Louise Crisp



Introduction to Louise Crisp’s Yuiquimbiang

Read. This is poetry. Both a praise and a lament for Country. Read. There is little like it. Australia struggles with an embrace of the past, but Louise Crisp does not flinch from the intimacy of fact.

Posted in GUNCOTTON | Tagged , , | Leave a comment

Notes on her ‘Gibson’s Folly (Tambo River)’

The Benambra mine is located on the headwaters of the Tambo River which flows into the Ramsar listed Gippsland Lakes. See Louise Crisp’s poem ‘Gibson’s Folly (Tambo River)‘. The Wilga ore body was mined by Denehurst Ltd. from 1992-1996. The …

Posted in GUNCOTTON | Tagged | Leave a comment

Gibson’s Folly (Tambo River)

‘Treat with Euphrasia bad memory and vertigo’ Gibson’s Folly – Earth Moving: the precipitous track descends to Wilga portal and the Tambo Purple eyebright ringed around closely in heathy dry forest lilac, pink or white ‘it comes and goes’ but …

Posted in 48.0: CONSTRAINT | Tagged | Leave a comment

Proteaceae: A Chapbook Curated by Peter Minter

In January 2013 I visited the inaugural exhibition of the new Blue Mountains City Art Gallery, an eclectic and compelling collection of works curated by Gavin Wilson and entitled ‘Picturing the Great Divide: Visions from Australia’s Blue Mountains’. I stood for what seemed like an hour before John Wolseley’s wonderful ‘The Proteaceae of NSW and Argentina 1996’ – a water colour and pencil work that is part of his ongoing creative enquiry into geological and biological temporalities, and one which advances an intensely felt and thought aesthetic of deep trans-historical and trans-biological emergence.

Posted in CHAPBOOKS | Tagged , , , , , , , , | Leave a comment

Remnants

(Gippsland Red Gum Plains1) I. Yeerung Bush Reserve A grey downy bird hops down the yertchuk to look at me as I climb through the wire fence on the boundary of the badlands into Yeerung Reserve. She hops up and …

Posted in PROTEACEAE | Tagged | Leave a comment