- 102: GAMESUBMIT with J Maxwell and R Green 101: NO THEME 10COMING SOON with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
A line from 1855, first published by Walt Whitman in the poem ‘Song of Myself’, appears again at the beginning of a film produced during a Creative Arts Fellowship at the Australian National University in 1969
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
How can one write words about a poet? Last year, Kris Hemensley and I considered Émile Chartier (Alain)’s assertion that ‘men are afraid to complete their thoughts’, on our way to visit Greta Berlin, whom I had first met in Zennor as a small child and whose father, Sven Berlin, had enthralled a young Kris Hemensley in 1963 with the accoutrements of the artist and his first taste of red wine. And down by the harbour in Weymouth, we had already discovered a shared admiration for W S Graham. A framework was emerging.
In memoriam: Cornelis Vleeskens, 1948-2012 Reading Cornelis Vleeskens’ divertimenti on random days (Earthdance, 2010), has me thinking of Franco Beltrametti, as occasionally I do. We almost met, courtesy of Tim Longville and John Riley, who’d advised that Franco, our fellow …
Kris Hemensley has been on the Melbourne scene for about 40 years as a performing and publishing poet. He coordinates the “poetry & ideas” bookshop, Collected Works. He's published twenty or so books & booklets since 1967, and has a collection in the works from Salt (UK). He was the 2005 recipient of the Christopher Brennan Award.