- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Conservatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
Ouyang Yu, now based between Melbourne and Shanghai, came to Australia in mid-April 1991 and, by early 2018, has published 96 books of poetry, fiction, non-fiction, literary translation and literary criticism in English and Chinese. He also edits Australia’s only Chinese literary journal, Otherland.
in Austr alia people r af,raid of not making enough money in Austr alia people r af,raid of not being correct enough in Austr alia people r af,raid of not being good enough in Austr alia people r af,raid of …
Well known as a poet, translator, and literary critic, Diary of a Naked Official marks Ouyang Yu’s second foray into the novel form. His first, Loose: A Wild History (Wakefield Press, 2007), mixes fiction and non-fiction, poetry, literary criticism and diaristic writing.
1. BBQ: Zero separation, bed being the body. 2. Title, to Come: Music, alive, a fruit of fingers. 3. Each and Every Morning, Electronic Cleansing: Click. Click. Click. No emails coming. 4. Eight for Six, Reduction: No agitation. Peace and …
As Feature Reviews Editor and sometime reviewer for Cordite Poetry Review it is an unusual (and therefore fun) privilege to consider a title in which poetry is critically addressed in the company of other forms. Too often it is it either quarantined within poetry-only criticism, or mentioned as an embarrassing aside to discussions of prose.
2015: a white won 2014: a white won 2013: a white won 2012: a white won 2011: a white won 2010: a white won 2009: a white won 2008: a white won 2007: a white won 2006: a white won …
Ouyang Yu is a prolific writer whose combination of occupations – poet, novelist, translator, academic – gives some context to this book’s obsessive engagement with word, language and meaning. His biographical note mentions that he came to Australia at the age of 35, and there’s a pervasive trope in Fainting with Freedom of a stranger-in-a-strange-land’s curiosity for the materiality of language and its malleability: something akin to what Kerouac once alluded to when he described his relationship to English – a language he didn’t learn until he was eight – as a tool he could very consciously manipulate as necessary for effect and meaning.
every day is a loss of it self winter is now baring it all in its unloving look even when it pre tends to be fe male convenience is not square but plural to translate is to be always chronologically …
Breaking New Sky is a happily variegated collection of work by contemporary Chinese poets, edited and translated by Chinese-Australian poet, novelist and translator Ouyang Yu. Strangeness produced by means of a ‘neutral’ or ‘plain’ English (a ‘Yu signature tone’) gives the poems and their objects a riddle-like quality whose pleasures and dramas implicate food, sex, work, river systems, animals, domestic space, relationships, the medical system, nostalgia, death, farming and sleep. This plainness is put to work as the material of an aphoristic narrative mode that defines this anthology; making small claims continuously and thereby amassing charm.
Vagabond Press has recently issued four attractively presented volumes of poetry from the Asia Pacific region. Each contains the work of three poets and represents China, Japan, Vi-etnam and the Philippines, respectively.
Ardakh Nurgaz (Ардак НУРГАЗЫ） is a Kazakh poet, essayist, critic born in 1972. He graduated from university in 1995, and began publishing work in 1991. From 2006 to 2008, he was editor-in-chief of Foreign Literatures, a bi-monthly in Kazakhstan. He is now correspondent of The Alma-Ata Evening newspaper. He has published the poetry collections A Book of Pseudo Freedoms (2009) and A Collection of Humming Birds (in Chinese and Kazakh, 2012).