CONTRIBUTORS

Ali Alizadeh

Ali Alizadeh

About Ali Alizadeh

Ali Alizadeh's next book, The Last Days of Jeanne d'Arc, will be released in 2017. He is a lecturer in Creative Writing and Literary Studies at Monash University.



Plato, Badiou and I: an Experiment in Writerly Happiness

Image courtesy of Ceasefire Magazine. I have many irresolvable arguments with a close and particularly argumentative friend of mine. We regularly disagree, in a civilised, congenial way, on specific topics to do with politics, love, the weather, Asian food and …

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Off Kilter

This be the fulcrum, order’s pivot. Powers oscillate my words the rivet, evil, chthonic, to show you malfeasance, the urgency to recompense, the levers wholly off kilter: 1) The tigerfish is the carnivore of the Congo. Obtruding fangs eyes tenebrous …

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Ali Alizadeh Reviews Chris Andrews

Lime Green Chair In a recent article published in Sydney Review of Books, Emmett Stinson argues that Australian reviewers’ and readers’ responses to Australian short story collections are regulated by the receptions of these authors in the US. And so, according to Stinson, the so-called cultural cringe lives on. But is this really the case? And should we really be suspicious of internationally recognised Australian writers such as Chris Andrews whose second collection of poems has been published by Baltimore’s Waywiser Press, the publishers of such giants of US poetry as Anthony Hecht, Richard Wilbur and W. D. Snodgrass?

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Ali Alizadeh Interviews Paul Kane

Paul Kane is the Professor of English and Co-Associate Chair of English at Vassar College in the Hudson Valley, 75 miles north of New York City. In addition to being a prolific poet and scholar of American literature, he is one of the world’s foremost scholars of Australian poetry. He studied at the University of Melbourne as a Fulbright Scholar to Australia in 1984-85, and has, since 2002, served as Artistic Director of the annual Mildura Writers Festival. He is also the poetry editor of Antipodes: A Global Journal of Australian/New Zealand Literature, and was recently named General Editor of the Braziller Series of Australian Poets. I caught up with Kane over a couple of coffees in Melbourne recently, and the following interview was the result of their conversation.

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Ali Alizadeh Reviews ‘The Best Australian Poems 2012’

BAP2012 Whatever one may expect from an anthology of contemporary poetry released by a mainstream commercial publisher – an accessible selection of diverse voices and styles, one for both the non-specialist, general reader as well as the (less snobbish) connoisseur, a selection featuring promising emerging writers as well as more prominent authors, and so on – Black Inc. Publishing’s annual Best Australian Poems Series has been meeting these expectations, more or less consistently, for close to a decade. And despite the series’ many specific strengths and few weaknesses, the latest addition to the series follows the same general tradition successfully.

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THE REALPOETIK MANIFESTO

[a declaration in progress] FOR TOO LONG has poetry been disregarded as a valid vehicle for the exploration of real world experience. Too often has poetry been filed in the ‘too hard’ basket and deemed ‘irrelevant’ and ‘inaccessible.’ This declaration …

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Act #12

Vintage in verisimilitude. Private Sale – Vacant Position – Business 1 Zone. Scent of sandalwood, inconsequential bells, organic food and runes. Fortitude begs futurism. Health store – Home ware – Souvenirs. Unrequited regret: fetish value fades from my wallet, untold …

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Ali Alizadeh Reviews David Brooks

The Sons of Clovis: Ern Malley, Adoré Floupette and a secret history of Australian poetry by David Brooks University of Queensland Press, 2011 ‘Ern Malley? Again?’ asks David Brooks at the outset of this new reading of what is, arguably, …

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Ali Alizadeh Reviews Maria Takolander and Claire Potter

Ghostly Subjects by Maria Takolander Salt Publishing, 2009 Swallow by Claire Potter Five Islands Press, 2010 In his 2007 essay ‘Surviving Australian Poetry: The New Lyricism’, David McCooey identified the prevailing mode of poetry in contemporary Australia as a negotiation …

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Aa-zaa-dee (아-자-디)

How can I define this Real of language in words? Signs betray its unsayable being like a hoax. Has no authenticity cheated by fakeness; condemns all things to fantasy. How can I praise this enemy of appreciation? When it’s around …

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Grey (회색빛)

for Felicity Plunkett i In this World – which is not a world – black and white withhold truths. In a world we’d have multiplicities, the purity of unqualified impurities. In ours we possess , are possessed by, the comprehension …

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Ali Alizadeh Reviews John Mateer

The West: Australian Poems 1989-2009 by John Mateer Fremantle Press, 2010 Since the publication of his startling first collection Burning Swans in 1989, John Mateer has established himself as one of the key Australian poets who, for the absence of …

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