- FREE: 20 Poets anthology
- 88: TRANSQUEER with Q Eades and S Barnes (submit now!) 87: DIFFICULTwith O Schwartz and H Isemonger(coming soon!) 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Submission to Cordite 88: TRANSQUEER
- Review Short: Shastra Deo’s The Agonist
- Review Short: Tracy Ryan’s The Water Bearer
- Review Short: Bulky News Press Chapbooks from Andrew Pascoe, Chris Brown and Marty Hiatt
- Review Short: Susan Hawthorn’s Dark Matters
- 12 Works by Sue Kneebone
- Introduction to NO THEME VII
- Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails
- Re-imagining Place: A Psychogeographic Reading of Carmine Frascarelli’s Sydney Road Poems
- ‘Geelong checks its modernist warranty’
- John Ashbery’s Humane Abstractions
- Shattered Writing: Four Translated Valerie Mejer Caso Poems from Edinburgh Notebook
- Four Translated Laia Llobera i Serra Poems
- ‘We mirror what we see’: Holly Childs Interviews Cristine Brache
- President Donald J Trump at the Western Wall, Jerusalem 2017
- Diary Poem: Uses of Dreams
- Neutral Bay, New South Wales
- OK GOOGLE
- drawn, made.
- My Mothers, the avian …
- My Dream of Gary Snyder
- The Photographs
- How Mirror Stores Operate
- Invasion Day 2
- Should go outside more
This is a volume of (mainly) prose poems, derived by its compiler/adaptor/author Ross Gibson, from a large dossier of New South Wales Police records. If these can be described as ‘found’ poems (even if they have been edited) it would be as likely to refer to them as ‘accidental’.
The speaker is… Reliable as anyone I’ve known, Bob Arnold is the kind of man for whom life works because (please excuse my sentimental aphorisms) he loves life’s work; he’s lucky too, since he makes his luck: wife, two girls, …
The bad news first … I am sorry to see the departure of Lisa Gorton as Cordite’s Feature Reviews Editor. Over the past 18 months, her astute eye, impeccable judgement and gracious style has produced – and leaves us with – a superb legacy of robust and engaging feature reviews. Gorton’s work is testament to what can happen with excellent writing from reviewers and an engaged editorial acumen.
Prepare the Cabin for Landing, as with much of Alan Wearne’s poetry, draws on popular culture, social observations and the Australian vernacular. I recall reading a review of an earlier Wearne collection which warned the reader that they would require a Wearne dictionary in order to understand the cultural references being made. Of course, no such dictionary exists, and as Adam Ford has argued previously in Cordite Poetry Review, Wearne’s poems can be difficult unless you are ‘either amazingly well-read or precisely of Alan Wearne’s generation (and interested in the same things as him) to have the right combination of knowledge, memory and experiences to understand or empathise with every poem in this book.’
The verse novel is a peculiar organism: descended from the sweeping epics that chronicled the birth of nations and the misadventures of wayward heroes, we can still find characters struggling on their ‘grand’ journey – likely to be a personal, emotional and/or psychological journey – with the occasional battle scene (though, this is more likely to take place on a much smaller, personal level). As a distinctly modern form, there is certainly much less aggrandisement of the natural world via mythical and magical hyperbole in the verse novel.
The young PhD was applying for a ‘Theory for Practising Writers’ teaching position in a Creative Writing degree. He had devised a three year course, the first year of readings, lectures, tutorials and essays which though extending as far back …
“When D’arcy Niland’s novel The Shiralee came out in the mid-fifties, the Australian film industry was in its twenty-five year coma, but such was the book’s popularity that film rights were quickly snapped up by overseas interests and the film …
The Best Australian Poetry 2009 edited by Alan Wearne University of Queensland Press, 2009 The Best Australian Poems 2009 edited by Robert Adamson Black Inc., 2009 If we seek a division in Australian poetry, we will not find it represented …
The Australian Popular Songbook by Alan Wearne Giramondo Publishing, 2008 It seems to me that a poem should – in general – be a self-contained unit, either easily understood or a puzzle that contains the key to its solution. I'm …
Alan Wearne is one of Australia's most important poets. He is one of the foremost exponents of the verse novel in the world. His works include The Nightmarkets and The Lovemakers: Volume 1 &2.
Alan Wearne is an internationally renowned poet and verse novelist. His book The Lovemakers won Book of the Year and the Kenneth Slessor Prize for poetry at the NSW Premier's Literary Awards in 2002. Part Two of The Lovemakers is being published in 2004. He is a Melbourne poet who lives and works in the Illawara & Fremantle.