- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Conservatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
‘… the poem / will cover a multitude of signs.’ This line, appearing early in West Australian author Tracy Ryan’s ninth poetry collection, can be read as connecting directly to what’s been posited as the very purpose of poetry: to confound or thicken language, to free it from its mere communicative dimension, as Walter Benjamin might put it, and allow it to bump up against things-in-themselves.
Enough to wake the deepest sleeper though still out there by day I’m more attentive lying down by dark the strain of stillness in between each strike a load to bear as if some bone inside were close to fracture …
Give me your best archaic smile the one that others think to understand though truly mute and private since you know whatever we were or are or will be is not here This is a likeness reconstituted after shattering A …
” 18/9/2015 Rosewood, Schull, Co. Cork, Ireland. Difficult and full fortnight of work coming up before I have to travel solo to London on bus, ferry and train.
These two slender and handsomely designed volumes of poetry are the result of the closely con-tested 2014 Whitmore Press Manuscript Prize, of which Tracy Ryan and Jill Jones were joint winners.
Tracy Ryan, whose new and eighth full-length poetry collection we’re celebrating, Hoard is also a four-time novelist (Vamp, Jazz Tango, Sweet, Claustrophobia), a memoirist and translator. Her work has been acclaimed in multiple commendations and short-listings and has received the …
Tracy Ryan in Western Australia ‘Obsolete’ can only be neutral or pejorative; it is never a compliment. Even those who value the old, the superseded object or mode, are reinstating it so as to deny that the object or mode …
Tracy Ryan in Western Australia Submission to this issue is now closed. Cordite 50: NO THEME IV with John Tranter is now open. Poetry for Cordite 49: OBSOLETE is guest-edited by Tracy Ryan What is obsolete? Are you obsolete … …
The bad news first … I am sorry to see the departure of Lisa Gorton as Cordite’s Feature Reviews Editor. Over the past 18 months, her astute eye, impeccable judgement and gracious style has produced – and leaves us with – a superb legacy of robust and engaging feature reviews. Gorton’s work is testament to what can happen with excellent writing from reviewers and an engaged editorial acumen.
Conjoin | Hannah Raisin and Will Heathcote | Archival pigment print | 75cm x 50cm There is No Such Thing as a Good Poem about Nothing Nicolette Stasko: Sendai Tracy Ryan: Companion Poems from the French Elzbieta Wójcik-Leese: everything in the …
apricot asparagus baba bald man in a polo neck basket bamboo boutique bar bean blind man on wheels bonhomme brackmard brush snake cat cigar with a moustache crackette crossbow custard puff pastry daisy dart earthworm fig firebrand grinder/gripper hot water …
Tracy Ryan’s seventh full-length collection of poems, Unearthed, comprises of an extraordinary series of elegies and elegiac poems. The elegiac mode here is both intimate and epic in scale. These poems commemorate the most private moments shared with lost lovers – those times ‘relished and wasted’ (12), ‘snug’ in ‘coffin-dark’ beds (32) – as well as the ways in which our inhabited environments – mountains, the plant and animal worlds, even glimpses of the moon – are ghosted by the dead.