luke beesley

More Intensity: Topography of Poetry Outcrops

In April 2012, I published a Guncotton blog post, responding to a paper given by Peter Minter in Melbourne. Specifically I was interested in his proposal that Australian poetry could be viewed as an ‘archipelago’ of ‘psycho-geographic’ poetic activity. With thanks to Cordite Poetry Review for inviting me, and once again to Minter for his potent departure points, I’d like to expand on that post, particularly on seeking an alternative to national/ist and ‘monolithic’ ways of framing the poetry produced in and about this continent. By proposing an ‘archipelagic map’, Minter grants local poetry an appropriate critical framework that steers away from some problematic aspects previously encountered in reading and defining ‘Australian poetry’. In doing so, this framework negotiates a view of local poetry that is properly sensible to the actual, situated ethics of poetic practice and community.

Posted in ESSAYS | Tagged , ,

Tempat Tali | Timber Hitch

Tempat Tali Perempuan itu terlipat ke dalam sinar matahari dan aku putuskan untuk memanfaatkannya. Matahari, cahaya, merupakan pelajaran mengenai bangunan. Pelajaran atas sinar matahari yang mengena sekarung goni gandum gorden tertutup, menjadi. Aku memintanya mengisi air pada bak mandi dan …

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Sydney Office

Going to and leaving scuffed planets, she drove her nail across a cake of soap. Waves peeled off Bondi. Cafes continued in fine, hip disinterest. She scrubbed the table, then, and fell into hot traffic. It was a kind of …

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The Sign (표지판)

When I met you at the lights you were holding your bike and holding your brother and your anger. Your breath clawed the pedestrian. They you said and it was in your mouth, the word, like sourdough bread. They! You …

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This Is a Poem Without Mothers (이것은 어머니들이 없는 시다)

The alarm in the morning is made of rubber invents the day around it like a drum. Leonard Cohen. Um. The alarm in the morning is made of stones we unearthed near a horse. My father, smoking a cigar. The …

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Act. Cotton Malley: Short Story Hanoi II

His ear lit up like a daffodil He found four bees in his car It was a leap year. February rushed past like a formula one a twist of tomato in the alcohol

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Race Horse

In a large semi-detached timber dwelling doubling as a restaurant, a patron has ordered something no longer on the menu. Verb. To hit someone with a horse. To run into someone with an old race horse with a royal title …

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Tim Wright reviews Luke Beesley and B. R. Dionysius

Lemon Shark by Luke Beesley papertiger media, 2006 Universal Andalusia by B. R. Dionysius papertiger media, 2006 'The shape of sunlight cutting up your arm'. This was the line that first drew me to Luke Beesley's work. Around the same …

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A. Malley: Signals and Circles

A. MALLEY collects tennis chalk and zipless pencils. He reads his poems.

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A. Malley: Cliffs

A. MALLEY collects tennis chalk and zipless pencils. He reads his poems.

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A. Malley: Spillway

A. MALLEY collects tennis chalk and zipless pencils. He reads his poems.

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On Studying the Traditional Form

Luke Beesley writes poetry and short fiction, and his work has been published widely in Australian newspapers and literary journals including ?´The
Australian Book Review', ?´The Australian' & ?´Southerly'. In 2004/2005 a suite of his poems will appear on the Brisbane City Council rates notice envelope, a public art commission from Brisbane Water. He is currently studying for an M.Phil (Creative Writing) at the University of Queensland. He lives in Brisbane.

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