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Tell Me Like You Mean It v5
- 104: KINwith E Shiosaki 103: AMBLECOMING SOON with E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Kate Lilley
Liam Ferney Reviews Kate Lilley and Pam Brown
In 1915, H G Wells published Boon, a satirical novel that featured long passages pastiching the literary style of his erstwhile friend, Henry James. It kicked off an epistolary barney over what art should be about.
Posted in BOOK REVIEWS
Tagged Kate Lilley, liam ferney, Pam Brown
Trove
Young men 18 to 35 caucasian defendants naked or partly clothed variously posed Statue of David style around the yard and inside the judge’s home bending over aluminium cans shot from behind in positions amounting to forced labour A light …
Posted in 83: MATHEMATICS
Tagged Kate Lilley
Mortalities Memorandum
For her to die like that nobody there not screaming for morphine in the ICU Help! Help! Come here! Rub my feet! A good death is humble noble lonely cancer is lonely writing is lonely Get it out on the …
Posted in 78: CONFESSION
Tagged Kate Lilley
Lovestore
To request the presence or attendance of to wish, long (to be, have, do) to ‘toe a line,’ meaning stand in a row Of things: to require, need, demand a vehement pang, eyther of bodie or mynde zealous pursuit of …
Posted in 72: THE END
Tagged Kate Lilley
Civil Wrong
Coming to the nuisance a house falls abandonment (of residence) abandoned intellectual property know-how and the tort of false light spreads falsehood freely and without recourse Eggshell skull, trespass to chattels reprobation, reversal of approval the face of the earth …
Posted in 68: NO THEME IV
Tagged Kate Lilley
Gig Ryan Reviews Emma Lew, Bella Li, Kate Lilley, and Jennifer Maiden
Elegy intensifies around the objects that remain, those keepsakes that must signify a spent life. In Kate Lilley’s Realia, the first poem ‘GG’ is an auction listing from Greta Garbo’s estate in which the repetition of Garbo’s name intones like a docked requiem. Only things exist timeless, immutable, saleable, as shining representatives of the once-living. Life’s fraught event is reduced to its acquisitions, and transformed, satirised, into capitalism’s ultimate wearer of labels: the former consumer of commodities is now more amenably cast purely as a selection of those objects, whose value her absence increases.
Posted in BOOK REVIEWS
Tagged Bella Li, Emma Lew, Gig Ryan, Jennifer Maiden, Kate Lilley
Justin Clemens Reviews Poetry and the Trace
Sometimes irritating, often informative, occasionally incisive and sporadically genuinely interrogatory, the thoughtfulness evinced by (many of) the writings collected in Poetry and the Trace triggers further chains of association and dissociation. This is a genuinely critical collection in various senses of that word: at once analytic, hortatory, and urgent.
Posted in BOOK REVIEWS
Tagged ann vickery, Bonny Cassidy, David McCooey, Elizabeth Wilson, Emily Bitto, Emily Finlay, Jessica L. Wilkinson, John Hawke, John Kinsella, john tranter, Justin Clemens, Kate Fagan, Kate Lilley, Keri Glastonbury, Kim Cheng Boey, Lionel Fogarty, Melissa Boyd, Melissa Hardie, Nina Philadelphoff-Puren, Rachel Blau DuPlessis, Simon West, Susan Stewart, Thomas Ford
Bev Braune Reviews Kate Lilley
Kate Lilley’s second collection, Ladylike, is a tightly constructed and complex work on love and language. Reminding me of Welsh poet Gwyneth Lewis’ wry, poignant words concerned with Welsh language, use of English and meaning-frauds, Kate Lilley enlivens her readers to assumptions, contradictions and the various erections of judging behaviour that surround the definition of a woman today or in any recent age.
Posted in BOOK REVIEWS
Tagged Bev Braune, Kate Lilley
HCI and The Muses of Poetry: Calliope Recites Jenkins, Lilley, Langdon and Williams
The Muses of Poetry is one of the current projects at the Research and Development Department of the Institute of Animation at Filmakademie Baden-Württemberg in Germany, that intends to bring poetry – its emotionality, auditory structures and nuances when words meet elocution – to a larger audience.
Posted in ARTWORKS
Tagged Carol Jenkins, Diana Arellano, Filmakademie Baden-Württemberg, Jane Williams, Jo Langdon, Kate Lilley, Kent MacCarter, Volker Helzle
Enter Cordite Scholarly
Cordite Scholarly is a new section of Cordite Poetry Review devoted to peer-reviewed research on Australian and international poetry and poetics. Essays published in Cordite Scholarly are reviewed by at least two members of Cordite’s Academic Advisory Board (or see …
Posted in GUNCOTTON
Tagged Andrew Taylor, Ania Walwicz, ann vickery, Chris Price, Christopher Funkhouser, Cordite Scholarly, Dan Disney, Danijela Kambaskovic-Sawers, Felicity Plunkett, Helen Lambert, Hilary Clark, Jill Jones, John Hawke, Justin Clemens, Kate Lilley, Kit Kelen, Lisa Samuels, Nathanael O'Reilly, Paul Giles, Paul Magee, Perri Giovannucci, Philip Mead, Susan Schultz, Timothy Yu
Heather Taylor-Johnson Reviews Southerly
The poets in this special poetry issue of Southerly stand for what is now, what is exciting/experimental and what is quality. But did Kate Lilley hand pick most of these poets, ensuring the issue would be tight, stylistically, and adhere to a chosen dogma? She does say in her intro that ‘Of the many poems that turned up in my inbox, already pre-selected by their authors, these are the ones that struck me most’.
Posted in BOOK REVIEWS
Tagged Heather Taylor Johnson, journals, Kate Lilley, Southerly
