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CONTRIBUTORS
Ali Alizadeh
Ali Alizadeh Interviews Paul Kane
Paul Kane is the Professor of English and Co-Associate Chair of English at Vassar College in the Hudson Valley, 75 miles north of New York City. In addition to being a prolific poet and scholar of American literature, he is one of the world’s foremost scholars of Australian poetry. He studied at the University of Melbourne as a Fulbright Scholar to Australia in 1984-85, and has, since 2002, served as Artistic Director of the annual Mildura Writers Festival. He is also the poetry editor of Antipodes: A Global Journal of Australian/New Zealand Literature, and was recently named General Editor of the Braziller Series of Australian Poets. I caught up with Kane over a couple of coffees in Melbourne recently, and the following interview was the result of their conversation.
Ali Alizadeh Reviews ‘The Best Australian Poems 2012′
Whatever one may expect from an anthology of contemporary poetry released by a mainstream commercial publisher – an accessible selection of diverse voices and styles, one for both the non-specialist, general reader as well as the (less snobbish) connoisseur, a selection featuring promising emerging writers as well as more prominent authors, and so on – Black Inc. Publishing’s annual Best Australian Poems Series has been meeting these expectations, more or less consistently, for close to a decade. And despite the series’ many specific strengths and few weaknesses, the latest addition to the series follows the same general tradition successfully.
Posted in BOOK REVIEWS
Tagged Ali Alizadeh, Felicity Plunkett, Jessica L. Wilkinson, john tranter
5 Comments
THE REALPOETIK MANIFESTO
[a declaration in progress] FOR TOO LONG has poetry been disregarded as a valid vehicle for the exploration of real world experience. Too often has poetry been filed in the ‘too hard’ basket and deemed ‘irrelevant’ and ‘inaccessible.’ This declaration …
Act #12
Vintage in verisimilitude. Private Sale – Vacant Position – Business 1 Zone. Scent of sandalwood, inconsequential bells, organic food and runes. Fortitude begs futurism. Health store – Home ware – Souvenirs. Unrequited regret: fetish value fades from my wallet, untold …
Ali Alizadeh Reviews David Brooks
The Sons of Clovis: Ern Malley, Adoré Floupette and a secret history of Australian poetry by David Brooks University of Queensland Press, 2011 ‘Ern Malley? Again?’ asks David Brooks at the outset of this new reading of what is, arguably, …
Ali Alizadeh reviews Maria Takolander and Claire Potter
Ghostly Subjects by Maria Takolander Salt Publishing, 2009 Swallow by Claire Potter Five Islands Press, 2010 In his 2007 essay ‘Surviving Australian Poetry: The New Lyricism’, David McCooey identified the prevailing mode of poetry in contemporary Australia as a negotiation …
Aa-zaa-dee (아-자-디)
Hangul translation by 김성현 (Kim Sunghyun) How can I define this Real of language in words? Signs betray its unsayable being like a hoax. Has no authenticity cheated by fakeness; condemns all things to fantasy. How can I praise this …
Grey (회색빛)
Hangul translation by 김성현 (Kim Sunghyun) for Felicity Plunkett i In this World – which is not a world – black and white withhold truths. In a world we’d have multiplicities, the purity of unqualified impurities. In ours we possess …
Ali Alizadeh Reviews John Mateer
The West: Australian Poems 1989-2009 by John Mateer Fremantle Press, 2010 Since the publication of his startling first collection Burning Swans in 1989, John Mateer has established himself as one of the key Australian poets who, for the absence of …
Ali Alizadeh Reviews Tatjana Lukic
la, la, la by Tatjana Lukic Five Islands Press, 2009 With the success of novels and short story collections such as The Slap and The Boat, it seems multicultural writing is enjoying something of a revival in Australia. Yet poetry …
Ali Alizadeh reviews Jen Hadfield
Nigh-No-Place by Jen Hadfield Bloodaxe, 2008 Jen Hadfield's winning the 2008 T. S. Eliot Prize for this collection seems truly sensational. Since the UK's most prestigious poetry prize is usually given to older male poets, the 30 year-old woman poet's …

In May 2010, Melbourne-based publisher Transit Lounge will release a much-anticipated collection of published and unpublished poetry and prose by the iconic Generation of '68 poet and l'enfant terrible, Vicki Viidikas (1948-1998). The book, simply titled Vicki Viidikas: New and Rediscovered, has been edited by Transit Lounge co-founder Barry Scott. Cordite's reviews editor Ali Alizadeh spoke to him about Viidikas, her iconoclastic work, her unconventional life, and her legacy.


