- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
Fan-tailed, a brown cuckoo dove swoops across the highway, settling on verge. You could it take it as a sign there’s undercurrent to asphalt, that it’s the world flowing beneath us. A vinyl-clad demountable demurs roadside. Blurred country flips through vignettes …
Images courtesy of the editors When we chose to edit an issue of Cordite Poetry Review around the theme of ‘Land’, it was with an interest in the inherent openness of the word. Similarly, we came without a strong affiliation …
Disturbed land. Conserved land.
Whose land? Yours, mine, the landlady’s?
Something so immediate like a heart attack requires decades of preparation: the artist hovers outside the frame & in front of Prague Castle waiting for a gesture to mark the times. Above the games, further east, a bomber pilot absently …
On the cover of James Stuart’s debut collection Anonymous Folk Songs is an image of a series of kites strung together; tethered to a darkened cityscape, they stretch away from it, curving upwards into the sky above. In any scene where the light falling upon subjects differs, the photographer must choose which part of the image to correctly expose – and therefore to highlight – the earth or sky, the kites or clouds. The photograph is Stuart’s own, and it is the sky that takes up most of the frame, that retains depth and a complexity of colour and tone. And yet the unbroken black silhouette of an urban skyline anchors the sky, just as a barely visible line of string anchors the desiring kites to ground. The same impulse that animates this image on the cover is embedded in the poems within.
As I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.
This essay provides a survey of the poetry of some Asian Australian poets, and does not attempt to be definitive. Diasporic poetics raise more questions than they answer and are just as much about dis-placement as about place, just as much about a ‘poetics of uncertainty’ as about certainties of style/nation/identity.
Nutritionists. Openly 9 out of 10 recommend a lifestyle & know the thick-shakes in all tastes & sizes are coming so recommend the following: (with the exception of the following because the following cause: Barbecued food Deep fried food Food …
We no longer go out to paint, unless the object to be represented is such that it cannot be transported. – Lang Shi Ning (Giuseppe Castiglione, Qing Dynasty court painter) The fly-screen door has only just banged shut & already …
Invariably described as an ecological disaster, fire ants are the evolved antithesis of market garden poets. Recently, a lyrebird's corpse was found littered with crimson pustules in bushland adjoining a continental herb patch. The ants infiltrated this land obscured in …
What is branding? The lyrebird has created this system & preaches it like a benevolent ruler, emphasising freedom of choice, speech, expression. Its plumage is made of melody, a jingle of colour shifting through all the seasons of the bush. …