- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- NO THEME VIII Editorial
- ‘A means of resistance’: Susie Anderson Interviews Alison Whittaker
- 10 Works by Richard Bell
- Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
- 4 Self-translations by Danijela Trajković
- Brutalism: Poems by Alex Creece
- Imperfect Growth: a Travel Log
- 4 Translated Kim Seung-hee Poems
- Residence: Dwelling with The Shards (an essay)
- The Shards
- in yr swimming pool
- Sonar for Conception
- The slow clock
- nanny on the water
- Vernal Funks & Bluffs
- I’d Have Called Her Sooner
- Call of Summer
- Sunday, call me a squid
- Mother Bird
- The Wrong Colour
- Milk River
- House fitting : surprisingly
- Farewell to Sweet Pea
To praise impressions wherever bodies lie down, whoever To be with skin To not be but be here To not be a cut-out on a back lot To keep shoes fit and batteries keen To be as real and dirty …
Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
Jones’s superb collection reinvigorates poetry as a quality of illumination amidst all kinds of opacity, sparking affective and rhythmic conversations between literature, politics, ecology and cosmology. Her poetry engages and enacts what T S Eliot called the ‘auditory imagination’, ‘the feeling for syllable and rhythm, penetrating far below the conscious levels of thought and f eeling’.
I’m restless about affinity There’s a form of am in every dream Stress prevaricates Aniseed lingers You can be too fond of fences making shiny choruses Air is a treasury The horizon fills with shallow light There’s devil in the …
Garron Publishing was started in 2010 by Gary MacRae and Sharon Kernott as a means of self-publishing work, but has since expanded into a successful run of poetry chapbooks by established and emerging South Australian poets.
We become our shopping something that’s not quite feeling a semi-emotion as if underwater or near tears unable to breathe or drown. Are we living in the present tense or another kind of mood? Where are the horses, the plains? …
how do you fend off the sea it will be here if not ever but as your fever or your shadow when you stop breathing do doors open as they did does your hand feel the same in the night …
It’s a neat twenty-five years since Jill Jones’s first book, The Mask and the Jagged Star, was published and in that time she has built for herself a reputation as a serious and ambitious poet whose work demands, and generally rewards, close reading. She is certainly not a poet of easy gestures or flashy effects.
The storm catches on the door. It’s a good sign, a surge that’s more than breathing, that blows away dirt from reliquaries, and directions from their careful signs. It’s near speech and near trembling, sky bringer fate crowning from its …
To commemorate the 50th Anniversary of the Newcastle Region Art Gallery (NRAG) in 2007, Lisa Slade and Peter Minter co-curated the exhibition Poets Paint Words. The two curators commissioned some of Australia’s best poets to write poems in response to a selection of paintings held in the NRAG archive.
Perhaps I require revolution rather than mending day or need to get back to my ill channels, disinterest, a fetish or two and a more obvious sin than procrastination. Force is never equal, not in my calculations, nor is severance …
The full set of LW1 arrives in the post like a present, a gift-wrapped bundle of square, slate-coloured books. It came to me looking so perfect, that a couple of days passed before I had the heart to a prise a chapbook from under the clear binding ribbon. This situation gave shape to a thought about the necessity of obstruction in order for words to seduce. Some form of this theory of desire continued to occur to me as I read the books’ divergent visions.
1. Data: Sun on the right hand Sand fun this roght hend Sent an tho rught hind Sin ends thumb raght hond Song in that reght hund 2. Mix: on the right sand / sent behind / thumbs end rage …