- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
In curating this chapbook I’m not sure I feel closer to answering these questions: certainly they are never stagnant … But I do feel closer to poetry’s resistance to answer these questions, which does circle back to some kind of answer to my last question – we return to poetry not because we have an answer, but instead return in a process of regeneration.
What is it about the sonnet? How is it that the infinite possibilities of those 14 lines can remain as persuasive and perplexing in 2018, in Newcastle, as they did in fourteenth century Italy?
While these pre-federation tropes of settler colonial Australia’s multifaceted and at times contradictory pastoral modes seem to recognise something of their incompatibility with Aboriginal land, they seek their resolution from burial, rather than reciprocal encounter with Aboriginal presence.
The cover of Melody Paloma’s first poetry collection, In Some Ways Dingo, is a work by the artist Emma Finneran called ‘Into Stella.’ It’s formed from acrylic, ink and pastel on cotton drop cloth. Finneran’s work is interested in the material possibilities of drop-cloths: cloths typically instrumentalised into catching ‘the excess paint from Mum’s feature wall’ (in Finneran’s words) and to be eventually ‘rendered forgotten, formless, shapeless, degraded – to be dropped.’
‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an incredible sense of community.
Emily Stewart’s Knocks operates somewhere in between these two ideas. Certainly, Stewart is part of a new wave of avant-garde poetry in Australia, and collaborative prowess is surely at the collection’s centre; but it is difficult to attach Stewart to just one particular community.
the gut of a rock catches sea murmur in my throat with swimmer’s ear and something else high tide brings up dark patches where there must be colour or maybe white like these ones dried up on the shore wind …
I spend the morning on YouTube watching videos of sinkholes: ‘Terrifying sinkhole compilation 2010-2014’ ‘The sinkhole that is swallowing Louisiana’ ‘Girl swallowed by pavement’ cylindrical chasm in a Guatemalan kitchen, maybe a meter wide. A light dropped in illuminates not …