- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDACOMING SOON with M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
luke beesley
Joan Fleming Reviews Fiona Hile and Luke Beesley
Posted in BOOK REVIEWS
Tagged Fona Hile, Joan Fleming, luke beesley
A Hat
I had been walking for 10-15 mins without a hat. Inside the hat I was able and was able. Customer accounts. Phlegm of coat rack hardened around my shoulders. Amuck this gunky, silvery circumstance, I made a decision, or it, …
Posted in 83: MATHEMATICS
Tagged luke beesley
Reunion Song
Every time she saw herself in the mirror, I remember, she pushed her chin forwards so as to stretch the skin of her neck. The crushed tram ticket in her throat produced the crumpled husky sound, itself. She had seen …
Posted in 57.0: CONFESSION
Tagged luke beesley
The New Reality in Australian Poetry
The generation of Murray is not my generation. The generation of Adamson is not my generation either. Nor is it Tranter or Kinsella.
Posted in ESSAYS
Tagged Albert Tucker, Bonny Cassidy, Corey Wakeling, David Unaipon, Dorothy Hewett, luke beesley, Robert Wood
Review Short: Luke Beesley’s Jam Sticky Vision
Luke Beesley’s long-term preoccupations with film, visual art, writing and literature, return to the fore in Jam Sticky Vision, with the poet now expanding the scope of his work to include 90’s alt-rock bands, like Silver Jews and Pavement. With allusions to filmmaker David Lynch and lo-fi rock musician Bill Callahan couched unselfconsciously beside poems about James Joyce or Henri Matisse, Beesley’s poems may seem to be drawn from something of an eclectic palette. What links the poems nicely together, though, is a close examination of the here and now. In the epigraph from John Dos Passos’s essay ‘The Writer as Technician’ (1935) this idea is more precisely expressed as ‘a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day’.
Posted in BOOK REVIEWS
Tagged luke beesley, Nick Xuereb
Review Short: Luke Beesley’s New Works on Paper
I’ve been meaning to write this review for a year – in fact, there’s a wine stain on my copy and I can pinpoint the exact date that I first put it on my to-do list (i.e. engaged in other work → frustration → tipped glass). Despite all of my sideways swerving, a year is a good amount of time to let Beesley’s recurring bees swirl around the head; a year helps one to figure out their tune. Or, as the poet writes, ‘It’s not about bees. There are no bees.’ Have I tipped the wine glass again?
Posted in BOOK REVIEWS
Tagged Jessica L. Wilkinson, luke beesley
Words such as Ordinary or Ordinate …
Words such as Ordinary or Ordinate to Begin and Clog/ Sieve Towards Construction Constraint after Finnegans Wake Prop boundary portal node enfant incorrigible cohort slather porous nascent inordinate slouch for uncoordinated haberdashery treacle irrelevance. Pulchritudinous lovers mock fuck on soldier …
Posted in 48.0: CONSTRAINT
Tagged luke beesley
The Master
after the 2013 film by Paul Thomas Anderson Cabbages & the sea Cabbages & the sea Cabbages & the seain PT The colour of cabbages & the sea in PT & the colour of cabbages & the sea & the …
Posted in 47.0: COLLABORATION
Tagged luke beesley
Unwelcome Lycra/Portrait of a Patron with a Straw, Loafer
cnr St Georges Rd & Scotchmer i. Half a metre from a calf, cycle – frightened & tanned, flexing opine occupy politics with a cracked bat – he seems to know everyone in the bakery. His argument (buttered, smoothed & …
Posted in 46.1: MELBOURNE
Tagged luke beesley
Review Short: Luke Beesley’s Balance
The poems in Luke Beesley’s Balance, like Siobhan Hodge’s work in Picking Up The Pieces, tend towards brevity (with a few exceptions). In Hodge’s case we might consider this quality in relation to fragments, where the body and the reader’s attention is cut-up. Reading Beesley, the encounter is one that is instead cut-off – that is to say that this is poetry attuned to the momentary and to the sensing body moving through the world.
Posted in BOOK REVIEWS
Tagged Ella O'Keefe, luke beesley
