Ouyang Yu



Four Translated Geng Xiang Poems

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‘Refusing to be published, refusing even to perish’: Amelia Dale Interviews Ouyang Yu

Ouyang Yu, now based between Melbourne and Shanghai, came to Australia in mid-April 1991 and, by early 2018, has published 96 books of poetry, fiction, non-fiction, literary translation and literary criticism in English and Chinese. He also edits Australia’s only Chinese literary journal, Otherland.

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Enough

in Austr alia people r af,raid of not making enough money in Austr alia people r af,raid of not being correct enough in Austr alia people r af,raid of not being good enough in Austr alia people r af,raid of …

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Review Short: Ouyang Yu’s Diary of a Naked Official

Well known as a poet, translator, and literary critic, Diary of a Naked Official marks Ouyang Yu’s second foray into the novel form. His first, Loose: A Wild History (Wakefield Press, 2007), mixes fiction and non-fiction, poetry, literary criticism and diaristic writing.

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6-word stories (50 of them)

1. BBQ: Zero separation, bed being the body. 2. Title, to Come: Music, alive, a fruit of fingers. 3. Each and Every Morning, Electronic Cleansing: Click. Click. Click. No emails coming. 4. Eight for Six, Reduction: No agitation. Peace and …

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Bonny Cassidy Reviews Contemporary Australian Literature: A World Not Yet Dead

As Feature Reviews Editor and sometime reviewer for Cordite Poetry Review it is an unusual (and therefore fun) privilege to consider a title in which poetry is critically addressed in the company of other forms. Too often it is it either quarantined within poetry-only criticism, or mentioned as an embarrassing aside to discussions of prose.

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The Arch i bald Prize: an award-giving history

2015: a white won 2014: a white won 2013: a white won 2012: a white won 2011: a white won 2010: a white won 2009: a white won 2008: a white won 2007: a white won 2006: a white won …

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Michael Aiken Reviews Ouyang Yu

Ouyang Yu is a prolific writer whose combination of occupations – poet, novelist, translator, academic – gives some context to this book’s obsessive engagement with word, language and meaning. His biographical note mentions that he came to Australia at the age of 35, and there’s a pervasive trope in Fainting with Freedom of a stranger-in-a-strange-land’s curiosity for the materiality of language and its malleability: something akin to what Kerouac once alluded to when he described his relationship to English – a language he didn’t learn until he was eight – as a tool he could very consciously manipulate as necessary for effect and meaning.

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L

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Sam Moginie Reviews Breaking New Sky: Contemporary Poetry from China

Breaking New Sky is a happily variegated collection of work by contemporary Chinese poets, edited and translated by Chinese-Australian poet, novelist and translator Ouyang Yu. Strangeness produced by means of a ‘neutral’ or ‘plain’ English (a ‘Yu signature tone’) gives the poems and their objects a riddle-like quality whose pleasures and dramas implicate food, sex, work, river systems, animals, domestic space, relationships, the medical system, nostalgia, death, farming and sleep. This plainness is put to work as the material of an aphoristic narrative mode that defines this anthology; making small claims continuously and thereby amassing charm.

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Jennifer Mackenzie Reviews Asia Pacific Writing Series Books 1-4

Vagabond AP SeriesVagabond Press has recently issued four attractively presented volumes of poetry from the Asia Pacific region. Each contains the work of three poets and represents China, Japan, Vi-etnam and the Philippines, respectively.

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Five Poems by Ардак НУРГАЗЫ in English, Chinese and Kazakh

Ardakh Nurgaz (Ардак НУРГАЗЫ) is a Kazakh poet, essayist, critic born in 1972. He graduated from university in 1995, and began publishing work in 1991. From 2006 to 2008, he was editor-in-chief of Foreign Literatures, a bi-monthly in Kazakhstan. He is now correspondent of The Alma-Ata Evening newspaper. He has published the poetry collections A Book of Pseudo Freedoms (2009) and A Collection of Humming Birds (in Chinese and Kazakh, 2012).

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