Kent MacCarter



Tell Me Like You Mean It 3

In curating this chapbook I’m not sure I feel closer to answering these questions: certainly they are never stagnant … But I do feel closer to poetry’s resistance to answer these questions, which does circle back to some kind of answer to my last question – we return to poetry not because we have an answer, but instead return in a process of regeneration.

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Submission to Cordite 96: NO THEME IX

No theme, no rules, except for one: send us your best poems.

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Submission to Cordite 94: EARTH

Why EARTH? Because we are of it, because we are destroying it, because there is nowhere else.

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Submission to Cordite 93: PEACH

A ripe peach may seem the embodiment of the good life, but in this issue, PEACH also stands for the bitterness of brutality as well as the richness of resistance.

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Submission to Cordite 92: NO THEME VIII

I’m looking for work ‘with head, heart and guts,’ as Bei Dao says.

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Bella Li on as Associate Publisher

I’m honoured to announce that Bella Li will be joining Cordite Books as Associate Publisher. There is much activity with the books, and her masterful eye, publishing nous, and creativity will be a welcome and necessary addition.

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Alex Creece on as Production Editor

I’m honoured to announce that Alex Creece is joining the Cordite Poetry Review fold as Production Editor, joining us from her time in the Cordite / Monash University Summer Term Internship Program.

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Submission to Cordite 91: MONSTER

Kanye West said it himself – everybody knows – then Nicki Minaj out-rapped him … then Nicki Minaj vs Cardi B. Give me monster feuds and battles. Give me Conor McGregor attacking a bus. Give me monsters in the Oval …

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Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing

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Submission to Cordite 89: DOMESTIC

DomesticI invite you to lean into this DOMESTIC sphere in all its homely undoing. Use words like beautiful bait to seduce hearts with razor-sharp decolonising intent and rupture the masquerading shape of cosy bliss, as only a poem can.

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Submission to Cordite 88: TRANSQUEER

TransqueerTRANSQUEER is a call for you to say something that maybe you haven’t been able to say before. It asks you to find poetry in / between lines, binaries and stultifying categorisations; from the life of flesh, from inside the bleating, many-chambered heart of gender and sexuality.

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Introduction to Helen Lambert’s Echoland

Helen Lambert’s work is as new to me as it will be to others – she has been operating away from Australian poetry for some time, with long periods in Ireland and, lately, Russia. One approaches a new poet warily. Yet the inventive and capable intelligence behind the poems here is immediately apparent. It is wonderful to be able to drop one’s guard, to forget it – and to enter a wonderful world.

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