- 102: GAMESUBMIT with J Maxwell and R Green 101: NO THEME 10COMING SOON with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Jen Webb’s small volume, Sentences from the Archive shows the sorts of things well-executed prose poems can and should do. Webb’s prose poems feel like they’re written in one long line, the rhythm lilting like everyday speech, then catching in the throat when the implications of an observation reveal themselves to their creator.
You are in love. Yesterday, on the ship from Le Havre to Lisbon, she walked on the deck with her husband and child, her hair a brushstroke of gold. Now, she is sitting alone. She has been reading, but the …
Over a career spanning more than thirty years many critics have praised John Foulcher’s skill at ‘capturing a moment’. The simplicity of such an observation, however, is no platitude considering how fully Foulcher achieves this. 101 Poems is a retrospective collection that shows the poet’s ability to illustrate how time can be clear and immediate.
The Sunset Assumption (Pitt Street Poetry, 2012)
At Pitt Street Poetry, a new poetry imprint in Sydney, the venture begins with the production of John Foulcher’s ninth book of poetry, The Sunset Assumption. I fell in love during the reading of this book – so strong were my feelings. But ‘in love with what?’, I kept querying. Not the expressions of love itself: human love is an assumed thing in this book.
What on Earth Possessed You: Poems 1983-2008 by John Foulcher
Halstead Press, 2008
I read the first three quarters of John Foulcher's What on Earth Possessed You: Poems 1983-2008 in one sitting, without picking up my pen. So enraptured was I with these twenty-five years worth of collected poems and a handful of new ones that I ignored my call to duty as reviewer in those first fifty-one pages, avoiding even mental notes, because I didn't want to break the seamless stream of one poem to the next. Reading poetry that consistently flows is truly a rare treat. Poetry is often a complex beast dressed in radiant robes, so usually one stumbles over a jolt in rhythm or a difficult word or some obscure detail pertinent only to the poet. But Foulcher's poetry feels natural, and it feels right; hence the flow.