- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Conservatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
Michelle Cahill is an award-winning poet and fiction writer and editor of Mascara Literary Review . Cahill has won the Val Vallis Award and the Hilary Mantel International Short Story Prize. Her debut short story collection, Letter to Pessoa, was published by Giramondo Publishing in 2016, and won the NSW Premier’s Literary Award for New Writing.
Run by Queensland Poetry Festival, and named in honour of a distinguished Queensland poet, the Arts Queensland Val Vallis Award for an Unpublished Poem is committed to encouraging poets throughout Australia. 2017 Selection panel: Stuart Barnes and Michell Cahill.
for my father Tibouchina, warm maple-leaf, elsewhere it is winter. My father standing at the doorway with a phlegmy cough in the damp basement flat, his gaze a despair, resignation, I fear before the rite of knowing. I take the …
Michelle Cahill is well-known to contemporary Australian readers as a poet, editor and fiction writer. She is the winner of the 2017 UTS Glenda Adams Award for New Writing (one of the NSW Premier’s Literary Awards), the Val Vallis Award, and the Hilary Mantel International Short Story Prize, and has been shortlisted for other major prizes.
This wry poem by Pan Zijie addresses language and human bodies as mobilised subjects. An Australian-born Chinese poet, Zijie has written in relative obscurity since publishing his first book, Vostok. Reading his striking collection Beijing Spring, published in 2015 by Maninriver Press, I wonder why I am not familiar with his work. After some online enquiries I learn that Pan holds a master’s in creative writing from Macquarie University and that he completed a PhD on representations of Chinese masculinity in Australian literature. His first collection received positive imprimaturs from David Brooks, Marcelle Freiman and Michael Wilding but I could find not a single review.
A boy, I dreamed of being a captain in the ocean’s foreign policy, catching the fast currency, binding my pirogue with a rope to hold back the breakers. Listen, today a jazz singer drowned, the infringing Atlantic shipped pirates who …
In January 2013 I visited the inaugural exhibition of the new Blue Mountains City Art Gallery, an eclectic and compelling collection of works curated by Gavin Wilson and entitled ‘Picturing the Great Divide: Visions from Australia’s Blue Mountains’. I stood for what seemed like an hour before John Wolseley’s wonderful ‘The Proteaceae of NSW and Argentina 1996’ – a water colour and pencil work that is part of his ongoing creative enquiry into geological and biological temporalities, and one which advances an intensely felt and thought aesthetic of deep trans-historical and trans-biological emergence.
A decade ago, Cordite Poetry Review asked me to write a review of its tenth issue, ‘Location: Asia-Australia.’ In my review, I wrote that while the issue did a splendid job of showing the intersection between two separate places called ‘Asia’ and ‘Australia,’ it was less clear whether the ‘Asian-Australian’ could also be a thing unto itself, a kind of writing that might be visible within domestic as well as international spaces.
They hung me upside down by the tail, molecules starched— those Irish trackers, old-timers. I was tribal, a trophy locked with rigor mortis. They forced my abysmal jaw, my cough worthy of attention. I would make no apology for stray …
It was school vacation, my daughter skiing with her father, my husband in board meetings, mynah birds drumming on the window panes, autumn gifts, my first ex. in a condo in Kuantan, (true friendships don’t crowd us, they are not …
A tall ship patrols the coast, pelagic fish are vanishing. I sniff the kelp and bloodworms, mould into an eroded kerb with an akward wriggle of neck, whisking as if hiding my fur was natural as instinct for milk, or …
This essay provides a survey of the poetry of some Asian Australian poets, and does not attempt to be definitive. Diasporic poetics raise more questions than they answer and are just as much about dis-placement as about place, just as much about a ‘poetics of uncertainty’ as about certainties of style/nation/identity.