- FREE: 20 Poets anthology
- 94: EARTHSUBMIT to M Takolander 93: PEACHCOMING SOONwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Submission to Cordite 94: EARTH
- NO THEME VIII Editorial
- ‘A means of resistance’: Susie Anderson Interviews Alison Whittaker
- 10 Works by Richard Bell
- Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
- 4 Self-translations by Danijela Trajković
- Brutalism: Poems by Alex Creece
- Imperfect Growth: a Travel Log
- 4 Translated Kim Seung-hee Poems
- Residence: Dwelling with The Shards (an essay)
- The Shards
- in yr swimming pool
- Sonar for Conception
- The slow clock
- nanny on the water
- Vernal Funks & Bluffs
- I’d Have Called Her Sooner
- Call of Summer
- Sunday, call me a squid
- Mother Bird
- The Wrong Colour
- Milk River
- House fitting : surprisingly
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
We are pleased to announce that Cordite Publishing Inc. and The School of Languages, Literatures, Cultures and Linguistics at Monash University have entered into a major new cultural partnership. As Jaya Savige, Poetry Editor of The Australian, wrote in his …
These lost boys translucent in the radiance of a torn shop window with its eternal alarm are ripping the side mirrors from a stationary Audi, their vandalising hands strong with slowed time: lizard eaters with tongues of rough leaves and …
How Reading is Written: a brief index to Gertrude Stein by Astrid Lorange Wesleyan University Press 2014 Walter Benjamin once suggested that there were two ways in which to misinterpret the writings of Kafka: either by ‘natural’ or ‘supernatural’ explanation. …
OBJECT: Australian Design Centre, Thursday 25 June, 2015 I’m pleased to say that I was at the launch of the very first issue of Cordite Poetry Review, way back in 1997. Good heavens, is that eighteen years ago? The journal …
Collected Works Bookstore, Wednesday 6 May, 2015 I will begin with a bit of spontaneous resentful metaphysics. I am sorry to do so, for a number of reasons, but there we are. If it can be justified at all, it …
We’re pleased to tumble out into the world these first four print collections in the new Cordite Books imprint. We had considered print collections for a few years, but the tipping point to actually publish them came in late November …
Cover design by Zoë Sadokierski
John Hawke’s forensic inquiries in this book are layered with casual erudition – Diderot, Czech poet Vladimir Holan – and locate the poem as transformative state. Many of these poems conclude with a mystical ascent into nature, reminiscent of Patrick White scenes in which the division between consciousness and the universe wavers, signifying that any reconciliation is epiphanic, claimed by art or religion. Yet nature belittles human effort – ‘The path to the point is marked by a scattering / of impermanent hand-made memorials’ – that is, the poet’s endeavours are precariously, though heroically, makeshift, overlaid; but nature is also that which threatens or devours, ‘digesting light’.
Sometimes irritating, often informative, occasionally incisive and sporadically genuinely interrogatory, the thoughtfulness evinced by (many of) the writings collected in Poetry and the Trace triggers further chains of association and dissociation. This is a genuinely critical collection in various senses of that word: at once analytic, hortatory, and urgent.
The dream of a compact between revolutionary politics and a poetics of radical experimentation has haunted the avant-garde since its inception in the wake of the failed European uprisings of 1848. Rimbaud’s activation by the events of the Paris Commune, and Mallarmé’s sympathies for the Bakuninite anarchists of his day, signal an alignment between Modernist aesthetics and extremist politics (of both Left and Right) that is central to debates within twentieth century literature. The politics of the Cubo-Futurist avant guerre movements were notoriously unstable, informed by a mélange of Nietzschean and Sorelian violence, an apotheosis achieved in the cataclysmic events of the Great War.
Frank O’Hara’s ‘To a Poet’ seems to encapsulate the New York School’s disregard for an Imagist poetics in which the natural object is always the adequate symbol: ‘when the doctor comes to / me he says, ‘No things but in ideas’’. The cornerstone edicts of Anglo-American Modernism, as contained in Pound’s ‘A Retrospect’, are seemingly casually dismissed in this phrase, along with the accepted prescriptions of Doctor Williams; a critical schism is established in Modernist poetry, with the materialism of Pound-Williams on the one hand and post-moderns such as John Ashbery placed in an alternate lineage with Wallace Stevens as adherents of a post-Symbolist Absolute.
Fans of lists in Finnegans Wake will appreciate Javant Biarujia’s new book of poetry, Resinations. Many of the most amusing juxtapositions in the volume derive from the arrangement of proper names, drawn from (most) high and (very) low cultural references presented as cubistic materials in simultaneity.
Michael Farrell, on the other hand, a leading experimental poet of the next generation, is published by Giramondo – his previous volume, A Raiders Guide, was perhaps the most stylistically provocative book to have appeared with a recognised commercial publisher. Drawing on the Russian formalists’ exploration of the autonomous poem-as-machine, these radical fragmentations highlighted ‘The Word as Such’, and even ‘The Letter as Such’, in their concentration on the visual and sound properties of language.