Kent MacCarter



The Sydney Launch of Harkin, Gibson, Loney and Hawke

OBJECT: Australian Design Centre, Thursday 25 June, 2015 I’m pleased to say that I was at the launch of the very first issue of Cordite Poetry Review, way back in 1997. Good heavens, is that eighteen years ago? The journal …

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Submission to Cordite 52: TOIL Open!

Selfie in Oaxaca Ethnobotanical Garden Poetry for Cordite 52: TOIL is guest-edited by Carol Jenkins I’m looking to meet the lone toiler, the staff, whole professions, whole guilds. What I want for TOIL are energetic and intelligent takes and insight …

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Cordite Books

We’re pleased to tumble out into the world these first four print collections in the new Cordite Books imprint. We had considered print collections for a few years, but the tipping point to actually publish them came in late November …

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Introduction to Natalie Harkin’s Dirty Words


Cover design by Zoë Sadokierski

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Introduction to Ross Gibson’s Stone Grown Cold


Cover design by Zoë Sadokierski

The works that Ross Gibson has written and edited over the past thirty years could be classed as political aesthetics. In books like Seven Versions of an Australian Badland, chronicling the wretched historical miscreants of Queensland’s Brigalow country, or 26 Views of the Starburst World: William Dawes at Sydney Cove 1788–1791, speculatively tracing English astronomer William Dawes’s scientific work and his relationship with the Indigenous Eora people of Sydney Harbour in a few late years of the eighteenth century, Ross Gibson’s method is procedural. Seven Versions and 26 Views form a compositional design that he has described as ‘fractal’, allowing unfixed multiple views and patterns. The author’s practice of creative fragmentation, applied to the poems and short prose pieces in this new collection, eschews linearity and dull chronology.

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Introduction to John Hawke’s Aurelia


Cover design by Zoë Sadokierski

John Hawke’s forensic inquiries in this book are layered with casual erudition – Diderot, Czech poet Vladimir Holan – and locate the poem as transformative state. Many of these poems conclude with a mystical ascent into nature, reminiscent of Patrick White scenes in which the division between consciousness and the universe wavers, signifying that any reconciliation is epiphanic, claimed by art or religion. Yet nature belittles human effort – ‘The path to the point is marked by a scattering / of impermanent hand-made memorials’ – that is, the poet’s endeavours are precariously, though heroically, makeshift, overlaid; but nature is also that which threatens or devours, ‘digesting light’.

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Introduction to Alan Loney’s Crankhandle


Cover design by Zoë Sadokierski

Since moving from New Zealand to Australia back in 2001, Alan Loney has carried on a prolific, internationally recognised career in Melbourne. Crankhandle, Loney’s latest published work, follows on from 2014’s chapbook collaboration with Max Gimblett, eMailing flowers to Mondrian, and the books from Five Islands Press, Nowhere To Go (2007) and Fragmenta Nova (2005). Borrowing his contemporary Laurie Duggan’s term, Loney can be read as a ‘late objectivist’: worrying at that particular American formal legacy, with its attendant philosophical and ethical concerns.

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Submission to Cordite 51: TRANSTASMAN Open!

Photo by Nicholas Walton-Healey Poetry for Cordite 51: TRANSTASMAN is guest-edited by Bonny Cassidy I’ll be looking for poems that can swim, fly, float, sail and possibly even skim across the very short and very deep difference between Australia and …

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Rolfe on with Object Study

Photo by Ian ten Seldam Only heads and tongues loll. Apart from one’s time, what can be bided? And how broad is a swathe? Cordite Poetry Review is excited to work with the next generation of Aden Rolfe poetics over …

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O’Keefe on as Audio Producer

Cordite is chuffed to announce that Ella O’Keefe will be our inaugural Audio Producer, and lends a stack of audio production knowledge to the journal. We’re already beavering away on detail for our first 20-30 minute program.

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Submission to The Lifted Brow and Cordite’s 51.1: UMAMI Now Open!

Luke Davies, Paris, 2014, photo by Samuel Pignan. Poetry for The Lifted Brow / Cordite 51.1: UMAMI is guest-edited by Luke Davies. Submission of flash fiction (between 1 and 500 words max) and poetry will be accepted until 11.59pm, 5 …

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CANADA / AUSTRALIA Editorial

An unlikely place to intersect, or even be at all – Brisbane, Australia – for Shane Rhodes (Canadian, poetry editor for Arc Magazine and the 2013 Arts Queensland Poet in Residence) and Kent MacCarter (native Montanan and Managing Editor of …

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