Alison Whittaker



Innocent Eyes!: Ekphrasis and the Defiant Multiplicity of the Female Gaze

Keira Hudson | Angela Serrano Innocent Eyes! 1 | with Judy Hudson & Kyl Jones The male gaze has been discussed at length. The female gaze, not as much. This ekphrastic project is about the latter. It is about the …

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three poem suite

i. when to clean a wig a wig must always be clean or else develop a particular smell or else slick strappy heavy faced in all my years wearing wigs none told me how to clean one where to hang …

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not one silent lamb

1. a tuft of sustenance, adrip with meat and wool, pads the clay 2. a hungry metaphor born, it breaches somewhere out from Botany Bay 3. smeared on a frontier ill-defined beneath it bleats its grass-fed mine 4. there is …

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Tell Me Like You Mean It: New Poems from Young and Emerging Writers

Bella Li | Excerpt from ‘Pérouse, ou, Une semaine de disparitions’, Argosy | 9″x12″ ‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an …

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murrispacetime

From me don’t take from me what this what I been learnin’ slowly. Seein’ time stretch out from me don’t take it. I’m seein’ slow-stretch-time stretch time before me. Don’t stretch away from me just yet. Take time. You’re learnin’ …

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Caitlin Maling Reviews Alison Whittaker

Gomeroi poet Alison Whittaker’s debut collection Lemons in the Chicken Wire is a necessary addition to contemporary poetry. Deftly handled at both the level of the poem and the book, Whittaker’s work introduces us to the worlds of queer Aboriginal women living on the rural fringe of New South Wales.

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