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Recent Posts
- An interview with M. F. McAuliffe
- An interview with Brendan Ryan
- Work: A Cordite-Prairie Schooner Collaboration
- Submissions for Cordite 38: Sydney extended
- Cordite 37: No Theme! is now online
- No! Theme! Editorial!
- What’s possible between us
- Thoughts
- Things Wong Kar-Wai Taught Me About Love, Part 2
- The Goulburn Cricket Club Love Song
Recent Comments
- Kate Middleton on Again
- Elwin Monteiro on Fathers
- jennifer Chrystie on Again
- Kerry on Things Wong Kar-Wai Taught Me About Love, Part 2
- Brendan on The Man on the Gate
- Angie Duke on Temperature
- stuart barnes on How to Love Bronwyn
- Sergio Holas on Cafe Paradiso
- Dhyan on Five O’Clock at the River
- Kathryn on Brendan Ryan: Shakepeare Didn’t Play Guitar
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Recent Tweets
- @IvyAlvarez south err lee? about 11 hours ago in reply to IvyAlvarez
- It's great to see so many warm and generous comments on the poems in our current issue. Share the love! http://t.co/WZxu1Bsc about 21 hours ago
- Work: A Cordite-Prairie Schooner Collaboration: http://t.co/vGxSlRBW about 1 day ago
- Oh, look at that, 500 tweets! UNTOLD! about 1 day ago
- @TheSchooner - the feature looks great! Will be spreading the word today. Big thanks to Kwame, Marianne and the editorial and design team! about 1 day ago in reply to TheSchooner
china
Heather Taylor Johnson reviews Ouyang Yu
Reality Dreams by Ouyang Yu Picaro Press, 2008 The Kingsbury Tales by Ouyang Yu Brandl & Schlesinger, 2008 While we awaited the arrival of Ouyang Yu's The Kingsbury Tales, a small treat came in the form of Reality Dreams. It …
Constant Haze (Notes From Chengdu)
Five weeks and I have still not visited Mao's statue, which stands at the heart of Chengdu's First Ring Road. On the map in one of the city's English language magazines his presence has been reduced to a vector-based outline, …
Penny Pitt-Alizadeh: Abandoned Snooker Table, Wuhan
We’re not sure exactly what’s going on in this photo, but we like it!
Wandering in Wuhan
I am astounded to find that ancient and medieval poetry occupies a uniquely central presence in Wuhan's contemporary identity; that, in spite of ideological and legal issues and restrictions, new cutting-edge poetry grows across China's cyberspace; and that all of this is happening in spite of a rapid, and some might say rabid, modernisation and commercialisation.
