- FREE: 20 Poets anthology
- 88: TRANSQUEER with Q Eades and S Barnes (submit now!) 87: DIFFICULTwith O Schwartz and H Isemonger(coming soon!) 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Charmaine Papertalk-Green’s and John Kinsella’s False Claims of Colonial Thieves
- Review Short: Andy Jackson’s Music Our Bodies Can’t Hold
- Review Short: Rachael Mead’s The Flaw in the Pattern and Philip Nielsen’s Wildlife of Berlin
- Johanna Featherstone Reviews History and the Poet
- Submission to Cordite 88: TRANSQUEER
- Review Short: Shastra Deo’s The Agonist
- Review Short: Tracy Ryan’s The Water Bearer
- Review Short: Bulky News Press Chapbooks from Andrew Pascoe, Chris Brown and Marty Hiatt
- Review Short: Susan Hawthorn’s Dark Matters
- 12 Works by Sue Kneebone
- Introduction to NO THEME VII
- Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails
- Re-imagining Place: A Psychogeographic Reading of Carmine Frascarelli’s Sydney Road Poems
- ‘Geelong checks its modernist warranty’
- John Ashbery’s Humane Abstractions
- Shattered Writing: Four Translated Valerie Mejer Caso Poems from Edinburgh Notebook
- Four Translated Laia Llobera i Serra Poems
- ‘We mirror what we see’: Holly Childs Interviews Cristine Brache
- President Donald J Trump at the Western Wall, Jerusalem 2017
- Diary Poem: Uses of Dreams
- Neutral Bay, New South Wales
- OK GOOGLE
- drawn, made.
- My Mothers, the avian …
- My Dream of Gary Snyder
our rock music might be shit but we invented the 21st century out of our favoured delusions. mid-thirties & the weekend’s dopamine costs more than the coke. we are the shrinkage & our favourite movies don’t come true, instead we …
Cul-de-sac 1 When I was 17 and finishing my high school exams the petrol station around the corner from our house exploded. I didn’t hear it but my twin brother did: he jingled the keys and we drove in his …
‘We can write what we want to write.’ John Farnham, ‘You’re the Voice’ I want to tell you a story I come from a saltwater people Waiting on the weekend, set of brand new tires Is running in your veins …
Based on the poems in The Blue Decodes, Lewis is an artist who values silence as much as noise. The book’s ninety pages, which include a number of poems published in her chapbooks, represent well over two decades’ worth of work which provides an interesting purchase on the question of why write poetry in the first place, particularly if it seems like an adjunct to an already full life?
Seriously, spree killings are part of the furniture. Once you get used to it you’ll hardly notice, besides that new paleo place is. the. bomb. Don’t mention the free advice you get from strip mall shonks, just relax into your …
Liam Ferney’s Content is a book of poems largely composed out of memes, or slices of culture. The notes at the back of the book state: Some of these poems contain allusions, sentiments, words, phrases, sentences and images that have been lifted from the culture. And Cordite’s comments. If you’re not sure, Google it. At this stage your guess is as good as mine.
“It’s Time, It’s Time” retranslated and the smell of her obese slander and propaganda. A republic of disappointment. We may never escape our consumption, a tractor beam of destiny. The optimist says he bulls-eyes womp rats in a T-16. The …
Play suspended for rest of day due to PJ Hughes’s head injury at 2.23 local time A day as deadly as the bulletin’s Cassandras broadcast. It hits home like a windshield spidered on the SE Freeway. Macca’s sign erased/ lead …
Ania Walwicz’s first book in more than twenty years, Palace of Culture, confirms her reputation as one of Australia’s leading conceptual poets. It consists of fifty (almost) prose poems, each between two and five pages length. The poems use the suggestion of narratives as a key organising principle. But suggestion is as far as any of the narratives get.
obviously “I was born on the day they dropped the bomb on Nagasaki.” She says that in the pool room as though she wanted to avoid a conversation about war. There is nothing left of his night. Jarred empathy made …
Jordie Albiston’s the Book of Ethel and Liam Ferney’s Boom illustrate two dramatic obverses in contemporary Australian poetry. Both are cleverly crafted; both have levels of subtlety and manifest strength; both are linguistically sinuous and inventive, taking liberties with conventional style and syntax; both use local vernaculars in contexts of global cultural pressures; both focus, often minutely, on particular individuals caught at moments of historical change and significance and, therefore, articulate and explore ‘political’ consequences and issues; both play – gloriously, ironically, iconoclastically – with language registers as a way of exposing implied ‘bigger pictures’. And yet these two collections are worlds apart in focus, style, nuance, framing and poetic affect.
after the fire escapes and security guards it is good to be beyond CCTV amidst the howling sirens whipped wind the thin mercury sound sculpted on sand the base jumper poised like a civilisation on a precipice of wasting military …