous colours embodies feminine beauty and allure.
DAS GEDICHT + Cordite = Deutsch Poems of Campbell, Chong, Fischer, Leber, Skovron, Vickery and Wright
Cordite Poetry Review has teamed up with venerable German literary magazine, DAS GEDICHT, to publish translations of Australian works into German. These translations are directly aimed for German readership (this is to say that the English originals are not on …
‘Tell me about despair, yours, and I will tell you mine.’ ‘Wild Geese’, Mary Oliver Over the empty distance between continents we transmit facsimiles of affection. Your daughter, the elder, has learnt to count. She can list the things I …
Burning Rice by Eileen Chong
Australian Poetry, 2012
Eileen Chong’s Burning Rice is steeped in images of food, family and connectivity. The poems thematically span geographical and chronological distances in order to make links between cultural and ancestral origins. Culinary references combine to create comforting images of solidarity in the face of isolation and anxiety. However, this is not a chapbook wholly steeped in nostalgia.
This essay provides a survey of the poetry of some Asian Australian poets, and does not attempt to be definitive. Diasporic poetics raise more questions than they answer and are just as much about dis-placement as about place, just as much about a ‘poetics of uncertainty’ as about certainties of style/nation/identity.