Elena Gomez



Tell Me Like You Mean It: New Poems from Young and Emerging Writers

Bella Li | Excerpt from ‘Pérouse, ou, Une semaine de disparitions’, Argosy | 9″x12″ ‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an …

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nine minutes two seconds

—: ‘she’ll stay in the sea’ —[ seeing does irreparable damage] although a person impossibly revisits or reveals some aggressive healing what we did not see <who the strongest> the eye or cease to focus or ‘peer intensely’ how a …

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Elena Gomez Interviews Jasmine Gibson

Jasmine Gibson is a Philly jawn now living in Brooklyn and a soon to be psychotherapist for all your gooey psychotic episodes that match the bipolar flows of capital. She spends her time thinking about sexy things like psychosis, desire and freedom.

I met Jasmine in New York earlier this year where she spoke as part of a panel with Commune Editions editors Juliana Spahr, Joshua Clover and Jasper Bernes, about activism and poetry. Her chapbook Drapetomania (Commune Editions) had me in its grip and I wanted to find out more from Jasmine about the themes in her poetry and work as an activist, and the way those two aspects of her practice reproduce each other.

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not before and not after

a bone white linen jumpsuit hangs in the corner of my lush pad it spits up crude reproductions of ink  samples but you remember its    scent you know you must ward off  its digi vomit stains which transfer  to other materials like your skin …

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Elena Gomez Interviews Kate Durbin

Kate Durbin is an LA-based poet, performance artist and teacher. Her work often explores performances of gender, femininity, celebrity and labour. She has written books of poems, including her most recent, E! Entertainment, and her recent exhibitions include Body Anxiety, a collective and online show, as well as Cloud 9, for New Hive, in which she asked women what they did for money while recreating a live ‘sex cam’ performance of their responses. She is the writer-in-residency for the 2015 Queensland Poetry Festival in late August 2015. I’ve been interested in her work for a number of years now, and found her overall poetics a quite rigorous intellectual project that was also amusing, open and honest. I managed to catch Kate between her busy schedule to ask her a few questions about recent and upcoming work, faceless Birkin bags and The Hills.

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Elena Gomez Interviews Jahan Ramazani

From opposite sides of the world (east coasts of USA and Australia respectively), US scholar Jahan Ramazani and I began an email correspondence, before meeting face-to-face while he was in Sydney for the AMSN2: Transnational Modernisms Conference in December 2014, where he delivered a keynote address. I was particularly interested in his recent work about the dialogic components of poetic genres, their historical contexts and how they related to transnationalism within and beyond poetics. We discussed how these elements interact and resonate in the world, creolisation processes, postcolonialism and the instability of national boundaries.

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Spoon Bending: A Chapbook Curated by Kent MacCarter

Conjoin | Hannah Raisin and Will Heathcote | Archival pigment print | 75cm x 50cm There is No Such Thing as a Good Poem about Nothing Nicolette Stasko: Sendai Tracy Ryan: Companion Poems    from the French Elzbieta Wójcik-Leese: everything in the …

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soma dear

watched attentive on yolky salute on velocity so much honest living make this city howl like when he left her to bleed in the school what is trying and what is not a hostage stole something that was a bear …

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