CONTRIBUTORS

Kent MacCarter

Kent MacCarter

About Kent MacCarter

Kent MacCarter is a writer and editor in Castlemaine, with his wife and son. He's the author of three poetry collections – In the Hungry Middle of Here (Transit Lounge, 2009), Ribosome Spreadsheet (Picaro, 2011) and Sputnik's Cousin (Transit Lounge, 2014). He is also editor of Joyful Strains: Making Australia Home (Affirm Press, 2013), a non-fiction collection of diasporic memoir. MacCarter is active in Melbourne PEN. He is Managing Editor of Cordite Poetry Review.

Submission to Cordite 80: NO THEME VI

Poetry for Cordite 80: NO THEME VI is guest-edited by Judith Beveridge. Here’s what I’m looking for: poems of fewer than 100 lines, on any theme or style. So that’s about as succinct as you can get. Judith worked Cordite …

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Alex Kostas in as Cordite’s First Summer Intern

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DALIT / INDIGENOUS AUSTRALIAN Editorial

A language gives a unique world view and no two languages have the same world view. –Ganesh Devy This special issue of Cordite Poetry Review has its roots in a project Mridula Nath Chakraborty has been working on for the …

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Cultural Partnership with Monash University and North American Book Distribution

We are pleased to announce that Cordite Publishing Inc. and The School of Languages, Literatures, Cultures and Linguistics at Monash University have entered into a major new cultural partnership. As Jaya Savige, Poetry Editor of The Australian, wrote in his …

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Rosalind McFarlane and Autumn Royal in as Commissioning Editor and Interviews Editor

Cordite Poetry Review has been down a few people since the departure of Corey Wakeling and Robert Wood last May, though they will be far from missing in future pages of the journal. But I am delighted to announce that Autumn Royal will step into a newfangled Interviews Editor role, one with a specific focus on new writers and artists arcing across (and back and …) the Australian and global scenes. Why have one Commissioning Editor when you can have two? To that, very enthused to announce that Rosalind McFarlane will join the fold as the first.

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Submission to Cordite 57: CONFESSION

Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …

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Things We Inherited: Voices from Africa Curated by Liyou Libsekal

Eddy Kamuanga Ilunga | To deny value of cultural identity | 2015 | Circuit board and fabric The African continent, being home to thousands of languages and hundreds of varying cultural identities, has richly diverse forms of poetic tradition. The …

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Submission to Cordite 56: EXPLODE

Poetry for Cordite 56: EXPLODE is guest-edited by Dan Disney. [[EXPLODE from ex– “out” + plaudere “to clap the hands”]] the spectacle Oculus Rift the α in their brickveneerdoms howzat Omid Fazal Reza Hamid Leo Lucky Country megafires Maulboyheenner form …

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Poetry of the Eye: The Visual Aspects of Poetry

Image by Tim Grey Presented by Cordite Publishing Inc. and Australian Poetry, and hosted by poet Toby Fitch, this workshop at the 2016 Emerging Writers’ Festival will open your eyes to the potential of the poem on the page. By …

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Alice Whitmore on as Translations Editor

We are chuffed to announce that Alice Whitmore will be Cordite Poetry Review‘s Translations Editor from the 1 August 2016 issue. Alice is a Melbourne-based writer, literary translator and is completing a PhD in translation studies at Monash University. She …

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Submission to Cordite 55: FUTURE MACHINES

Image by Joshua Comyn Poetry for Cordite 55: FUTURE MACHINES is guest-edited by Bella Li. To conceive of future machines is to imagine what haunts the boundary, always fluid, always negotiated, between the possible and impossible. To figure the distance, …

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Submission to Cordite 56.1: EKPHRASTIC

Poetry for Cordite 56.1: EKPHRASTIC is guest-edited by Paul Hetherington and Cassandra Atherton. NOTE: due to the nature of what we’re seeking, we’re going to be accepting submissions to this special issue for a considerable amount of time; submissions close …

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