- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDACOMING SOON with M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
2020 is a hectic year, ay?
Some writing teaches you possibility. Possibility in a number of ways: seeing yourself reflected in a body of work, echoing familiar words, places, or ideas; some writing is a lesson about form, or acts as an overall object to aspire to.
My sister and I devoured Blakwork. She’s nine and I’m not sure if she understood most of what Alison Whittaker talks about in this collection, but it resonated with her. With both of us.
hey babe how’s you’re day i tried to roast some veg but yeah for dinner ahahaa yeah you know what happened could you bring cooked chook home? already left woolise? damn leths leys let’s !!!! fuck get something delivered i …
Run by Queensland Poetry Festival, and named in honour of a distinguished Queensland poet, the Arts Queensland Val Vallis Award for an Unpublished Poem is committed to encouraging poets throughout Australia. 2018 Selection panel: Alison Whittaker and Angela Gardner.
The male gaze has been discussed at length. The female gaze, not as much. This ekphrastic project is about the latter.
i. when to clean a wig a wig must always be clean or else develop a particular smell or else slick strappy heavy faced in all my years wearing wigs none told me how to clean one where to hang …
1. a tuft of sustenance, adrip with meat and wool, pads the clay 2. a hungry metaphor born, it breaches somewhere out from Botany Bay 3. smeared on a frontier ill-defined beneath it bleats its grass-fed mine 4. there is …
‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an incredible sense of community.
From me don’t take from me what this what I been learnin’ slowly. Seein’ time stretch out from me don’t take it. I’m seein’ slow-stretch-time stretch time before me. Don’t stretch away from me just yet. Take time. You’re learnin’ …
Gomeroi poet Alison Whittaker’s debut collection Lemons in the Chicken Wire is a necessary addition to contemporary poetry. Deftly handled at both the level of the poem and the book, Whittaker’s work introduces us to the worlds of queer Aboriginal women living on the rural fringe of New South Wales.