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- 116: REMEMBERwith M Sahhar and A Te Whiu 115: SPACEwith A Sometimes 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Anne Elvey
Stone tongue
after Jesper Svenbro ‘A Critique of Pure Representation’ and ‘Material for a Geological Theory of Language’ Immersed in speech before you knew tongue. Ear to your own cry’s primary exhalation. That tiny cave of bone. Its tympani formed during your …
Posted in 115: SPACE
Tagged Anne Elvey
Banksia Integrifolia
Stencilled and still coast banksias—ubiquitous in your suburb— are ogrish in their sculpting. With no impulse toward symmetry they undermine your streetscape. Where the asymmetry of gums is elegant on the whole, a banksia bristles. It will not say consider …
Posted in 84: SUBURBIA
Tagged Anne Elvey
20 Poets, a Free Anthology from Cordite Books
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
Posted in GUNCOTTON
Tagged Alan Loney, Anne Elvey, Autumn Royal, Bonny Cassidy, Broede Carmody, Chris Mann, Claire Nashar, derek motion, Javant Biarujia, Jeanine Leane, Jen Crawford, John Hawke, Kent MacCarter, Kris Hemensley, Matthew Hall, mez breeze, Natalie Harkin, Omar Sakr, Rachael Briggs, Ross Gibson, Tanya Thaweeskulchai, Tony Birch, Zoë Sadokierski
Introduction to Anne Elvey’s White on White
What is happening in these poems? Or do I mean what happens to us, the readers? But which ‘us’? And what reader? I am not really talking about feeling, although who couldn’t, wouldn’t, feel when ‘School Days’ – a poem that records every detail of white skin and soul, sun-warmed government-issue school milk and British ritual in one colonial Australian home – has another child, likely an Indigenous Australian child, stolen ‘while waiting for a train’.
Posted in INTRODUCTIONS
Tagged Alissa Dinallo, Anne Elvey, Katrina Schlunke
On All Souls’ Eve
The map sketched on the oval of the Sir Douglas Nicholls Reserve had borders formed by the meander of Murray and Bay, Pacific and Bight, the straight lines of neighbour states and the name of a nineteenth-century queen. Stones marked …
Posted in 82: LAND
Tagged Anne Elvey
Amytis of Media: Her Telling of the Days of Nebuchadnezzar’s Exile
White stars stud the indigo like the dowry on my veil when my father sent me from Media to sign a pact with Babylon. Neb has been wandering for seven years. At first our cattle flourished like the shrubs that …
Posted in 79: EKPHRASTIC
Tagged Anne Elvey
Sanctuary267
In February 2016, after a High Court ruling against a challenge to the legality of Australia’s practices of arranging for the detention of asylum seekers in offshore facilities, a grass roots campaign mobilised around the slogan #LetThemStay. 267 people, including …
Posted in 77: EXPLODE
Tagged Anne Elvey
Camellias
A canvas stretches beneath the colours of camellias and rain. A child has left. The heads are petals tucked crimson around gold—the stamens, pollen- thick. A parent lives. Dropped from the stem they fall intact. A spouse is sutured and …
Posted in 72: THE END
Tagged Anne Elvey
working from home – to do list
12 buttons brown thread take your psyche for a walk pack the wheelchair into the station wagon for the doctor’s kiss the cat kiss the cat? the cat died years ago water the herbs pray over the olive tree drench …
Posted in 71: TOIL
Tagged Anne Elvey
Review Short: Julie Maclean’s When I saw Jimi, Kiss of the Viking and Kristin Hannaford’s Curio
Poems of England in the 1960s, youthful romanticism, experimentation and love are threaded with a wry understanding of gender relations and choices made, then move to more sober reflections. In ‘Brides that Never Became’, standing in an English church the speaker wonders about a relationship that might have been, had she not ‘looked over the lichened / fence, dry stone wall, / swollen ocean to another land’ (When I saw Jimi, 31). Outside by a river she finds a ‘flimsy tribute to a young Indian couple’ who have died there; their wedding also ‘never became’.
Posted in BOOK REVIEWS
Tagged Anne Elvey, Julie Maclean, Kristin Hannaford
Worth words? (or what I loved at fifteen)
I have felt, I have felt a disturbance that presences with the alleviation of joyed things, almost fifty summers, fifty winters and the sister in the earth, myself tucked into the YHA near Windermere. I take a track through ancestral …
Posted in 66: OBSOLETE
Tagged Anne Elvey
Cassandra Atherton Reviews Anne Elvey
The kinship Elvey forges between her poems and ecological criticism lends both rigour and reverence to her first full-length collection of poetry. There is a radiant stasis at the core of her poems that encourages the reader to listen to the susurration of multiple, overlapping conversations to which Elvey is contributing.
Posted in BOOK REVIEWS
Tagged Anne Elvey, Cassandra Atherton
The Day after the Election in a Melbourne Backyard
1. The cone roosts in the tree. The sky responds with blue. The radio crackles and the pundit says we get what we 2. deserve, electing a crowd of daleks with their rind and their heart of imagination and a …
Posted in 62: MELBOURNE
Tagged Anne Elvey
Review Short: Diane Fahey’s The Stone Garden: Poems from Clare
A note on the copyright page of The Stone Garden reads: ‘The Stone Garden is written in tanka, the five-line Japanese lyric form, the first and third of its lines having five syllables, the others, seven.’ The book keeps to this syllabic form throughout with two five line poems to a page. These poems from Clare unfold in six sections and Fahey’s craft is evident in the way she can break registers of imagery with engaging shifts and turns.
Posted in BOOK REVIEWS
Tagged Anne Elvey, Diane Fahey
Recycling the possible
tear into pieces the possible drench it in rainwater steep for a season size it with sand fine as breath pass the slurry over an alveolar web let the sheet dry in watercolour light — inside the egg of the …
Posted in 43: OZ-KO (ENVOY)
Tagged Anne Elvey
made things
bookbinder atlas and fire a medieval pronoun makeshift engine -Do not use boiling water- skin pores. adjectives on the underside of a kid draw the cosmopolitan in a tree. this new composition seasons the word and the thing on the …
Posted in 36: MADE
Tagged Anne Elvey
Between
In the thin place between the word and the thing, at the wall's inside, old wires intertwine and cockroaches are the hieroglyphs of home. I take your hand in these last nights and wait beside the Styx on a green …
Posted in 35: CUSTOM
Tagged Anne Elvey
Clouds
Clouds Hopkins across the blue page. Tufts with Oppenheimer mushrooms and vapour's glyphs are torn and tossed. A breeze pushes down the Celsius, gentle on my arm, like breath that stirs a lash, hardly at all. And Derrida's graffiti asks: …
Posted in 35: CUSTOM
Tagged Anne Elvey
Lamentation
o murray o murray break (bending) the forgiveness of things what you (air and water) what you (bread) the place you lie down threads of the sheet that covers as if given for our breath drinking (food in us) here …
Posted in 33: PASTORAL
Tagged Anne Elvey
Post-colonial?
All that is white in us in not pure nor (but driven to the breath of) snow that falls when the day turns cold. Our wanting all belonging (in this place), is even more the colon's gesture: already who bore …
Posted in 33: PASTORAL
Tagged Anne Elvey
