- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Iris Fan Xing’s South of Words
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
What is it about the sonnet? How is it that the infinite possibilities of those 14 lines can remain as persuasive and perplexing in 2018, in Newcastle, as they did in fourteenth century Italy?
Charles Whalley’s essay on post-internet poetics ‘This has been a blue / green message exiting the social world’ takes its title from a Sam Riviere poem, which makes me imagine ‘blue / green’ text messages bubbling like algae blooms on a mobile phone.
Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …
Jane Joritz-Nakagawa’s Diurnal is a slim chapbook of 24 numbered poems of seven two-line stanzas, which by my reckoning makes it a sonnet sequence. The cover of the edition I received is reminiscent of silver gelatin, with stark tree branches visible in the glooming (the chapbook comes in a series of three colours). The image is evocative of the tone of the poetry and while the title evokes the daily, it suggests that there are long, dark days of the soul, as well as nights. What of the noir of the day?
The forgotten allure of conversations inside cars, like fast and furious, but cooler. Your brown dog in his many pantone shades is left behind in Cooranbong where we kill the get directions voice, her indefatigable English accent permanently miffed at …
Sometimes irritating, often informative, occasionally incisive and sporadically genuinely interrogatory, the thoughtfulness evinced by (many of) the writings collected in Poetry and the Trace triggers further chains of association and dissociation. This is a genuinely critical collection in various senses of that word: at once analytic, hortatory, and urgent.
Skye is a 2 bit whore: “The Nomads Motorcycling Club are inviting local residents” jumping castles on Chinchen Street filled with April fools. Walking down the drain as a form of object oriented ontology (ooo) eventually finding every piece of …
As I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.
In his 1951 essay ‘Against Poets’, Polish writer Witold Gombrowicz describes the poet ‘as a being who can no longer express himself as much as someone who must express – a Poem’. With such sentiment in mind I approached Australian Love Poems 2013 with some apprehension. Despite all the lofty rhetoric surrounding love poetry – and, understandably, there is plenty of it in the eloquent, generous introduction to this anthology by editor Mark Tredinnick – would it ultimately prove, as Gombrowicz might suggest, to be a ‘boring orgy’?
Cordite Poetry Review has three new names to welcome into the fold – Jacinta Le Plastrier, Judith Beveridge and Keri Glastonbury. Jacinta Le Plastrier is a Melbourne-based writer, poet, editor, publisher and journalist. She is now Cordite’s blog editor as …
If I could, I’d become a liposuction vampire: a bat that would suck out fat rather than blood. I’d be a popular creature of mythology, pursued by many women. After all, the early 21st century is interminable purgatory for the …