- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDACOMING SOON with M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Barnacle Rock is time-travelling through poetry. Its significance lies in Margaret Bradstock’s successful inscribing of a journey, from the search for a land of plenty by various explorers, to the position we find ourselves in now: a climate in crisis, a civilisation in error and a country which has displaced its indigenous people, replacing their knowledge with a rusted ‘progress’. Dense, a rich read, it alerts the mind into awareness.
Gelincikler Meral’e Ne yaşlı erkeklerin kırışık yumuşak elleri – kâğıt gibi kolay yırtılan – ne de park saksılarının buruşuk çiçekleri. Laleler gibi dimdik, kendinden emindir Kırmızı Türk Gelincikleri alabildiğine parlak, kırmızı dört yaprak, bir de gözlerine çekili birer kara sürmedir …
Anthony Lynch is a publisher, editor at Deakin University, reviewer, prose writer and widely anthologised poet. His contribution to Australian poetry is admired through his work with the journal Space and now through Whitmore Press. His book of short stories, Redfin (Arcadia, 2007) was shortlisted for the Queensland Premier’s Literary Awards. Uncluttered and moving, stories there show an astute observational eye, a hovering dread and a sense of the unfinished, so that Barry Oakley described them as being a ‘world of tangents’.
The Sunset Assumption (Pitt Street Poetry, 2012)
At Pitt Street Poetry, a new poetry imprint in Sydney, the venture begins with the production of John Foulcher’s ninth book of poetry, The Sunset Assumption. I fell in love during the reading of this book – so strong were my feelings. But ‘in love with what?’, I kept querying. Not the expressions of love itself: human love is an assumed thing in this book.