- 84: UNPRINTABLEwith J R Carpenter and Benjamin Laird (submit away!) 83: MATHEMATICSwith Fiona Hile (coming soon!) 82: LANDwith James Stuart and Jane Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Brian Castro’s Blindness and Rage
- LAND Editorial
- The Land as Breath: Can Poetic Forms Be Metaphors for Landscapes?
- Concrete: A Shikoku Pilgrimage
- World of Feelings: Ghassan Hage, Bruce O’Neill, Magic Steven and the Affective Dimensions of Globalisation
- Un(dis)closed: Reading the Poetry of Emma Lew
- Architecture, Poetry and Impressions of a Bendigo Chinese Doctor, James Lamsey
- Possession, Landscape, the Unheimlich and Lionel Fogarty’s ‘Weather Comes’
- Placeways in the Anthropocene: Phyllis Webb’s Canadian West Coast
- 12 Pigment Prints on Paper by Tony Albert
- ‘a serpentine | Gesture’: The Synthetic Reconstruction of Ashbery’s Poetic Voice
- Vorticist Portraiture in Mina Loy’s Anglo-Mongrels and the Rose
- Petrus Augustus de Génestet’s ‘Peaen to the Netherlands’
- Three Translated Takako Arai Poems
- Three Translated Nguyễn Man Nhiên Poems
- Four Translated Gerhard Fritsch Poems
- Rattling the Forms
- Arraignment Song
- Archiving the Present: Ivy Alvarez Interviews Conchitina Cruz
- ‘The concept of risk is intensely personal’: Jonno Révanche Interviews Hera Lindsay Bird
- signs of impression
- Trompe l’oeil
- Upon a Shot Star
- Final Hours, Sputnik 2
- The Old Fort at Grennan
- Karma Bin
- slippage (un)fixed
Thirty-Six Views of the Parallax: Mark Young’s the eclectic world, Bandicoot habitat and lithic typology
Cover design by Zoë Sadokierski In Javant Biarujia’s poetry, language matters – matters as in important, and matter as a unifying substance, a material to be transformed, and in so doing, becomes transforming. Particles of language are pounded out, splintered, …
Javant Biarujia is an iconoclastic Australian poet, at once an unparalleled linguistic confabulator and an exponent of Melbourne avant-garde poetics since the 1970s. He is the author of seven collections, such as Calques (Monogene, 2002), Low/Life (Monogene, 2003) and pointcounterpoint: New & Selected Poems 1983 – 2008 (Salt, 2007), and numerous chapbooks. Biarujia’s work marks out its own historical forebears and familiars in a way that I believe – although absolutely in association with contemporary histories of poetry such as American Language poetry, Australian bricolage, and European surrealism – happens to hybridise baroque linguistic ingenuity with deconstructive collage and games of poetic reality that defy straightforward historical alignment.
As seen from the street the building was reminiscent of a German consulate in Melbourne. — GIORGIO DE CHIRICO … take any risks you like, but never listen to a deconstructionist. — CHRISTOPHER KOCH author, and grandson of J. A. …
HOMO NEST RAIDED, QUEEN BEES ARE STINGING MAD — JERRY LISKER: New York Daily News, July 6, 1969. Report on the raid by the Tactical Patrol Force on the Stonewall Inn, a private gay club, at 57 Christopher Street. Listen. …
Displacement is apparent both geographically and textually in Letters from Ausland by Louis Armand, The Vision of Error by John Kinsella (subtitled, ‘A Sextet of Activist Poems’) and marionette by jessica l. wilkinson (written here all in lower-case and subtitled, ‘a biography of miss marion davies’). All three poets are or have been editors of literary magazines: Armand edits VLAK, out of Prague; Kinsella, SALT; and Wilkinson, Rabbit (why does this name always remind me of Wittgenstein’s drawing of a rabbit that can also be perceived as a duck?) Armand and Kinsella have also collaborated on a number of books.
Fans of lists in Finnegans Wake will appreciate Javant Biarujia’s new book of poetry, Resinations. Many of the most amusing juxtapositions in the volume derive from the arrangement of proper names, drawn from (most) high and (very) low cultural references presented as cubistic materials in simultaneity.
Michael Farrell, on the other hand, a leading experimental poet of the next generation, is published by Giramondo – his previous volume, A Raiders Guide, was perhaps the most stylistically provocative book to have appeared with a recognised commercial publisher. Drawing on the Russian formalists’ exploration of the autonomous poem-as-machine, these radical fragmentations highlighted ‘The Word as Such’, and even ‘The Letter as Such’, in their concentration on the visual and sound properties of language.
Anonymous Premonition by Yvette Holt University of Queensland Press, 2008 pointcounterpoint: New and Selected Poems by Javant Biarujia Salt Publishing, 2007 Wild Bees: New and Selected Poems by Martin Harrison University of Western Australia Press, 2008 To read these three …