- Review Short: Toby Davidson’s ‘Beast Language’
- Michael Farrell Reviews MTC Cronin
- Justin Clemens Reviews Pam Brown and Ken Bolton
- Andy Jackson Reviews Kevin Brophy and Nathan Curnow
- Suspensions of the Real
- Too East Coast?
- Review Short: Lachlan Brown’s ‘Limited Cities’
- Review Short: Toby Fitch’s ‘Rawshock’
- Submission to Cordite 43: MASQUE is now open!
- Ratbag Editorial
- Bev Braune Reviews Kate Lilley
- A Poetics of The Naughty
- Small to Medium Enterprise
- Film of Sound
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- Cordite Scholarly Submissions (1)
- Naomi Beth Wakan: I have just been sent two volumes from Alba Press for review. They are David Cobb’s...
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- Gina K: Thanks for the awesome article / summary / recount / poetic inspiration, Jacinta. Your equation referring to...
- Felicity Plunkett: Thanks for such an evocative summary, Jacinta. A lot to reflect on — and congratulations to...
- Kristin Hannaford: A really interesting re-cap of the symposium. Wish I was there!
- Submission to Cordite 43: MASQUE is now open! (1)
- Emblem: Is the phantasmagoria of north-north-west masked poetic fare suggested here rijidij; or when it comes to it...
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- ezo: Naru is in Nagasaki, nauru in the pacific – a symbolic reference to second world war??? Nauru has never...
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- Sharaon Mousmini: Yes I have just got a copy of Women’s Work through Pax Press and I was also at the launch...
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- Josephine WIlson: I want to thank the writer for this fine piece. It deserves many readers.
- On Not Having Encountered Snow, Aged 43 (1)
- Justin Lowe: Brilliant mate.
- Cordite 41: TRANSPACIFIC is now live! - http://t.co/3fch0GO0f9 11:50:02 PM March 31, 2013
- Jacinta Le Plastrier on Women's Work and a Modern Classic: http://t.co/4pe2VzqSsg @AusWomenWriters @Women_on_IWD 07:53:24 AM March 25, 2013
- Aidan Coleman reviews Robert Gray: http://t.co/CuL5jIUyRS #poetry 07:50:31 AM March 25, 2013
- Bonny Cassidy reviews the mighty collected Rosemary Dobson: http://t.co/F0Hkn9V86C @UQPbooks #poetry 09:05:53 AM March 19, 2013
- Aaron Mannion reviews John Kinsella's 'The Jaguar's Dream'. http://t.co/P9C4Ni881K #australianpoetry, #poetry 07:53:31 AM March 12, 2013
Jessica L. Wilkinson
This panel from the NonfictioNow Conference 2012 – at RMIT University and in partnership with Iowa University and Barbara Bedell, the Copyright Agency Limited, the Wheeler Centre and ABC Radio National – explores and discusses the potential of ‘nonfiction poetry’ …
never the same night—never the same light in the feet dark devil in the heel the dress got wet— i cut it off—i lost control—rolled off the bed // the fault was all stylus— how it beat the rhythm out …
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
The verse novel is a peculiar organism: descended from the sweeping epics that chronicled the birth of nations and the misadventures of wayward heroes, we can still find characters struggling on their ‘grand’ journey – likely to be a personal, emotional and/or psychological journey – with the occasional battle scene (though, this is more likely to take place on a much smaller, personal level). As a distinctly modern form, there is certainly much less aggrandisement of the natural world via mythical and magical hyperbole in the verse novel.
In this performance excerpt, recorded live at Montsalvat on November 8 2012, Jessica L. Wilkinson teams up with composer Simon Charles and ensemble Manteia to articulate the threads of marionette’s broken narrative while preserving its ever-elusive quality. Poetry: Jessica L. …
In an intriguing vispo ‘Free Music,’ published here in Cordite in 2011, Jessica L. Wilkinson hangs a score. Hung, literally: for what is it about the musical score that gets hung up on text? What was the final sentence? No: hang the score, hang it, Wilkinson writes! Wilkinson’s visible labor is at work in the lower half of the piece, where letters are strung along lines: alphabetic versus diastemmatic (or neumic) notation.
Whatever one may expect from an anthology of contemporary poetry released by a mainstream commercial publisher – an accessible selection of diverse voices and styles, one for both the non-specialist, general reader as well as the (less snobbish) connoisseur, a selection featuring promising emerging writers as well as more prominent authors, and so on – Black Inc. Publishing’s annual Best Australian Poems Series has been meeting these expectations, more or less consistently, for close to a decade. And despite the series’ many specific strengths and few weaknesses, the latest addition to the series follows the same general tradition successfully.
[a declaration in progress] FOR TOO LONG has poetry been disregarded as a valid vehicle for the exploration of real world experience. Too often has poetry been filed in the ‘too hard’ basket and deemed ‘irrelevant’ and ‘inaccessible.’ This declaration …