CONTRIBUTORS

Jill Jones

Jill Jones

About Jill Jones

Jill Jones’ most recent book is Ash Is Here, So Are Stars (Walleah Press, 2012). In 2012, she also published a chapbook, Senses Working Out (Vagabond Press). She has also published six other full-length poetry books, as well as editing, with Michael Farrell, Out of the Box: Contemporary Australian Gay and Lesbian Poets, in 2009. She won the Kenneth Slessor Poetry Prize 2003 for Screens Jets Heaven: New & Selected Poems and the Mary Gilmore Award 1993 for The Mask and the Jagged Star. She has collaborated with visual and sound artists on a number of text-image projects. Her work has featured in recent anthologies including the Macquarie PEN Anthology of Australian Literature and The Penguin Anthology of Australian Poetry. She has been a film reviewer, journalist, book editor and arts administrator. She currently teaches at the University of Adelaide.



Becoming Crystal

at Te Moeka o Tuawe (Fox Glacier) I take my stone heart to the river, it moves with all the other stones. I slip and shear, ribs crack like ice that makes of the river gravel and gold schist and …

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Coot Observes the Trashing of Venus in Tahiti

This deal prov’d as favourable to our push as we could witness, not a Clutter was to be seen the whole deal and the Airship was perfectly clear, so that we had every advocate we could detail in Observing the …

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A Minuscule Map of the Country

(discounting the Coriolis effect) The antipodean plug lies in a pool, like any other plug, any other pool, where breasts dunk and voices drown with the universal two-bob watch. Nonetheless, a garden gnome or a kangaroo shadow is plastered into …

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No, the System Did Not Work For Me

I landed among delusion, with a lag and a dogsbody. I was hauled within a millimetre of someone’s brown balaclava. I was a deb in line with a litre of jackpots holding a new key and a gypsy. I blundered …

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Hindley Reverie

A lunch poem Perhaps everyone drives round these blocks forever as cafes get lost in the trawl of Hindley Street these blocks, just to see something happen. ‘Adelaide’s No.1 Party Venue’, a kind of inroad or airborne, the sound, lonely …

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Leaving, Are You?

I’m not an anonymous tip-off or the cracking up over death. I’m not easy or the slider on the machine, I’m not evidence or the answering tape. Don’t tempt me! I’ve seen you around the courts and terraces, I see …

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Give Yourself Up

(poem ending on Newtown graffiti) If I do not join       clouds       my attempts of song hit       the roof       line without wings my effort but       she’s crying       conversation leaks damage       & not alone I swig orange       sun ahead of rain it figures       your life planes cuts       across trails spans aerials       I am …

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Electronica Editorial

This issue of Cordite makes a bow to music and the ways musicians in various modes and guises have used electric technologies to generate sound. When David suggested this editing gig to me, I thought how odd, and then, perhaps, …

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“The sky becomes” (“하늘은 된다”)

THE SKY BECOMES more assertive and does not care for my clothes. I stare at the driver until he stops cold, assertive. She tells me a story of brothers and hospitals, it’s about success and inquiry. I remembered the way …

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"I came from" (나의 고향은)

I CAME FROM the lagoon looking for air. I had no companions. I learnt to read by the wayside who follows the hours with days. The names of the gods are in the clouds and on each numberplate. I’m counting …

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Live at the Globe (8:50)

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Jill Jones: Sedition

Music is the calm of a bracelet, girdle, helmet inside words don't matter I've found no terror in the package the song contains there's a type of blue it resembles, one not grown ancient the patina was freedom or something …

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