- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Introduction to Zenobia Frost’s After the Demolition
- Phillip Hall Reviews Robert Harris’s The Gang of One: Selected Poems
- Adam Ford Reviews Rae White’s Milk Teeth and Anders Villani’s Aril Wire
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
In 1890, an American aeronaut named Millie Viola departs the Geelong showgrounds in a hot air balloon, in order to give an assembled crowd of onlookers a parachute jump display. Her ascension followed foiled attempts earlier in the week, but, according to the Geelong Advertiser’s archives, ‘Mademoiselle Viola’ at last ascends – to the gratification of ‘an increasingly dubious crowd’ – to around 5000 feet (1540 metres), and comes close to being swept into Corio Bay.
Tracy Ryan, whose new and eighth full-length poetry collection we’re celebrating, Hoard is also a four-time novelist (Vamp, Jazz Tango, Sweet, Claustrophobia), a memoirist and translator. Her work has been acclaimed in multiple commendations and short-listings and has received the …
Driven by elemental themes and images, Stone Scar Air Water derives its title from this collection’s penultimate poem as well as from the four sections that, albeit in different order, comprise the book. For Judy Johnson, ‘scar’, or scarring, its lines drawn by history and inheritance, joins the ranks of stone, air and water.
The poet’s long-held interest in history is everywhere in evidence. As Martin Langford notes in his cover blurb, this entails, in part, a shift to poems that invoke the poet’s personal history – or at least, proffer an outwardly autobiographical, first person voice – alongside other, sometimes narrative, poems that draw on the historical archive. As with Johnson’s previous collection, Navigation, the wider world is often brought to bear on individual lives.
Anthony Lynch is a publisher, editor at Deakin University, reviewer, prose writer and widely anthologised poet. His contribution to Australian poetry is admired through his work with the journal Space and now through Whitmore Press. His book of short stories, Redfin (Arcadia, 2007) was shortlisted for the Queensland Premier’s Literary Awards. Uncluttered and moving, stories there show an astute observational eye, a hovering dread and a sense of the unfinished, so that Barry Oakley described them as being a ‘world of tangents’.