- 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C SLowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Introduction to Zenobia Frost’s After the Demolition
BUY YOUR COPY HERE Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost’s After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. The potency of houses is a …
Posted in INTRODUCTIONS Tagged Keri Glastonbury, Zenobia Frost, Zoë Sadokierski
Melody Paloma Reviews Keri Glastonbury
What is it about the sonnet? How is it that the infinite possibilities of those 14 lines can remain as persuasive and perplexing in 2018, in Newcastle, as they did in fourteenth century Italy?
Posted in BOOK REVIEWS Tagged Keri Glastonbury, Melody Paloma
Charles Whalley’s essay on post-internet poetics ‘This has been a blue / green message exiting the social world’ takes its title from a Sam Riviere poem, which makes me imagine ‘blue / green’ text messages bubbling like algae blooms on a mobile phone.
Posted in ESSAYS Tagged Keri Glastonbury
Submission to Cordite 57: CONFESSION
Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …
Posted in GUNCOTTON Tagged Kent MacCarter, Keri Glastonbury
Review Short: Jane Joritz-Nakagawa’s Diurnal
Jane Joritz-Nakagawa’s Diurnal is a slim chapbook of 24 numbered poems of seven two-line stanzas, which by my reckoning makes it a sonnet sequence. The cover of the edition I received is reminiscent of silver gelatin, with stark tree branches visible in the glooming (the chapbook comes in a series of three colours). The image is evocative of the tone of the poetry and while the title evokes the daily, it suggests that there are long, dark days of the soul, as well as nights. What of the noir of the day?
Posted in BOOK REVIEWS Tagged Jane Joritz-Nakagawa, Keri Glastonbury
The forgotten allure of conversations inside cars, like fast and furious, but cooler. Your brown dog in his many pantone shades is left behind in Cooranbong where we kill the get directions voice, her indefatigable English accent permanently miffed at …
Posted in 72: THE END Tagged Keri Glastonbury
Justin Clemens Reviews Poetry and the Trace
Sometimes irritating, often informative, occasionally incisive and sporadically genuinely interrogatory, the thoughtfulness evinced by (many of) the writings collected in Poetry and the Trace triggers further chains of association and dissociation. This is a genuinely critical collection in various senses of that word: at once analytic, hortatory, and urgent.
Posted in BOOK REVIEWS Tagged ann vickery, Bonny Cassidy, David McCooey, Elizabeth Wilson, Emily Bitto, Emily Finlay, Jessica L. Wilkinson, John Hawke, John Kinsella, john tranter, Justin Clemens, Kate Fagan, Kate Lilley, Keri Glastonbury, Kim Cheng Boey, Lionel Fogarty, Melissa Boyd, Melissa Hardie, Nina Philadelphoff-Puren, Rachel Blau DuPlessis, Simon West, Susan Stewart, Thomas Ford
In Newcastle, In Tokyo …
Skye is a 2 bit whore: “The Nomads Motorcycling Club are inviting local residents” jumping castles on Chinchen Street filled with April fools. Walking down the drain as a form of object oriented ontology (ooo) eventually finding every piece of …
Posted in 63: COLLABORATION Tagged Keri Glastonbury, Ted Nielson
Review Short: Outcrop: radical Australian poetry of land
As I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.
Posted in BOOK REVIEWS Tagged Ali Cobby Eckermann, Claire Potter, Corey Wakeling, Duncan Hose, James Stuart, Jeremy Balius, Kate Fagan, Keri Glastonbury, Pete Spence
Keri Glastonbury Reviews Australian Love Poems 2013
In his 1951 essay ‘Against Poets’, Polish writer Witold Gombrowicz describes the poet ‘as a being who can no longer express himself as much as someone who must express – a Poem’. With such sentiment in mind I approached Australian Love Poems 2013 with some apprehension. Despite all the lofty rhetoric surrounding love poetry – and, understandably, there is plenty of it in the eloquent, generous introduction to this anthology by editor Mark Tredinnick – would it ultimately prove, as Gombrowicz might suggest, to be a ‘boring orgy’?
Posted in BOOK REVIEWS Tagged Keri Glastonbury, Mark Tredinnick
Keri Glastonbury on Derek Motion
The title of Derek Motion’s recent poetry collection lollyology alludes to a theory of lollypops. If, as Urban Dictionary suggests, a ‘lollyologist’ (lollypop maker) is also street shorthand for the ‘most pointless job position in the world’, then Motion is willing to elevate this ‘pointlessness’ to a field of study, or perhaps an art. I’m not sure if this is intended as a comment on poetry and poetics, though with its lurid purple cover image of a toy truck the tone and aesthetics of lollyology appear punkish and juvenile, in a Bow Wow Wow ‘I want candy’ kind of way (although Motion’s ‘indie’ points of reference are more likely The Lemonheads, Dinosaur Junior and ‘another canberra bar / josh pyke’).
Posted in BOOK REVIEWS Tagged derek motion, Keri Glastonbury
If I could, I’d become a liposuction vampire: a bat that would suck out fat rather than blood. I’d be a popular creature of mythology, pursued by many women. After all, the early 21st century is interminable purgatory for the …
Posted in 55: RATBAGGERY Tagged Keri Glastonbury
Tim Wright Reviews Keri Glastonbury
Keri Glastonbury’s first full-length collection, grit salute, gathers together work written since her 1999 Five Islands Press chapbook Hygienic Lily. Glastonbury’s published poems date from the late 1980s, and as such – and, it has to be said, because of publisher delays – this volume has been much anticipated by admirers of her poetry. Glastonbury is known in the Sydney and Newcastle scenes as a teacher of poetry and cultural studies, and as a champion and enthusiast of new critical and creative writing, particularly by younger writers; one example of the latter being her revival, with others, of the important 1980s Sydney imprint, Local Consumption Publications.
Posted in BOOK REVIEWS Tagged Keri Glastonbury, Tim Wright
We started to watch Alien on video but it was dubbed not subtitled. We had already talked each other blue in the face. So spurred on by a dose of male pheromones and inspired by a Sony installation and a …
Posted in 04: UNTHEMED Tagged Keri Glastonbury
In love I’ll usually effect a threshold. Usually a stream. And there we splash and banter. The threshold is my flattened-out organs without a summit. Or sometimes I dig holes and think that I’m clever. It’s a method of frustration …
Posted in 04: UNTHEMED Tagged Keri Glastonbury