- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
- small town lazarus
- from Red Black & Blues
- Logical Fallacies of Alien
It’s a neat twenty-five years since Jill Jones’s first book, The Mask and the Jagged Star, was published and in that time she has built for herself a reputation as a serious and ambitious poet whose work demands, and generally rewards, close reading. She is certainly not a poet of easy gestures or flashy effects.
So often reproduced and yet the message so elusive. John Woodcock Graves the younger, lawyer, writer, poet, ‘friend’, is standing high beside her, not quite profile, looking down, frock coat reaching to his knees. Truganini, Trugernanner, also known as Lalla …
These 41 pages from a revived Eaglemont Press (once run by the late, revered Melbourne poet, Shelton Lea) contain the first collections (or first half-collections) of Lea’s much younger fellow-Melbournians, Amanda Anastasi and Robbie Coburn. It’s analogous to two good friends buying a very small inner-city flat to get a toe-hold in the daunting real estate market of that city. Bigger things are sure to come later.
Adelaide poet, Mike Ladd, is best known for his long-running Poetica program on the ABC’s Radio National (eighteen years all up before its casual destruction in 2014). The breadth of taste and openness to a wide range of influences Ladd displayed in Poetica is also to be found in Invisible Mending, his first poetry collection since Transit in 2007.
Dennis Haskell’s new selected is part of an interesting trend. In the past few months three other Australian poets (Adrian Caesar, Jan Owen and Robyn Rowland) have also had books published overseas that, in more congenial times, might well have been published here. In each case there’s a plausible explanation but it’s an interesting phenomenon even so.
Sometimes in your later years it is enough to read the titles only. shorthand for the contents you cannot quite recall. The sleety ironies of Philip Larkin, say, a flatness everybody knows but he defined, bending to his bike-clips. Wallace …
John Kinsella’s latest foray into what has become known as ‘ecopoetics’ raises many more aesthetic and political questions than can be resolved in a short review. As in his Divine Comedy: Journeys Through a Regional Geography (2008), Kinsella makes vivid and considerable use of autobiography. He and his family are presented as embattled eco-pioneers in a region already much destroyed by bad farming practices, partly multi-national in origin, and roamed over at will by township hoons ready to shoot up anything that moves.
1909 — 1956 The legends and the anecdotes are only half of it; Charlie Parker early on, night-club kitchen, washing plates just to hear the sound then saying as saxophonist ‘I wish I could play like Tatum’s right hand’; the …
We watch them sitting down beside us, (she, the latte; he, long black) and see them splitting up the paper (he, the sport, and she, the crossword). Five or forty years ago, we would have seen them leaning inwards antiphonal …
Now a youthful 79, the Melbourne poet, Chris Wallace-Crabbe, has been an important figure in Australian poetry since the early 1960s. As a teacher, scholar, anthologist and organizer – as well as a poet with at least fourteen volumes to his name – Wallace-Crabbe has been central to much that has happened in Australian poetry over the past fifty years, especially in Melbourne. As with his friend, the late Peter Porter, Wallace-Crabbe’s lightly-worn erudition and distinctive sense of humour have ensured that his work is admired by many poets (and readers) across the aesthetic divisions in our poetry reaching back to the 1970s.
How do jazz and poetry talk to each other? Of course, they can lament their shared marginality to the majority culture – but that will take us only so far. They can boast of their heroic figures over a century (jazz) or the millennia (poetry). They can hyperventilate about the talents of the latest prodigies in either form, but that will almost always be ahead of the facts.
Of course, it is a work of love — and has the smell of dust about it, the love that settles from the air on everything unread. It has the whiff of toner, too, the creak of books split newly …