- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
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I’m honoured to announce that Rory Green will be taking up the helm of Games Literature Editor, and to finally get back to using the online space and capabilities more consistently than we have the past decade.
For OPEN, we’re interested in doublings, triplicates etcetera, and/or play and suggestion.
Liminal and Cordite are seeking poems by Asian Australian writers.
A game is an environment navigated by apparent rules and structured by invisible rules. All of these (and the game) can be broken if you know where to look.
Images courtesy of Jeanine Leane and John Kinsella. From now, and throughout 2021, we’re celebrating 25 years of publishing. Milestones include the publication of Cordite Poetry Review’s 100th issue in February, Cordite Books’ 40th print title, and the new free …
The brownface caricature of Jonah Takalua – as created and played by comedian Chris Lilley in the television show Jonah from Tonga – has been haunting Australia for twelve years.
Information can be propagated to divide or to unite. It doesn’t have to lie, it doesn’t even have to frame the truth.
I’m honoured to announce that Elena Gomez will be taking up the helm of Reviews Editor.
I’m honoured to announce that Brendan Casey will be taking up the helm of Cordite Scholarly Editor. Casey is a doctoral candidate in the English and Theatre Studies program, University of Melbourne, researching Australian poetry and fiction through a postnational …
No theme, no rules, except for one: send us your best poems.
A ripe peach may seem the embodiment of the good life, but in this issue, PEACH also stands for the bitterness of brutality as well as the richness of resistance.
I’m looking for work ‘with head, heart and guts,’ as Bei Dao says.
I’m honoured to announce that Bella Li will be joining Cordite Books as Associate Publisher. There is much activity with the books, and her masterful eye, publishing nous, and creativity will be a welcome and necessary addition.
I’m honoured to announce that Alex Creece is joining the Cordite Poetry Review fold as Production Editor, joining us from her time in the Cordite / Monash University Summer Term Internship Program.
Well-made poetry books that you should seriously have at least a few off.
Kanye West said it himself – everybody knows – then Nicki Minaj out-rapped him … then Nicki Minaj vs Cardi B. Give me monster feuds and battles. Give me Conor McGregor attacking a bus. Give me monsters in the Oval …
I invite you to lean into this DOMESTIC sphere in all its homely undoing. Use words like beautiful bait to seduce hearts with razor-sharp decolonising intent and rupture the masquerading shape of cosy bliss, as only a poem can.
TRANSQUEER is a call for you to say something that maybe you haven’t been able to say before. It asks you to find poetry in / between lines, binaries and stultifying categorisations; from the life of flesh, from inside the bleating, many-chambered heart of gender and sexuality.
Cordite is chuffed (once again) to announce that, joining Rosalind McFarlane, Amelia Dale and Joan Fleming as commissioning editors, Prithvi Varatharajan is joining the Cordite Poetry Review fold as commissioning editor for media poetry.
I begin with cosmic censorship conjecture, a formally observed tête-à-tête that coils between astrophysicists whenever they get worked up over space and matter. Einstein’s theory of general relativity predicts that matter can cataclysmically implode to a state where a given density and the space-time curvature split towards infinite values.
Cordite is chuffed (once again) to announce that, joining Rosalind McFarlane as Commissioning Editor, Collaborations, Amelia Dale and Joan Fleming are joining the Cordite Poetry Review fold as Commissioning Editor, Experimental Literature and Commissioning Editor, New Zealand Literature respectively.
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
The invention of transfinite set theory by the 19th Century German mathematician, Georg Cantor, hinges the romantic conception of a boundless infinite to a post-Cantorian description of an infinity of infinities.