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Recent Posts
- Review Short: Julie Chevalier’s ‘Darger: his girls’
- Foreword Viidikas: Reintroduction of the ’68 Poet
- ‘It was a place of force—’ Re-reading the Poems of ‘Ariel’
- Review Short: Luke Beesley’s ‘Balance’
- Review Short: Siobhan Hodge’s ‘Picking Up the Pieces’
- Angela Meyer Reviews Judith Rodriguez and Niall Lucy, John Kinsella
- Introducing No Theme II
- unAustralian English
- Recording Archives: ‘A Way with Words’
- X About X: An Interview with Shane Rhodes
- David Shook Interviews John Mateer
- Tara Mokhtari Reviews Amelia Walker
- Ali Alizadeh Reviews Chris Andrews
Recent Comments
- Foreword Viidikas: Reintroduction of the ’68 Poet (1)
- Wish Requirement: “to break down the urge to establish reputations and an entrenched position” if only...
- The Ritual of the Cup (1)
- Shelley Perry: Brad’s words capture the constantly changing battle of those with a mental illness with a great...
- Final Eighties Exposé (1)
- Brad Roberts: I enjoyed the way the focus shifts from a very public to a very intimate scene. Wonderful poem.
- CV (2)
- Annie Lovang: Thank you Alice! Very thoughtful work….X Anna
- catherine fletcher: love your work Alice
- gull (2)
- Louise McKenna: I love the dynamo that drives this poem, its taut language and onomatopoeia, (which is a challenge to...
- Haiku#575: there’s a lot to like about gull its general motors holden fx for starters i feel i know that gull...
- Tara Mokhtari Reviews Amelia Walker (1)
- Liam: It’s worth pointing out Cordite published the work of Jason Silver back in Malley 2....
- Beveridge, Le Plastrier and Glastonbury (3)
- T: — —
- Notes after Fort Worth (1)
- Janice Mackenzie: brilliant
- it grows on you (2)
- Chris Jones (aka Christpher C Jones): that should be, I do like this
- Chris Jones (aka Christpher C Jones): yeah, the poetics are so like an internet or fb news feed into the email and...
- Bauxite (1)
- Gregory Horne: A very cool poem. Fresh lines. Utterly memorable.
- Moby Dick: Acrostic Sampling (1)
- stuart barnes: brilliant
- Courtly Love (1)
- Haiku#575: yes, beware of all axioms is an axiom i have observed all my life
- Foreword Viidikas: Reintroduction of the ’68 Poet (1)
Recent Tweets
- Cordite 41.1 RATBAGGERY is now live! Submission to 43: MASQUE now open ... - http://t.co/cvAeiqA90S 04:08:14 AM June 01, 2013
- Michael Farrell on MTC Cronin: http://t.co/BQvy92uAsv #poetry #australiapoetry 04:48:41 PM May 23, 2013
- A. Frances Johnson on Jill Jones: http://t.co/WNFwTsNjT9 #poetry #australiapoetry 04:47:25 PM May 23, 2013
- Down to three weeks left to submit to Issue 43: MASQUE with Ann Vickery: http://t.co/uCdcWbhkLT 04:46:08 PM May 23, 2013
- Cordite 41: TRANSPACIFIC is now live! - http://t.co/3fch0GO0f9 11:50:02 PM March 31, 2013
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Sarah Gory
X About X: An Interview with Shane Rhodes
Queensland Poetry Festival is thrilled to welcome award-winning Canadian poet Shane Rhodes as the 2013 Arts Queensland Poet in Residence. Since the residency program began in 2005, Queenslanders have had the pleasure of hosting an international poet for three months each year, bringing their ideas and creative energy to inform, influence, and engage fellow poets.
#gibberese
#gibberese #gibberese ‘#gibberese’ is a dialogue across oceans. It’s a dialogue of land, fauna (especially birds), and writers who have mostly never met one another. As a component of a rawlings’ 2012 Arts Queensland Poetry Residency and subsequent legacy item Gibber, …
Posted in 41.0: TRANSPACIFIC
Tagged a.rawlings, Angela Hibbs, Angela Rawlings, Angela Szczepaniak, Carmel Purkis, Christine Leclerc, Craig Dodman, David Stavanger, Elee Kraljii Gardiner, Emily XYZ, Gibber, Jamie Popowich, John Back, Julie Beveridge, Katie Fedosenko, Kent MacCarter, Lainna Lane, Michael Christopher Holmes, Nikki Reimer, Norma Lundberg, Ray Hsu, Sarah Gory, Sonnet L’Abbe, Tim Sinclair
2 Comments
Gibberbird: Of Birds and Other Strings
This mini issue is a poetic conversation between a source poem and ten poems found from within its lines. It’s a refraction of language and image through poetic prisms, an intersection of the familiar and unfamiliar, blurring the edges through the 11 authors’ interpretations.
