- 85: UNPRINTABLEwith J R Carpenter and Benjamin Laird (coming soon!) 84: SUBURBIAwith Lachlan Brown and Nathanael O'Reilly(submit away!) 83: MATHEMATICSwith Fiona Hile (coming soon!) 82: LANDwith James Stuart and Jane Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to Jeanine Leane’s Walk Back Over
- Introduction to Anne Elvey’s White on White
- Winners for the Val Vallis Award for an Unpublished Poem 2017
- Buying Satin Dresses at Yu Garden
- (after) HER: dating app adventures
- The Future of Music
- His Master’s Voice
- Quietly, on the way to Mars
- Submission to Cordite 84: SUBURBIA
- Signs from Asemia: Yasmin Heisler Reviews asemic 15
- Review Short: Aileen Kelly’s Fire Work: Last Poems
- Review Short: Brian Castro’s Blindness and Rage
- LAND Editorial
- The Land as Breath: Can Poetic Forms Be Metaphors for Landscapes?
- Concrete: A Shikoku Pilgrimage
- World of Feelings: Ghassan Hage, Bruce O’Neill, Magic Steven and the Affective Dimensions of Globalisation
- Un(dis)closed: Reading the Poetry of Emma Lew
- Architecture, Poetry and Impressions of a Bendigo Chinese Doctor, James Lamsey
- Possession, Landscape, the Unheimlich and Lionel Fogarty’s ‘Weather Comes’
- Placeways in the Anthropocene: Phyllis Webb’s Canadian West Coast
- 12 Pigment Prints on Paper by Tony Albert
- ‘a serpentine | Gesture’: The Synthetic Reconstruction of Ashbery’s Poetic Voice
- Vorticist Portraiture in Mina Loy’s Anglo-Mongrels and the Rose
- Petrus Augustus de Génestet’s ‘Peaen to the Netherlands’
- Three Translated Takako Arai Poems
- Three Translated Nguyễn Man Nhiên Poems
- Four Translated Gerhard Fritsch Poems
Images courtesy of the editors When we chose to edit an issue of Cordite Poetry Review around the theme of ‘Land’, it was with an interest in the inherent openness of the word. Similarly, we came without a strong affiliation …
Disturbed land. Conserved land.
Whose land? Yours, mine, the landlady’s?
Something so immediate like a heart attack requires decades of preparation: the artist hovers outside the frame & in front of Prague Castle waiting for a gesture to mark the times. Above the games, further east, a bomber pilot absently …
On the cover of James Stuart’s debut collection Anonymous Folk Songs is an image of a series of kites strung together; tethered to a darkened cityscape, they stretch away from it, curving upwards into the sky above. In any scene where the light falling upon subjects differs, the photographer must choose which part of the image to correctly expose – and therefore to highlight – the earth or sky, the kites or clouds. The photograph is Stuart’s own, and it is the sky that takes up most of the frame, that retains depth and a complexity of colour and tone. And yet the unbroken black silhouette of an urban skyline anchors the sky, just as a barely visible line of string anchors the desiring kites to ground. The same impulse that animates this image on the cover is embedded in the poems within.
As I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.
“This essay provides a survey of the poetry of some Asian Australian poets, and does not attempt to be definitive. Diasporic poetics raise more questions than they answer and are just as much about dis-placement as about place, just as much about a ‘poetics of uncertainty’ as about certainties of style/nation/identity.”
Nutritionists. Openly 9 out of 10 recommend a lifestyle & know the thick-shakes in all tastes & sizes are coming so recommend the following: (with the exception of the following because the following cause: Barbecued food Deep fried food Food …
We no longer go out to paint, unless the object to be represented is such that it cannot be transported. – Lang Shi Ning (Giuseppe Castiglione, Qing Dynasty court painter) The fly-screen door has only just banged shut & already …
Invariably described as an ecological disaster, fire ants are the evolved antithesis of market garden poets. Recently, a lyrebird's corpse was found littered with crimson pustules in bushland adjoining a continental herb patch. The ants infiltrated this land obscured in …
What is branding? The lyrebird has created this system & preaches it like a benevolent ruler, emphasising freedom of choice, speech, expression. Its plumage is made of melody, a jingle of colour shifting through all the seasons of the bush. …
Chinese text 03: Near the city centre's First Ring Road a bus explodes like a repressed memory: a shoddy job, done fast & dirty many years ago; in an alleyway, an outline knives a young Han couple. For …