Keri Glastonbury



Introduction to Zenobia Frost’s After the Demolition

BUY YOUR COPY HERE *ships 15 August 2019* Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost’s After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. The potency …

Posted in GUNCOTTON | Tagged , ,

Melody Paloma Reviews Keri Glastonbury

What is it about the sonnet? How is it that the infinite possibilities of those 14 lines can remain as persuasive and perplexing in 2018, in Newcastle, as they did in fourteenth century Italy?

Posted in BOOK REVIEWS | Tagged ,

CONFESSION Editorial

ConfessionCharles Whalley’s essay on post-internet poetics ‘This has been a blue / green message exiting the social world’ takes its title from a Sam Riviere poem, which makes me imagine ‘blue / green’ text messages bubbling like algae blooms on a mobile phone.

Posted in ESSAYS | Tagged

Submission to Cordite 57: CONFESSION

Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …

Posted in GUNCOTTON | Tagged ,

Review Short: Jane Joritz-Nakagawa’s Diurnal

Jane Joritz-Nakagawa’s Diurnal is a slim chapbook of 24 numbered poems of seven two-line stanzas, which by my reckoning makes it a sonnet sequence. The cover of the edition I received is reminiscent of silver gelatin, with stark tree branches visible in the glooming (the chapbook comes in a series of three colours). The image is evocative of the tone of the poetry and while the title evokes the daily, it suggests that there are long, dark days of the soul, as well as nights. What of the noir of the day?

Posted in BOOK REVIEWS | Tagged ,

Chronotope Highway

The forgotten allure of conversations inside cars, like fast and furious, but cooler. Your brown dog in his many pantone shades is left behind in Cooranbong where we kill the get directions voice, her indefatigable English accent permanently miffed at …

Posted in 53.0: THE END | Tagged

Justin Clemens Reviews Poetry and the Trace

Poetry and the TraceSometimes irritating, often informative, occasionally incisive and sporadically genuinely interrogatory, the thoughtfulness evinced by (many of) the writings collected in Poetry and the Trace triggers further chains of association and dissociation. This is a genuinely critical collection in various senses of that word: at once analytic, hortatory, and urgent.

Posted in BOOK REVIEWS | Tagged , , , , , , , , , , , , , , , , , , , , , ,

In Newcastle, In Tokyo …

Skye is a 2 bit whore: “The Nomads Motorcycling Club are inviting local residents” jumping castles on Chinchen Street filled with April fools. Walking down the drain as a form of object oriented ontology (ooo) eventually finding every piece of …

Posted in 47.0: COLLABORATION | Tagged ,

Review Short: Outcrop: radical Australian poetry of land

Outcrop: radical Australian poetry of landAs I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.

Posted in BOOK REVIEWS | Tagged , , , , , , , ,

Keri Glastonbury Reviews Australian Love Poems 2013

Australian Love Poems 2013In his 1951 essay ‘Against Poets’, Polish writer Witold Gombrowicz describes the poet ‘as a being who can no longer express himself as much as someone who must express – a Poem’. With such sentiment in mind I approached Australian Love Poems 2013 with some apprehension. Despite all the lofty rhetoric surrounding love poetry – and, understandably, there is plenty of it in the eloquent, generous introduction to this anthology by editor Mark Tredinnick – would it ultimately prove, as Gombrowicz might suggest, to be a ‘boring orgy’?

Posted in BOOK REVIEWS | Tagged ,

Keri Glastonbury on Derek Motion

Lollyology

Posted in BOOK REVIEWS | Tagged ,

Beveridge, Le Plastrier and Glastonbury

Cordite Poetry Review has three new names to welcome into the fold – Jacinta Le Plastrier, Judith Beveridge and Keri Glastonbury. Jacinta Le Plastrier is a Melbourne-based writer, poet, editor, publisher and journalist. She is now Cordite’s blog editor as …

Posted in GUNCOTTON | Tagged , ,