- A. Frances Johnson Reviews Jill Jones
- Review Short: Toby Davidson’s ‘Beast Language’
- Michael Farrell Reviews MTC Cronin
- Justin Clemens Reviews Pam Brown and Ken Bolton
- Andy Jackson Reviews Kevin Brophy and Nathan Curnow
- Suspensions of the Real
- Too East Coast?
- Review Short: Lachlan Brown’s ‘Limited Cities’
- Review Short: Toby Fitch’s ‘Rawshock’
- Submission to Cordite 43: MASQUE is now open!
- Ratbag Editorial
- Bev Braune Reviews Kate Lilley
- A Poetics of The Naughty
- Small to Medium Enterprise
- National Anthems (2)
- Cordite Scholarly Submissions (1)
- Naomi Beth Wakan: I have just been sent two volumes from Alba Press for review. They are David Cobb’s...
- Front page alternate (2)
- Suspensions of the Real (3)
- Gina K: Thanks for the awesome article / summary / recount / poetic inspiration, Jacinta. Your equation referring to...
- Felicity Plunkett: Thanks for such an evocative summary, Jacinta. A lot to reflect on — and congratulations to...
- Kristin Hannaford: A really interesting re-cap of the symposium. Wish I was there!
- Submission to Cordite 43: MASQUE is now open! (1)
- Emblem: Is the phantasmagoria of north-north-west masked poetic fare suggested here rijidij; or when it comes to it...
- Pacific Solution 3 (2)
- ezo: Naru is in Nagasaki, nauru in the pacific – a symbolic reference to second world war??? Nauru has never...
- IWD: Murder, She Wrote (2)
- Sharaon Mousmini: Yes I have just got a copy of Women’s Work through Pax Press and I was also at the launch...
- Nativism and the Interlocutor (2)
- Josephine WIlson: I want to thank the writer for this fine piece. It deserves many readers.
- On Not Having Encountered Snow, Aged 43 (1)
- Justin Lowe: Brilliant mate.
- Postcards from ‘The Neon Cactus’ (2)
- Bradley Roberts: Great poem. I lived in Finland or eighteen months. Wonderful land
- Five O’Clock at the River (6)
- Martha Landman: Profound! Rich with images. Imaginative; so human.
- Michael Farrell on MTC Cronin: http://t.co/BQvy92uAsv #poetry #australiapoetry about 17 hours ago
- A. Frances Johnson on Jill Jones: http://t.co/WNFwTsNjT9 #poetry #australiapoetry about 17 hours ago
- Down to three weeks left to submit to Issue 43: MASQUE with Ann Vickery: http://t.co/uCdcWbhkLT about 17 hours ago
- Cordite 41: TRANSPACIFIC is now live! - http://t.co/3fch0GO0f9 11:50:02 PM March 31, 2013
- Jacinta Le Plastrier on Women's Work and a Modern Classic: http://t.co/4pe2VzqSsg @AusWomenWriters @Women_on_IWD 07:53:24 AM March 25, 2013
A book as an experience of sampling, and of reading over a long period of time, may be ideal for the writer; but it won’t be that for all readers, especially not reviewers.
MTC Cronin has published several highly structured books in the past: Talking to Neruda’s Questions,
Fans of lists in Finnegans Wake will appreciate Javant Biarujia’s new book of poetry, Resinations. Many of the most amusing juxtapositions in the volume derive from the arrangement of proper names, drawn from (most) high and (very) low cultural references presented as cubistic materials in simultaneity.
Michael Farrell, on the other hand, a leading experimental poet of the next generation, is published by Giramondo – his previous volume, A Raiders Guide, was perhaps the most stylistically provocative book to have appeared with a recognised commercial publisher. Drawing on the Russian formalists’ exploration of the autonomous poem-as-machine, these radical fragmentations highlighted ‘The Word as Such’, and even ‘The Letter as Such’, in their concentration on the visual and sound properties of language.
He’s cutting my hair and flipping his braid imagining the amassing of casualties. he’s A fine rider, and likes a good chestnut for preference, in the. field muttering that’ll Be twenty-nine cents thanks giving you a bullet as if. mogadon …
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
Th E Ma N Fr Om Sn Ow Ri Ver | (16:53) Michael Farrell and Oscar Schwartz Return to Wandering through the Universal Archive: A Chapbook Curated by Fiona Hile
Me: Yeah, no, I write too … Person: Really, great! What do you write? Me: Poetry Person: ‘…’ Sometimes that person actually lowers their eyes, bows their head, as though I have somehow reached too far into their minds and …
Fremantle Poets 1: New Poets (Fremantle Arts Centre Press, 2010)
There is an apt awkwardness and uncertainty in all three poets – Emma Rooksby, Scott-Patrick Mitchell, J.P. Quinton – here: in the expression of sentiment (‘Preparations’, Rooksby), in the use of syntax (Mitchell) and archaisms like ‘verily’ (Quinton). All three are skilled poets, but they are new, and there is a sense that they are still trying things out. As editor Tracy Ryan writes, the three are ‘extremely diverse in tone and approach’ and this diversity is pronounced in a way that would be tempered were there more poets in the book. Ryan’s selected poets represent three modes, rather than merely variety itself. This is not a sampler, however, but three books in one, and perhaps not designed to be read sequentially.
The view of the watery gardens suggested a truly Verbal rosette. We see the world as a black and White golf course. Constellations, like buttons on Apollinaire. How much longer can we afford it? We fall – in performance – …
… ha- … thanks … another post … time … hotel … Stanmore train … heavy … it was … full … through the corridors … black … winding down … I went … I was staying … park … …
Victoria’s first settlers were whalers as well as prostitutes. They were hale, they drank ale. They were whalewrights, sexwrights – they were Whites. They ate a lot of pasta too – well before the Italians put in an appearance. They …
1 we have over 45 years experience skin , launched in 1960 with soap messaging ( sm ) and presence protocol suite deal with , use , etc . : a matter contributed online encyclopedia intended for people sneakers make …
thempark by Michael Farrell
Illuminations by Arthur Rimbaud
translated by John Ashbery
W.W. Norton and Co., 2011
In her review of John Ashbery’s new translation of Illuminations in The New York Times, Lydia Davis reminded us that: “When Rimbaud’s mother asked of A Season in Hell, ‘What does it mean?’ — a question still asked of Rimbaud’s poetry, and of Ashbery’s, too — Rimbaud would say only, ‘It means what it says, literally and in every sense.’”