Robyn Rowland

Libby Hart Reviews Kate Newmann, Robyn Rowland and Jessica Traynor

Labels are funny things. A lot of the time they can feel unnecessary – especially to an individual being labelled – but there are instances where such an exercise can prove useful. Writing about the Ireland is a good example of this. On one level we must consider Ireland as one entity, but we must also acknowledge that modern Ireland is not made of one but two territories. This statement shouldn’t be interpreted as overly simplistic. The complexities surrounding the Republic of Ireland and Northern Ireland extend beyond politics and are deeply ingrained in the language and identity of people from both sides of the border.

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Robyn Rowland Reviews Margaret Bradstock

Barnacle Rock is time-travelling through poetry. Its significance lies in Margaret Bradstock’s successful inscribing of a journey, from the search for a land of plenty by various explorers, to the position we find ourselves in now: a climate in crisis, a civilisation in error and a country which has displaced its indigenous people, replacing their knowledge with a rusted ‘progress’. Dense, a rich read, it alerts the mind into awareness.

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2 Translations of Robyn Rowland in Turkish

Gelincikler Meral’e Ne yaşlı erkeklerin kırışık yumuşak elleri – kâğıt gibi kolay yırtılan – ne de park saksılarının buruşuk çiçekleri. Laleler gibi dimdik, kendinden emindir Kırmızı Türk Gelincikleri alabildiğine parlak, kırmızı dört yaprak, bir de gözlerine çekili birer kara sürmedir …

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Robyn Rowland Reviews Anthony Lynch

Anthony Lynch is a publisher, editor at Deakin University, reviewer, prose writer and widely anthologised poet. His contribution to Australian poetry is admired through his work with the journal Space and now through Whitmore Press. His book of short stories, Redfin (Arcadia, 2007) was shortlisted for the Queensland Premier’s Literary Awards. Uncluttered and moving, stories there show an astute observational eye, a hovering dread and a sense of the unfinished, so that Barry Oakley described them as being a ‘world of tangents’.

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Launch of John Foulcher’s ‘The Sunset Assumption’

The Sunset AssumptionThe Sunset Assumption (Pitt Street Poetry, 2012)

At Pitt Street Poetry, a new poetry imprint in Sydney, the venture begins with the production of John Foulcher’s ninth book of poetry, The Sunset Assumption. I fell in love during the reading of this book – so strong were my feelings. But ‘in love with what?’, I kept querying. Not the expressions of love itself: human love is an assumed thing in this book.

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Susan Hawthorne Reviews Robyn Rowland

Robyn Rowland’s poetry career spans thirty years, with her first book, Filigree in blood, appearing in 1982. Reading this volume of new and selected poems is a journey in memory, an almost autobiography. I first heard Rowland read in 1982 at the Sydney Women Writers Festival and I was very taken by her ability to phrase poems in just the right way so that a listener can follow and take in her meaning. Indeed, for some of her poems in this collection, it was as if I had Rowland’s voice in my head – no easy task for a writer to achieve that. It means that the rhythm or pace or vocabulary is just right.”

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Jessica Alice Reviews Robyn Rowland

Striving to decipher the vast desolation of silence is – as Robyn Rowland has us so emphatically experience – a 'difficult' journey, to say the least. Her latest collection of poems, Silence & its tongues, expresses this not only as a 'cold' language, but also an elusive one; varied in the boundless possibilities of voice, tone and dialect.

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