- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
- Review Short: Judith Beveridge’s Sun Music: New and Selected Poems
- Melody Paloma Reviews Keri Glastonbury
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou
I’m honoured to announce that Bella Li will be joining Cordite Books as Associate Publisher. There is much activity with the books, and her masterful eye, publishing nous, and creativity will be a welcome and necessary addition.
Pascalle Burton’s About the Author is Dead refers to, and opens with an epigraph from, Roland Barthes’s seminal essay, ‘The Death of the Author’. Inside the collection, we find not one author but many: David Byrne and Grace Jones, Miranda July and Jacques Derrida; authors who are filmmakers, authors who are poets, philosophers and musicians.
Let us descend into the blind world now Prologue In my thirty-third year, midway upon the course, I found, I began I entered like a curse. Through stones through rocky stars, and the pinions descending. Furiously I awoke. Sad, miserly, …
Bella Li’s Argosy offers readers a book of real adventure: the adventure of form, and a challenge to our sense of what shapes a narrative. This work is fundamentally hybrid: amid short texts and textual sequences that may be termed prose poems, or micro-essays, or short short fictions, Li intersperses works of collage and photography.
Bella Li | Excerpt from ‘Pérouse, ou, Une semaine de disparitions’, Argosy | 9″x12″ ‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an …
The theme for this issue arose from a chance encounter with a flying machine and a Frenchman. The illustration above, by Jean-Marc Côté, is one of a series commissioned to be printed on cards for cigarette and cigar boxes at the 1900 World Exhibition in Paris: the task of the illustrator was to imagine what life might be like in the year 2000.
Image by Joshua Comyn Poetry for Cordite 55: FUTURE MACHINES is guest-edited by Bella Li. To conceive of future machines is to imagine what haunts the boundary, always fluid, always negotiated, between the possible and impossible. To figure the distance, …
Experimental filmmaker, choreographer, dancer, film theorist, poet, lecturer, writer and photographer, Maya Deren was a seminal figure in twentieth-century avant-garde art and theory. To begin with Deren’s words is to follow in the footsteps of Pascalle Burton’s and Nathan Shepherdson’s UN/SPOOL and A gram of ideas on art, form and film – twinned works that are simultaneously homages to, and dialogues with, Deren’s own work and ideas, and entirely new and original pieces of art.
Act I Sometime during the winter. In the West Wing the caretaker stacks (neatly, with axe) 20 legs of lamb, 12 turkeys, 2 dozen pork roasts. The Adler on the table in the great white hall (lots of ideas, no …
Elegy intensifies around the objects that remain, those keepsakes that must signify a spent life. In Kate Lilley’s Realia, the first poem ‘GG’ is an auction listing from Greta Garbo’s estate in which the repetition of Garbo’s name intones like a docked requiem. Only things exist timeless, immutable, saleable, as shining representatives of the once-living. Life’s fraught event is reduced to its acquisitions, and transformed, satirised, into capitalism’s ultimate wearer of labels: the former consumer of commodities is now more amenably cast purely as a selection of those objects, whose value her absence increases.
On the cover of James Stuart’s debut collection Anonymous Folk Songs is an image of a series of kites strung together; tethered to a darkened cityscape, they stretch away from it, curving upwards into the sky above. In any scene where the light falling upon subjects differs, the photographer must choose which part of the image to correctly expose – and therefore to highlight – the earth or sky, the kites or clouds. The photograph is Stuart’s own, and it is the sky that takes up most of the frame, that retains depth and a complexity of colour and tone. And yet the unbroken black silhouette of an urban skyline anchors the sky, just as a barely visible line of string anchors the desiring kites to ground. The same impulse that animates this image on the cover is embedded in the poems within.
This essay provides a survey of the poetry of some Asian Australian poets, and does not attempt to be definitive. Diasporic poetics raise more questions than they answer and are just as much about dis-placement as about place, just as much about a ‘poetics of uncertainty’ as about certainties of style/nation/identity.