CONTRIBUTORS

Bonny Cassidy

Bonny Cassidy

About Bonny Cassidy

Bonny Cassidy is current Feature Reviews Editor at Cordite Poetry Review. She is a poet and essayist living in Melbourne, and Lecturer in Creative Writing at RMIT University. Bonny is author of Said To Be Standing (Vagabond, 2010), Certain Fathoms (Puncher & Wattmann, 2012) and Final Theory (Giramondo, 2014). Her poetry has been anthologised and widely featured in journals locally and internationally. She has helped develop several poetry education programs and now runs the monthly Sporting Poets reading in Melbourne.

20 Poets, a Free Anthology from Cordite Books

The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.

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Bonny Cassidy Reviews The Hatred of Poetry

Reflecting Ben Lerner’s considerable reputation as a novelist and poet, this essay speaks in a voice both sure and self-deprecating. At this level it has already fulfilled a conventional definition of its genre – the effort of rhetoric to explore an idea or problem. The problem that Lerner considers – why is poetry a subject of hatred? – is hardly urgent, and he is quick to admit this. After all, the essay’s topic is an inverted defence of poetry, a tradition with a long history. The pleasures of this contribution, therefore, are Lerner’s unashamed and confident belief in poetic form, and the sympathetic truth to be found in his conclusions.

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Unbidden: Settler Poetry in the Presence of Indigenous Sovereignty

Influenced and shaped by some fifty years of Indigenous poetry in English, the last couple of decades of Australian settler poetry have advanced prolific attempts to ‘write (oneself) into the country’ (Van Teeseling 209): producing varied and sometimes radical poetries of regionality, topography, climate, and the histories, narratives and landmarks running through and over them. I contend that such contemporary work by settler poets presents a continuum – varyingly compelling attempts to write in the presence not only of Indigenous poetry, but also colonisation’s ongoing effects and of un-ceded Indigenous sovereignty.

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Bonny Cassidy Reviews Contemporary Australian Literature: A World Not Yet Dead

As Feature Reviews Editor and sometime reviewer for Cordite Poetry Review it is an unusual (and therefore fun) privilege to consider a title in which poetry is critically addressed in the company of other forms. Too often it is it either quarantined within poetry-only criticism, or mentioned as an embarrassing aside to discussions of prose.

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TRANSTASMAN Editorial: Where is it?

At the close of his poem for this issue, ‘Heaven, Bruny Island’, Ken Bolton writes how the radio ‘seems to have stopped to listen’. As I reflect on the poems constellated here, I feel they are doing similarly; attending to something that is neither absent nor present. They are listening to signs of that abstract ground: transtasman.

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Bonny Cassidy Interviews Sophie Collins

I said comforting things to the scaffold but she only seemed to lean more heavily against the side of the church. We are rarely independent structures she said before she dropped a bolt pin which released a long section of …

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Submission to Cordite 51: TRANSTASMAN Open!

Photo by Nicholas Walton-Healey Poetry for Cordite 51: TRANSTASMAN is guest-edited by Bonny Cassidy I’ll be looking for poems that can swim, fly, float, sail and possibly even skim across the very short and very deep difference between Australia and …

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Reclaimed Land: Australian Urbanisation and Poetry

In the late 1850s, Charles Harpur composed the image of ‘a scanty vine,/ Trailing along some backyard wall’ (‘A Coast View’). It might be forgettable, save for its conspicuousness in Harpur’s bush-obsessed poetry. Whether purple ranges or groaning sea-cliffs, his poems cleave to a more-than-human continent. The scanty vine, however, clings to a different surface: human-made – the craft of a drystone wall, perhaps, or wire strung through posts like the twist of the poetic line – it signals domestic land division. Harpur’s vine of words trails along the vertical edifice of settlement.

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Light on red brick

for Alice define personism you say under the green light of Toto but that’s men’s business I am telling you how it was fine being trapped that time in your courtyard o’night scaling the wall of my first Fitzroy brick …

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Nightwork

Conveyor belt wriggling into action, cries rubbish rocks rubbish rocks the machine breaks floodlight, its flash a stingray covered, uncovered. The bulldozer rearing— pandanus bows with a shake dissolves drone tyres. From the rocks and rubbish one kid naked, thick-haired …

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Nether

It stood, sweating pages of ash. _________ Stretched days stare from stone and grass. I run into their light, regretting everything. _________ My fingers hook and unhook. Listening to voices hover up the wall and long bottles of flame explode. …

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Bonny Cassidy Reviews Kelly Pilgrim-Byrne

Domestic ArchaeologyIn her second poetry collection, Domestic Archaeology, Perth-based poet Kelly Pilgrim-Byrne mines a personal narrative with mixed results. While she manages to achieve interesting self-awareness in some of these confessional poems, others lack such clarity and humour.

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